Eighteenth-Century Opera and Ballet

Acknowledgments
Introduction: Celebrating the Legacy of Bruce Alan Brown
Vanessa L. Rogers and Janet K. Page

Part I: Illuminating Artistic Practice
1. Ballet in Paris in the Late Eighteenth Century, as Discussed by a French Cellist and a Russian Nobleman
John A. Rice
2. Between Theoretical Aspiration and Artistic Practice: Angiolini in Vienna, 1774-76
Irene Brandenburg
3. Airy Emanations or Pindaric Flights? Singing in London with Farinelli (and Nicola Porpora)
Michael Burden
4. Reviving Eighteenth-Century Ballet-Pantomime Repertoire: In the Footsteps of Bruce A. Brown
Helena Kazarova

Part II: Text and Character
5. Prospero, Sarastro, Faust
Thomas Bauman
6. Connections between Die Zauberfloete, Die Sonnenjungfrau, and Das Sonnenfest der Braminen
Lisa de Alwis
7. Between Documentation and Image Construction: Gluck's Biography and Its Sources
Daniel Brandenburg

Part III: Sources, Documentation, and Research Issues
8. (Im)possible Love? The Galanteries of Farinelli
Anne Desler
9. New Documents on Aloisia and Joseph Lange
Michael Lorenz
10. The Genesis of Mozart's Le nozze di Figaro
Dexter Edge
11. Nannerl's Rebus, or Is a Picture Worth 5,000 Words?
Neal Zaslaw
12. The Colonial Opera Dilemma: Research Ethics and Heritagization in a 1960s Controversy in Brazil
Rogerio Budasz
List of Contributors
Selected Bibliography of Publications by Bruce Alan Brown
Index
Tabula Gratulatoria

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Eighteenth-Century; Opera; Ballet; European Culture; Musical Performance; Theatrical Dance; Historical Practices; Goethe; Gluck; Mozart; Farinelli; Aloisia Lange