Encountering Environments through the Arts
Encountering Environments through the Arts
Interdisciplinary Embodiments, Politics, and Imaginaries
Chubb, Shirley; Hunter, Victoria
Taylor & Francis Ltd
03/2025
284
Dura
9781032733791
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
Introduction
Part 1: Encounters and Imaginaries
1. 'Walking White Cliffs Country'
2. 'Imagined Landscapes/ Uncertain Surfaces: Running, writing, experimental film and Parkinson's Disease'
3. Native American Theatre as Environmental 'Intervention': Larissa FastHorse and Cornerstone Theater Company's 'Place-Specific' Production of Urban Rez
4. 'Correspondence, Coequality and Wildness in Site-based Screen Dance'
Part 2: Access and Permissions: Inclusions and exclusions
5. 'Playing Kate: Encroaching and enclosing the maternal commons'
6. Dancing in the Street: Pride, Parade and Protest
7. 'Black dancers: Breaking barriers in British ballet institutions'
8. 'Mudlarking through organisational culture'
Part 3: Poetic Encounters: Inner and Outer dialogues
9. 'Tumbles through reality, memory and fiction: desiring a tactile (re)imagining with the Pembrokeshire coast'
10. 'Using Diagrams in Place-Based Performances'
11. 'Sympoietic Encounters'
12. 'The poetics of eco-somatics: on body, mind and ecology.'
Part 4: Ecologies, Care and Immersion
13. 'Who Cares: Encounters with the aesthetic use of thermal imaging to explore the role of touch as a signifier of care, contamination, intimacy and trust.'
14. 'From Home to Home: Steps Between Worlds: Peregrination and the Art of Place-Making'
15. 'rince / damsha / macnas: A dance between Gaelic language, embodied disputed spatial practice and choreography as a tool of socio-ecological praxis.'
16. Transgressing Boundaries: BMX biking, public green space and the generation of the commons
Part 1: Encounters and Imaginaries
1. 'Walking White Cliffs Country'
2. 'Imagined Landscapes/ Uncertain Surfaces: Running, writing, experimental film and Parkinson's Disease'
3. Native American Theatre as Environmental 'Intervention': Larissa FastHorse and Cornerstone Theater Company's 'Place-Specific' Production of Urban Rez
4. 'Correspondence, Coequality and Wildness in Site-based Screen Dance'
Part 2: Access and Permissions: Inclusions and exclusions
5. 'Playing Kate: Encroaching and enclosing the maternal commons'
6. Dancing in the Street: Pride, Parade and Protest
7. 'Black dancers: Breaking barriers in British ballet institutions'
8. 'Mudlarking through organisational culture'
Part 3: Poetic Encounters: Inner and Outer dialogues
9. 'Tumbles through reality, memory and fiction: desiring a tactile (re)imagining with the Pembrokeshire coast'
10. 'Using Diagrams in Place-Based Performances'
11. 'Sympoietic Encounters'
12. 'The poetics of eco-somatics: on body, mind and ecology.'
Part 4: Ecologies, Care and Immersion
13. 'Who Cares: Encounters with the aesthetic use of thermal imaging to explore the role of touch as a signifier of care, contamination, intimacy and trust.'
14. 'From Home to Home: Steps Between Worlds: Peregrination and the Art of Place-Making'
15. 'rince / damsha / macnas: A dance between Gaelic language, embodied disputed spatial practice and choreography as a tool of socio-ecological praxis.'
16. Transgressing Boundaries: BMX biking, public green space and the generation of the commons
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
performance studies;encountering environments;site-specific;dance;arts;humanities;environmental performance;cultural studies
Introduction
Part 1: Encounters and Imaginaries
1. 'Walking White Cliffs Country'
2. 'Imagined Landscapes/ Uncertain Surfaces: Running, writing, experimental film and Parkinson's Disease'
3. Native American Theatre as Environmental 'Intervention': Larissa FastHorse and Cornerstone Theater Company's 'Place-Specific' Production of Urban Rez
4. 'Correspondence, Coequality and Wildness in Site-based Screen Dance'
Part 2: Access and Permissions: Inclusions and exclusions
5. 'Playing Kate: Encroaching and enclosing the maternal commons'
6. Dancing in the Street: Pride, Parade and Protest
7. 'Black dancers: Breaking barriers in British ballet institutions'
8. 'Mudlarking through organisational culture'
Part 3: Poetic Encounters: Inner and Outer dialogues
9. 'Tumbles through reality, memory and fiction: desiring a tactile (re)imagining with the Pembrokeshire coast'
10. 'Using Diagrams in Place-Based Performances'
11. 'Sympoietic Encounters'
12. 'The poetics of eco-somatics: on body, mind and ecology.'
Part 4: Ecologies, Care and Immersion
13. 'Who Cares: Encounters with the aesthetic use of thermal imaging to explore the role of touch as a signifier of care, contamination, intimacy and trust.'
14. 'From Home to Home: Steps Between Worlds: Peregrination and the Art of Place-Making'
15. 'rince / damsha / macnas: A dance between Gaelic language, embodied disputed spatial practice and choreography as a tool of socio-ecological praxis.'
16. Transgressing Boundaries: BMX biking, public green space and the generation of the commons
Part 1: Encounters and Imaginaries
1. 'Walking White Cliffs Country'
2. 'Imagined Landscapes/ Uncertain Surfaces: Running, writing, experimental film and Parkinson's Disease'
3. Native American Theatre as Environmental 'Intervention': Larissa FastHorse and Cornerstone Theater Company's 'Place-Specific' Production of Urban Rez
4. 'Correspondence, Coequality and Wildness in Site-based Screen Dance'
Part 2: Access and Permissions: Inclusions and exclusions
5. 'Playing Kate: Encroaching and enclosing the maternal commons'
6. Dancing in the Street: Pride, Parade and Protest
7. 'Black dancers: Breaking barriers in British ballet institutions'
8. 'Mudlarking through organisational culture'
Part 3: Poetic Encounters: Inner and Outer dialogues
9. 'Tumbles through reality, memory and fiction: desiring a tactile (re)imagining with the Pembrokeshire coast'
10. 'Using Diagrams in Place-Based Performances'
11. 'Sympoietic Encounters'
12. 'The poetics of eco-somatics: on body, mind and ecology.'
Part 4: Ecologies, Care and Immersion
13. 'Who Cares: Encounters with the aesthetic use of thermal imaging to explore the role of touch as a signifier of care, contamination, intimacy and trust.'
14. 'From Home to Home: Steps Between Worlds: Peregrination and the Art of Place-Making'
15. 'rince / damsha / macnas: A dance between Gaelic language, embodied disputed spatial practice and choreography as a tool of socio-ecological praxis.'
16. Transgressing Boundaries: BMX biking, public green space and the generation of the commons
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.