Experiential and Experimental Knowledge on the Early Modern English Stage
Experiential and Experimental Knowledge on the Early Modern English Stage
Kearney, James; Aulakh, Pavneet
Edinburgh University Press
04/2026
272
Dura
Inglês
9781399520836
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List of Figures
Acknowledgements
Series Editors' Preface
Introduction: Experimenting with Experience: Virtual Knowledge on the Early Modern English Stage
Pavneet Aulakh, James Kearney and Adam Rzepka
Part I. Experiential Knowledge
1. Experiencing Shakespeare's Experiences
Bruce R. Smith
2. Sad Experience: Jaques, Polonius, Gloucester
Adam Rzepka
Part II. Experimental Forms and Frames
3. Theatre as Portal: A Shakespearean Thought Experiment
Wendy Beth Hyman
4. Fictional Hypothesis, Lived Experience and Re-worlding in The Tempest
Jane Degenhardt
5. Amazement in The Tempest
Jenny C. Mann
Part III. Embodied Knowledge
6. Knowing Instincts in Shakespeare's Macbeth
Katherine Walker
7. Laughing Matters: Violence, Witness and Experiential Knowledge in The Massacre at Paris
Katie Adkison
Part IV. Experiential and Experimental Philosophy
8. Theatrical Experiments and Experiential Protestants: Shakespearean Iconoclasm in Love's Labors Lost
Jennifer Waldron
9. 'Boys that play with watry Bubbles': Innocence and Experience at the Infancy of Science
Elizabeth L. Swann
10. Through 'the woods of experience': Minding the Gaps in the Time of Experiment
Pavneet Aulakh
Afterword
Julia Reinhard Lupton
Notes on Contributors
Bibliography
Index
Acknowledgements
Series Editors' Preface
Introduction: Experimenting with Experience: Virtual Knowledge on the Early Modern English Stage
Pavneet Aulakh, James Kearney and Adam Rzepka
Part I. Experiential Knowledge
1. Experiencing Shakespeare's Experiences
Bruce R. Smith
2. Sad Experience: Jaques, Polonius, Gloucester
Adam Rzepka
Part II. Experimental Forms and Frames
3. Theatre as Portal: A Shakespearean Thought Experiment
Wendy Beth Hyman
4. Fictional Hypothesis, Lived Experience and Re-worlding in The Tempest
Jane Degenhardt
5. Amazement in The Tempest
Jenny C. Mann
Part III. Embodied Knowledge
6. Knowing Instincts in Shakespeare's Macbeth
Katherine Walker
7. Laughing Matters: Violence, Witness and Experiential Knowledge in The Massacre at Paris
Katie Adkison
Part IV. Experiential and Experimental Philosophy
8. Theatrical Experiments and Experiential Protestants: Shakespearean Iconoclasm in Love's Labors Lost
Jennifer Waldron
9. 'Boys that play with watry Bubbles': Innocence and Experience at the Infancy of Science
Elizabeth L. Swann
10. Through 'the woods of experience': Minding the Gaps in the Time of Experiment
Pavneet Aulakh
Afterword
Julia Reinhard Lupton
Notes on Contributors
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
experience; experiment; knowledge; epistemology; phenomenology; drama; early modern; Renaissance; Shakespeare
List of Figures
Acknowledgements
Series Editors' Preface
Introduction: Experimenting with Experience: Virtual Knowledge on the Early Modern English Stage
Pavneet Aulakh, James Kearney and Adam Rzepka
Part I. Experiential Knowledge
1. Experiencing Shakespeare's Experiences
Bruce R. Smith
2. Sad Experience: Jaques, Polonius, Gloucester
Adam Rzepka
Part II. Experimental Forms and Frames
3. Theatre as Portal: A Shakespearean Thought Experiment
Wendy Beth Hyman
4. Fictional Hypothesis, Lived Experience and Re-worlding in The Tempest
Jane Degenhardt
5. Amazement in The Tempest
Jenny C. Mann
Part III. Embodied Knowledge
6. Knowing Instincts in Shakespeare's Macbeth
Katherine Walker
7. Laughing Matters: Violence, Witness and Experiential Knowledge in The Massacre at Paris
Katie Adkison
Part IV. Experiential and Experimental Philosophy
8. Theatrical Experiments and Experiential Protestants: Shakespearean Iconoclasm in Love's Labors Lost
Jennifer Waldron
9. 'Boys that play with watry Bubbles': Innocence and Experience at the Infancy of Science
Elizabeth L. Swann
10. Through 'the woods of experience': Minding the Gaps in the Time of Experiment
Pavneet Aulakh
Afterword
Julia Reinhard Lupton
Notes on Contributors
Bibliography
Index
Acknowledgements
Series Editors' Preface
Introduction: Experimenting with Experience: Virtual Knowledge on the Early Modern English Stage
Pavneet Aulakh, James Kearney and Adam Rzepka
Part I. Experiential Knowledge
1. Experiencing Shakespeare's Experiences
Bruce R. Smith
2. Sad Experience: Jaques, Polonius, Gloucester
Adam Rzepka
Part II. Experimental Forms and Frames
3. Theatre as Portal: A Shakespearean Thought Experiment
Wendy Beth Hyman
4. Fictional Hypothesis, Lived Experience and Re-worlding in The Tempest
Jane Degenhardt
5. Amazement in The Tempest
Jenny C. Mann
Part III. Embodied Knowledge
6. Knowing Instincts in Shakespeare's Macbeth
Katherine Walker
7. Laughing Matters: Violence, Witness and Experiential Knowledge in The Massacre at Paris
Katie Adkison
Part IV. Experiential and Experimental Philosophy
8. Theatrical Experiments and Experiential Protestants: Shakespearean Iconoclasm in Love's Labors Lost
Jennifer Waldron
9. 'Boys that play with watry Bubbles': Innocence and Experience at the Infancy of Science
Elizabeth L. Swann
10. Through 'the woods of experience': Minding the Gaps in the Time of Experiment
Pavneet Aulakh
Afterword
Julia Reinhard Lupton
Notes on Contributors
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.