Forms of Emotion
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Forms of Emotion
Human to Nonhuman in Drama, Theatre and Contemporary Performance
Tait, Peta
Taylor & Francis Ltd
05/2023
256
Mole
Inglês
9780367644987
15 a 20 dias
Descrição não disponível.
List of Figures
Acknowledgements
Introduction
Forms of Emotion
Chapter Summaries
Framing the Emotions, Emotional Feelings, Mood and Affect
Performing Is Not Feeling that Emotion
Chapter one: Affect Theory and Performance Intention
Performance Distinctions
Feeling Divided
Affect Currents
Contested Intentions
Live Performance - In Theory
Impersonal Affect and Personal Feeling
Presence and Transmission
Resistance
Formless Affect and Aesthetic Form
Chapter two: Judging Pity, Fear and Humanness
Pity and Fear in Action
Fear of Shame
Opposition Shocks
Wonder and Catharsis
Social Obedience
Mimetic Natures
Towards Compassion
Fear and Animalness
Chapter three: Appraising Emotional Feeling
Talk of Feeling
Navigating Obstruction
Substitute Passions
Appraisal of Emotional Feeling
Ugly Metaphor
Inexplicable Feeling
Cruel Structures of Colonized Feeling
Chapter four: Performing Moods, Tears and Bodily Phenomena
Theatrical Exchange
Modernist Convergence
Acting an Inner Self
Imagined spaces of Longing and Happiness
Doing Bodily Affect
Performing Freedom
Unifying Aesthetic Moods
Chapter five: Political Belief and Social Cognition of Emotions
Contesting Courage
Acting Science and the Brain-Body
Trauma's Affect
Unifying Empathy
Theatre's Emotional Economy
Emotional Feeling as Belief
Chapter six: En/Acting Diverse Emotional Freedoms
Rule-breaking Paradox
Love's Force Fields
Human Right to Emotional Feeling
Politics of Fear
Rage Against Postemotional Denial
Theatrical Freedoms
Chapter seven: Animals and Anthropocentric Emotionalism
Comic Surrogates
Tragic Symbols
Sensory Body Insensitivity
Performing Emotional Connections
Chapter eight: Enveloping the Nonhuman: Contemporary Indigenous Performance
Collaborating Traditions
Continuities in Storytelling
Bodily Perceiving Movement
Unity in Bangarra's Dark Emu
Enveloping Affect and Emotional Movement
Feeling Knowledge and Nonhuman Time
Chapter nine: Prosodies of Affect and Emotional Climates
Walking
Weather Worlds
Motivating
Talking
Breathing
Conclusion: Sharing
References
Index
Acknowledgements
Introduction
Forms of Emotion
Chapter Summaries
Framing the Emotions, Emotional Feelings, Mood and Affect
Performing Is Not Feeling that Emotion
Chapter one: Affect Theory and Performance Intention
Performance Distinctions
Feeling Divided
Affect Currents
Contested Intentions
Live Performance - In Theory
Impersonal Affect and Personal Feeling
Presence and Transmission
Resistance
Formless Affect and Aesthetic Form
Chapter two: Judging Pity, Fear and Humanness
Pity and Fear in Action
Fear of Shame
Opposition Shocks
Wonder and Catharsis
Social Obedience
Mimetic Natures
Towards Compassion
Fear and Animalness
Chapter three: Appraising Emotional Feeling
Talk of Feeling
Navigating Obstruction
Substitute Passions
Appraisal of Emotional Feeling
Ugly Metaphor
Inexplicable Feeling
Cruel Structures of Colonized Feeling
Chapter four: Performing Moods, Tears and Bodily Phenomena
Theatrical Exchange
Modernist Convergence
Acting an Inner Self
Imagined spaces of Longing and Happiness
Doing Bodily Affect
Performing Freedom
Unifying Aesthetic Moods
Chapter five: Political Belief and Social Cognition of Emotions
Contesting Courage
Acting Science and the Brain-Body
Trauma's Affect
Unifying Empathy
Theatre's Emotional Economy
Emotional Feeling as Belief
Chapter six: En/Acting Diverse Emotional Freedoms
Rule-breaking Paradox
Love's Force Fields
Human Right to Emotional Feeling
Politics of Fear
Rage Against Postemotional Denial
Theatrical Freedoms
Chapter seven: Animals and Anthropocentric Emotionalism
Comic Surrogates
Tragic Symbols
Sensory Body Insensitivity
Performing Emotional Connections
Chapter eight: Enveloping the Nonhuman: Contemporary Indigenous Performance
Collaborating Traditions
Continuities in Storytelling
Bodily Perceiving Movement
Unity in Bangarra's Dark Emu
Enveloping Affect and Emotional Movement
Feeling Knowledge and Nonhuman Time
Chapter nine: Prosodies of Affect and Emotional Climates
Walking
Weather Worlds
Motivating
Talking
Breathing
Conclusion: Sharing
References
