Embodied VulnerAbilities in Literature and Film

Embodied VulnerAbilities in Literature and Film

Fernandez-Santiago, Miriam; Gamez-Fernandez, Cristina M.

Taylor & Francis Ltd

12/2024

210

Mole

9781032231426

Pré-lançamento - envio 15 a 20 dias após a sua edição

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List of Contributors

Preface: Framing Vulnerable Embodiments as Precarity's Product

David T. Mitchell

Introduction: An Ecology of Embodied VulnerAbility-Literary and Filmic Representations across the GlobeCristina M. Gamez-Fernandez and Miriam Fernandez-Santiago

Chapter 1

Vulnerable Masculinity: Emotional Transcendence and the Re-Framing of the Bushido in Takarazuka Revue's Performance Strategy

Maria Grajdian

Chapter 2

Norma Desmond and Fedora Performing Vulnerability: Masking Age, Gendering Bodies, Transforming Selves

Marta Miquel-Baldellou

Chapter 3

Vulnerable Motherhood: The Precarious Mother in Unlikely Angel (2005) and Captive (2015)

Miriam Borham-Puyal

Chapter 4

Vulnerable Children: Collective Resistance in Songs My Brothers Taught Me (2015)

Andres Buesa

Chapter 5

Vulnerability on Contemporary Stage: Embodying Gendered Precarity in Gary Owen's Iphigenia in Splott (2015) and In the Pipeline (2010)

Susana Nicolas Roman

Chapter 6

Poetics of Vulnerability: Stephane Bouquet and Marie-Claire Bancquart Writing as Exploration of the Limits of Collective and Singular Bodies

Nicholas Hauck

Chapter 7

Vulnerable Encounters: Family Wounds, Illness, and Pain in Yaa Gyasi's Transcendent Kingdom (2020)

Paula Barba Guerrero

Chapter 8

Vulnerability through the Invulnerable Transhuman Lens: Ethics and Disruption of Emotional Connections and Mental Affections in Maniac (2018)

Ana Chapman

Chapter 9

In Praise of Small Things: Vulnerable (Yet Resilient) Bodies in Madeline Bassnett's Under the Gamma Camera (2019)

Leonor Maria Martinez Serrano

Chapter 10

Recognizing Vulnerabilities in Rural Spain: Political and Literary Forms of Resistance

McKew Devitt

Chapter 11

Vulnerability, (In)Hospitable Politics, and Ethical Encounters in The Visitor (2007)

Luisa Maria Gonzalez Rodriguez

Chapter 12

Recording One's Vulnerability: Refugees' Experiences in the Auto-Documentaries #MyEscape (2016), Chauka Please Tells Us the Time (2017), and Midnight Traveler (2019)

Beatriz Perez Zapata and Victor Navarro-Remesal

Index
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passivity;victimhood;Film;ontological;Vulnerabilities;Situational Vulnerability;Conferred;Vulner Ability;Wanders;Takarazuka Revue;Gamma Camera;Discursive Practices;Zeynep Gambetti;Clips;Sunset Boulevard;Persona;Omnipresent;Postwar;USA;Ethical Encounter;Held;Twilight;Young Man;Steam;Mental Affections;Cinema Star;Viscous Porosity;Zhao 2015a;Mother Daughter Plot;Standardized Performers