French Opera 1730-1830: Meaning and Media
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French Opera 1730-1830: Meaning and Media
Charlton, David
Taylor & Francis Ltd
03/2026
390
Mole
Inglês
9781041329763
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
Contents: The romance and its cognates: narrative, irony and vraisemblance in early opera-comique; Continuing polarities: Opera theory and opera-comique; Orchestra and chorus at the Comedie-Italienne (Opera-Comique), 1755-1799; The overture to Philidor's Le BA>>cheron (1763); 'Envoicing' the orchestra: Enlightenment metaphors in theory and practice; 'Minuet-scenes' in early opera-comique; Motive and motif: Mehul before 1791; Motif and recollection in four operas of Dalayrac; The French theatrical origins of Fidelio; Storms, sacrifices: the 'Melodrama Model' in Opera; Ossian, Le Sueur and opera; The dramaturgy of 'Grand Opera': some origins; On the nature of 'Grand Opera'; 'A maA (R)tre d'orchestre... conducts': new and old evidence on French practice; Index.
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musicological theory;narrative systems;opera aesthetics;orchestral practices;dramaturgy analysis;Enlightenment metaphors;early French opera research
Contents: The romance and its cognates: narrative, irony and vraisemblance in early opera-comique; Continuing polarities: Opera theory and opera-comique; Orchestra and chorus at the Comedie-Italienne (Opera-Comique), 1755-1799; The overture to Philidor's Le BA>>cheron (1763); 'Envoicing' the orchestra: Enlightenment metaphors in theory and practice; 'Minuet-scenes' in early opera-comique; Motive and motif: Mehul before 1791; Motif and recollection in four operas of Dalayrac; The French theatrical origins of Fidelio; Storms, sacrifices: the 'Melodrama Model' in Opera; Ossian, Le Sueur and opera; The dramaturgy of 'Grand Opera': some origins; On the nature of 'Grand Opera'; 'A maA (R)tre d'orchestre... conducts': new and old evidence on French practice; Index.