Index
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affect theory;performance studies;emotional cognition;anthropocentrism;theatrical empathy;mood representation;nonhuman emotion in theatre
List of Figures
Acknowledgements
Introduction
Forms of Emotion
Chapter Summaries
Framing the Emotions, Emotional Feelings, Mood and Affect
Performing Is Not Feeling that Emotion
Chapter one: Affect Theory and Performance Intention
Performance Distinctions
Feeling Divided
Affect Currents
Contested Intentions
Live Performance - In Theory
Impersonal Affect and Personal Feeling
Presence and Transmission
Resistance
Formless Affect and Aesthetic Form
Chapter two: Judging Pity, Fear and Humanness
Pity and Fear in Action
Fear of Shame
Opposition Shocks
Wonder and Catharsis
Social Obedience
Mimetic Natures
Towards Compassion
Fear and Animalness
Chapter three: Appraising Emotional Feeling
Talk of Feeling
Navigating Obstruction
Substitute Passions
Appraisal of Emotional Feeling
Ugly Metaphor
Inexplicable Feeling
Cruel Structures of Colonized Feeling
Chapter four: Performing Moods, Tears and Bodily Phenomena
Theatrical Exchange
Modernist Convergence
Acting an Inner Self
Imagined spaces of Longing and Happiness
Doing Bodily Affect
Performing Freedom
Unifying Aesthetic Moods
Chapter five: Political Belief and Social Cognition of Emotions
Contesting Courage
Acting Science and the Brain-Body
Trauma's Affect
Unifying Empathy
Theatre's Emotional Economy
Emotional Feeling as Belief
Chapter six: En/Acting Diverse Emotional Freedoms
Rule-breaking Paradox
Love's Force Fields
Human Right to Emotional Feeling
Politics of Fear
Rage Against Postemotional Denial
Theatrical Freedoms
Chapter seven: Animals and Anthropocentric Emotionalism
Comic Surrogates
Tragic Symbols
Sensory Body Insensitivity
Performing Emotional Connections
Chapter eight: Enveloping the Nonhuman: Contemporary Indigenous Performance
Collaborating Traditions
Continuities in Storytelling
Bodily Perceiving Movement
Unity in Bangarra's Dark Emu
Enveloping Affect and Emotional Movement
Feeling Knowledge and Nonhuman Time
Chapter nine: Prosodies of Affect and Emotional Climates
Walking
Weather Worlds
Motivating
Talking
Breathing
Conclusion: Sharing
References
Index
Acknowledgements
Introduction
Forms of Emotion
Chapter Summaries
Framing the Emotions, Emotional Feelings, Mood and Affect
Performing Is Not Feeling that Emotion
Chapter one: Affect Theory and Performance Intention
Performance Distinctions
Feeling Divided
Affect Currents
Contested Intentions
Live Performance - In Theory
Impersonal Affect and Personal Feeling
Presence and Transmission
Resistance
Formless Affect and Aesthetic Form
Chapter two: Judging Pity, Fear and Humanness
Pity and Fear in Action
Fear of Shame
Opposition Shocks
Wonder and Catharsis
Social Obedience
Mimetic Natures
Towards Compassion
Fear and Animalness
Chapter three: Appraising Emotional Feeling
Talk of Feeling
Navigating Obstruction
Substitute Passions
Appraisal of Emotional Feeling
Ugly Metaphor
Inexplicable Feeling
Cruel Structures of Colonized Feeling
Chapter four: Performing Moods, Tears and Bodily Phenomena
Theatrical Exchange
Modernist Convergence
Acting an Inner Self
Imagined spaces of Longing and Happiness
Doing Bodily Affect
Performing Freedom
Unifying Aesthetic Moods
Chapter five: Political Belief and Social Cognition of Emotions
Contesting Courage
Acting Science and the Brain-Body
Trauma's Affect
Unifying Empathy
Theatre's Emotional Economy
Emotional Feeling as Belief
Chapter six: En/Acting Diverse Emotional Freedoms
Rule-breaking Paradox
Love's Force Fields
Human Right to Emotional Feeling
Politics of Fear
Rage Against Postemotional Denial
Theatrical Freedoms
Chapter seven: Animals and Anthropocentric Emotionalism
Comic Surrogates
Tragic Symbols
Sensory Body Insensitivity
Performing Emotional Connections
Chapter eight: Enveloping the Nonhuman: Contemporary Indigenous Performance
Collaborating Traditions
Continuities in Storytelling
Bodily Perceiving Movement
Unity in Bangarra's Dark Emu
Enveloping Affect and Emotional Movement
Feeling Knowledge and Nonhuman Time
Chapter nine: Prosodies of Affect and Emotional Climates
Walking
Weather Worlds
Motivating
Talking
Breathing
Conclusion: Sharing
References
Index
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