Divine Arabesque
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Divine Arabesque
The Influence of Poe, Wagner, and Baudelaire on Debussy's Modernist Aesthetics
Brown, Matthew
Indiana University Press
03/2026
542
Dura
Inglês
9780253074553
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Acknowledgments
I: Preliminaries
Introduction: Debussy's Concept of the Musical Arabesque
1. Arabesques, Moresques, and Grotesques
II: Decoration and Counterpoint
2. Debussy's Premiere Arabesque and the Legacy of J. S. Bach
3. Exoticism, Escapism, and Ennui
4. Prelude a L'Apres-midi d'un faune
III: Part and Whole
5. "A Premeditated Design"
6. La Mer and the Case of the Missing Fanfares
7. Bitten by the Tarantella: Debussy and Self-Generating Form
IV: Borrowing and Self-Generation
8. Pelleas et Melisande, Arabesques, and Texts within Texts
9. Fake Beards and False Mustaches
10. Jeux: Poetry as Dance
V: Emotions and Images
11. "Les miroirs ternis"
12. Debussy's Cinematic Obsessions
13. Arabesques as Confessions
Conclusion: Coming Full Circle
Bibliography
Index
I: Preliminaries
Introduction: Debussy's Concept of the Musical Arabesque
1. Arabesques, Moresques, and Grotesques
II: Decoration and Counterpoint
2. Debussy's Premiere Arabesque and the Legacy of J. S. Bach
3. Exoticism, Escapism, and Ennui
4. Prelude a L'Apres-midi d'un faune
III: Part and Whole
5. "A Premeditated Design"
6. La Mer and the Case of the Missing Fanfares
7. Bitten by the Tarantella: Debussy and Self-Generating Form
IV: Borrowing and Self-Generation
8. Pelleas et Melisande, Arabesques, and Texts within Texts
9. Fake Beards and False Mustaches
10. Jeux: Poetry as Dance
V: Emotions and Images
11. "Les miroirs ternis"
12. Debussy's Cinematic Obsessions
13. Arabesques as Confessions
Conclusion: Coming Full Circle
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
music analysis; art history; symbolism; modernism; aesthetics; intertextuality; ornamentation; piano; french music; Fin de Siecle
Acknowledgments
I: Preliminaries
Introduction: Debussy's Concept of the Musical Arabesque
1. Arabesques, Moresques, and Grotesques
II: Decoration and Counterpoint
2. Debussy's Premiere Arabesque and the Legacy of J. S. Bach
3. Exoticism, Escapism, and Ennui
4. Prelude a L'Apres-midi d'un faune
III: Part and Whole
5. "A Premeditated Design"
6. La Mer and the Case of the Missing Fanfares
7. Bitten by the Tarantella: Debussy and Self-Generating Form
IV: Borrowing and Self-Generation
8. Pelleas et Melisande, Arabesques, and Texts within Texts
9. Fake Beards and False Mustaches
10. Jeux: Poetry as Dance
V: Emotions and Images
11. "Les miroirs ternis"
12. Debussy's Cinematic Obsessions
13. Arabesques as Confessions
Conclusion: Coming Full Circle
Bibliography
Index
I: Preliminaries
Introduction: Debussy's Concept of the Musical Arabesque
1. Arabesques, Moresques, and Grotesques
II: Decoration and Counterpoint
2. Debussy's Premiere Arabesque and the Legacy of J. S. Bach
3. Exoticism, Escapism, and Ennui
4. Prelude a L'Apres-midi d'un faune
III: Part and Whole
5. "A Premeditated Design"
6. La Mer and the Case of the Missing Fanfares
7. Bitten by the Tarantella: Debussy and Self-Generating Form
IV: Borrowing and Self-Generation
8. Pelleas et Melisande, Arabesques, and Texts within Texts
9. Fake Beards and False Mustaches
10. Jeux: Poetry as Dance
V: Emotions and Images
11. "Les miroirs ternis"
12. Debussy's Cinematic Obsessions
13. Arabesques as Confessions
Conclusion: Coming Full Circle
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
