Historical Research, Creative Writing, and the Past
portes grátis
Historical Research, Creative Writing, and the Past
Methods of Knowing
Rantala, Paelvi; Morrison, Kevin A.
Taylor & Francis Ltd
01/2025
256
Mole
9781032180915
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Introduction: Methods of Knowing
Kevin A. Morrison and Paelvi Rantala
Section One: Textual and Conceptual Approaches
1. Epic Posturing and Epic Entanglements: Historiography, Creative Inquiry, and the Writing of the Self in Boiardo, Montaigne, and Cervantes
Alani Hicks-Bartlett
2. "The Machine for Showing Desire": Desert Romance Fiction and Knowing Sexual Desire
Catherine Phipps
3. Entwining Temporalities in Craig Williamson's The Complete Old English Poems
Elan Justice Pavlinich
Section Two: Material and Emotional Approaches
4. Filling in the Blanks: An Open Door Invitation to a Nineteenth-Century American Period Room
Kate Kramer
5. Scraps of History: Vernacular Archiving and Creative Composition
Ben Nadler
6. Tolkien, Cline, and the Quest for a Silmaril
Tom Ue and James Munday
Section Three: Experiential Approaches
7. Dreams, Historical Knowledge, and Death of a California Fisherwoman
Kevin A. Morrison
8. All Cops are Biased: Historiography as Detective Story
William G. Pooley
9. Sound Puppets: Using Sonic Nonfiction to Perform the Past
Diana Chester and Heidi Stalla
Section Four: Embodied Methodologies
10. Co-Imagining the History of a Village: Autoethnographer as Verbaliser of Experience-Based Knowledge
Jaana Kouri
11. My Writing Journey with the Webers
Paelvi Rantala
13. Knowing Hands: Using Tactile Research Methods in Researching and Writing the History of Design
Grace Lees-Maffei
Kevin A. Morrison and Paelvi Rantala
Section One: Textual and Conceptual Approaches
1. Epic Posturing and Epic Entanglements: Historiography, Creative Inquiry, and the Writing of the Self in Boiardo, Montaigne, and Cervantes
Alani Hicks-Bartlett
2. "The Machine for Showing Desire": Desert Romance Fiction and Knowing Sexual Desire
Catherine Phipps
3. Entwining Temporalities in Craig Williamson's The Complete Old English Poems
Elan Justice Pavlinich
Section Two: Material and Emotional Approaches
4. Filling in the Blanks: An Open Door Invitation to a Nineteenth-Century American Period Room
Kate Kramer
5. Scraps of History: Vernacular Archiving and Creative Composition
Ben Nadler
6. Tolkien, Cline, and the Quest for a Silmaril
Tom Ue and James Munday
Section Three: Experiential Approaches
7. Dreams, Historical Knowledge, and Death of a California Fisherwoman
Kevin A. Morrison
8. All Cops are Biased: Historiography as Detective Story
William G. Pooley
9. Sound Puppets: Using Sonic Nonfiction to Perform the Past
Diana Chester and Heidi Stalla
Section Four: Embodied Methodologies
10. Co-Imagining the History of a Village: Autoethnographer as Verbaliser of Experience-Based Knowledge
Jaana Kouri
11. My Writing Journey with the Webers
Paelvi Rantala
13. Knowing Hands: Using Tactile Research Methods in Researching and Writing the History of Design
Grace Lees-Maffei
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Writing;Historical Research;Creative Writing;Methods;Historical;Young Man;Milwaukee Art Museum;QR Code;Village Roadshow;Don Quijote;Current Book Project;Audio Essay;Desert Romance;Embodied Research;Au Lecteur;North African Men;Early English Culture;Object Handling;Village Roadshow Pictures;Fifty Shades;Creative Non-fiction;Mao Zedong;Blythe House;Sonic Argument;Period Room;Moroccan Men;Write Creative Non-fiction;Academic Writing Norms;Early English;Georges Braque
Introduction: Methods of Knowing
Kevin A. Morrison and Paelvi Rantala
Section One: Textual and Conceptual Approaches
1. Epic Posturing and Epic Entanglements: Historiography, Creative Inquiry, and the Writing of the Self in Boiardo, Montaigne, and Cervantes
Alani Hicks-Bartlett
2. "The Machine for Showing Desire": Desert Romance Fiction and Knowing Sexual Desire
Catherine Phipps
3. Entwining Temporalities in Craig Williamson's The Complete Old English Poems
Elan Justice Pavlinich
Section Two: Material and Emotional Approaches
4. Filling in the Blanks: An Open Door Invitation to a Nineteenth-Century American Period Room
Kate Kramer
5. Scraps of History: Vernacular Archiving and Creative Composition
Ben Nadler
6. Tolkien, Cline, and the Quest for a Silmaril
Tom Ue and James Munday
Section Three: Experiential Approaches
7. Dreams, Historical Knowledge, and Death of a California Fisherwoman
Kevin A. Morrison
8. All Cops are Biased: Historiography as Detective Story
William G. Pooley
9. Sound Puppets: Using Sonic Nonfiction to Perform the Past
Diana Chester and Heidi Stalla
Section Four: Embodied Methodologies
10. Co-Imagining the History of a Village: Autoethnographer as Verbaliser of Experience-Based Knowledge
Jaana Kouri
11. My Writing Journey with the Webers
Paelvi Rantala
13. Knowing Hands: Using Tactile Research Methods in Researching and Writing the History of Design
Grace Lees-Maffei
Kevin A. Morrison and Paelvi Rantala
Section One: Textual and Conceptual Approaches
1. Epic Posturing and Epic Entanglements: Historiography, Creative Inquiry, and the Writing of the Self in Boiardo, Montaigne, and Cervantes
Alani Hicks-Bartlett
2. "The Machine for Showing Desire": Desert Romance Fiction and Knowing Sexual Desire
Catherine Phipps
3. Entwining Temporalities in Craig Williamson's The Complete Old English Poems
Elan Justice Pavlinich
Section Two: Material and Emotional Approaches
4. Filling in the Blanks: An Open Door Invitation to a Nineteenth-Century American Period Room
Kate Kramer
5. Scraps of History: Vernacular Archiving and Creative Composition
Ben Nadler
6. Tolkien, Cline, and the Quest for a Silmaril
Tom Ue and James Munday
Section Three: Experiential Approaches
7. Dreams, Historical Knowledge, and Death of a California Fisherwoman
Kevin A. Morrison
8. All Cops are Biased: Historiography as Detective Story
William G. Pooley
9. Sound Puppets: Using Sonic Nonfiction to Perform the Past
Diana Chester and Heidi Stalla
Section Four: Embodied Methodologies
10. Co-Imagining the History of a Village: Autoethnographer as Verbaliser of Experience-Based Knowledge
Jaana Kouri
11. My Writing Journey with the Webers
Paelvi Rantala
13. Knowing Hands: Using Tactile Research Methods in Researching and Writing the History of Design
Grace Lees-Maffei
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Writing;Historical Research;Creative Writing;Methods;Historical;Young Man;Milwaukee Art Museum;QR Code;Village Roadshow;Don Quijote;Current Book Project;Audio Essay;Desert Romance;Embodied Research;Au Lecteur;North African Men;Early English Culture;Object Handling;Village Roadshow Pictures;Fifty Shades;Creative Non-fiction;Mao Zedong;Blythe House;Sonic Argument;Period Room;Moroccan Men;Write Creative Non-fiction;Academic Writing Norms;Early English;Georges Braque
