Exhibiting Italian Art in the United States from Futurism to Arte Povera
portes grátis
Exhibiting Italian Art in the United States from Futurism to Arte Povera
'Like a Giant Screen'
Bedarida, Raffaele
Taylor & Francis Ltd
06/2022
228
Dura
Inglês
9781032081298
15 a 20 dias
644
Descrição não disponível.
Introduction 1. (Prelude): "I Will Smash The Alps of the Atlantic:" Futurist Depero and Italian Americanism 2. Exporting Fascist Culture / Importing American Modernity 3. MoMA and the Post-War Rehabilitation of Italy 4. Tu Vuo Fa l'Americano: Catherine Viviano, Irene Brin, and Italian Art's Conquest of Hollywood 5. Transatlantic Arte Povera: The Trojan Horse of Germano Celant
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Italy;United States;art history;museum studies;Fortunato Depero;Futurist House;New York City;critic;artist;Germano Celant;Arte Povera;Futurist;fascism;Cold War;imperialism;modernity;modernism;modern art;transnational;hegemony;propaganda;MoMA;Museum of Modern Art;Alfred H. Barr, Jr.;Mussolini;Hollywood;Marino Marini;Massimo Campigli;Alberto Burri;Afro Basaldella;Lionello Venturi;Corrado Cagli;Mimi Pecci Blunt;Irene Brin;Eugenio Battisti;Contemporary Italian Art;Italian Art;MoMA Show;Arte Povera Artists;Young Man;Casa Italiana;Italian Modernism;Postwar Italy;Modern Italian Art;Italian Cultural Institute;York World's Fair;Young Italians;Michelangelo Pistoletto;Jewish Museum;Massimo Bontempelli;Alighiero Boetti;Filippo De Pisis;Jannis Kounellis;Enrico Prampolini
Introduction 1. (Prelude): "I Will Smash The Alps of the Atlantic:" Futurist Depero and Italian Americanism 2. Exporting Fascist Culture / Importing American Modernity 3. MoMA and the Post-War Rehabilitation of Italy 4. Tu Vuo Fa l'Americano: Catherine Viviano, Irene Brin, and Italian Art's Conquest of Hollywood 5. Transatlantic Arte Povera: The Trojan Horse of Germano Celant
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Italy;United States;art history;museum studies;Fortunato Depero;Futurist House;New York City;critic;artist;Germano Celant;Arte Povera;Futurist;fascism;Cold War;imperialism;modernity;modernism;modern art;transnational;hegemony;propaganda;MoMA;Museum of Modern Art;Alfred H. Barr, Jr.;Mussolini;Hollywood;Marino Marini;Massimo Campigli;Alberto Burri;Afro Basaldella;Lionello Venturi;Corrado Cagli;Mimi Pecci Blunt;Irene Brin;Eugenio Battisti;Contemporary Italian Art;Italian Art;MoMA Show;Arte Povera Artists;Young Man;Casa Italiana;Italian Modernism;Postwar Italy;Modern Italian Art;Italian Cultural Institute;York World's Fair;Young Italians;Michelangelo Pistoletto;Jewish Museum;Massimo Bontempelli;Alighiero Boetti;Filippo De Pisis;Jannis Kounellis;Enrico Prampolini
