Curating Deviance
portes grátis
Curating Deviance
Programming the Queer Film Canon
Francis, Marc
Duke University Press
02/2026
302
Dura
Inglês
9781478029632
15 a 20 dias
Descrição não disponível.
Acknowledgments ix
Introduction 1
1. Promiscuous Programming: Filmic Eclecticism in Post-1968 Art House Cinema 23
2. Deviant Repertories: The Queer Typologies and Taxonomies of Art House Curating 57
3. Erotic Intertextuality: On the Programmatic Forms of Desire 97
4. Repertory Time: Double Features and the Temporality of Queer Spectatorship 143
5. For Shame! On the History of Programming Queer "Bad Objects" 181
Afterword. Curating Queer Cinema After 1989 207
Notes 215
Bibliography 267
Index 281
Introduction 1
1. Promiscuous Programming: Filmic Eclecticism in Post-1968 Art House Cinema 23
2. Deviant Repertories: The Queer Typologies and Taxonomies of Art House Curating 57
3. Erotic Intertextuality: On the Programmatic Forms of Desire 97
4. Repertory Time: Double Features and the Temporality of Queer Spectatorship 143
5. For Shame! On the History of Programming Queer "Bad Objects" 181
Afterword. Curating Queer Cinema After 1989 207
Notes 215
Bibliography 267
Index 281
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Film programming; Curation; Sex in motion pictures; Queer theory; Deviance Studies; Art Cinema; Intertextuality; John Waters; Pier Paolo Pasolini; Russ Meyer; Rainer Werner Fassbinder; art house cinema; repertory cinema; sociology; taste; pornography; urban; trash; Classic Hollywood; Iris Barry; Amos Vogel; Pauline Kael; eroticism; perversion; intertextual analysis; temporality; carnivalesque; bisexuality; double feature; lesbian feminism; film festivals; B. Ruby Rich; Judith Mayne; Andrea Weiss; Russ Meyers; new queer cinema; digital streaming
Acknowledgments ix
Introduction 1
1. Promiscuous Programming: Filmic Eclecticism in Post-1968 Art House Cinema 23
2. Deviant Repertories: The Queer Typologies and Taxonomies of Art House Curating 57
3. Erotic Intertextuality: On the Programmatic Forms of Desire 97
4. Repertory Time: Double Features and the Temporality of Queer Spectatorship 143
5. For Shame! On the History of Programming Queer "Bad Objects" 181
Afterword. Curating Queer Cinema After 1989 207
Notes 215
Bibliography 267
Index 281
Introduction 1
1. Promiscuous Programming: Filmic Eclecticism in Post-1968 Art House Cinema 23
2. Deviant Repertories: The Queer Typologies and Taxonomies of Art House Curating 57
3. Erotic Intertextuality: On the Programmatic Forms of Desire 97
4. Repertory Time: Double Features and the Temporality of Queer Spectatorship 143
5. For Shame! On the History of Programming Queer "Bad Objects" 181
Afterword. Curating Queer Cinema After 1989 207
Notes 215
Bibliography 267
Index 281
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Film programming; Curation; Sex in motion pictures; Queer theory; Deviance Studies; Art Cinema; Intertextuality; John Waters; Pier Paolo Pasolini; Russ Meyer; Rainer Werner Fassbinder; art house cinema; repertory cinema; sociology; taste; pornography; urban; trash; Classic Hollywood; Iris Barry; Amos Vogel; Pauline Kael; eroticism; perversion; intertextual analysis; temporality; carnivalesque; bisexuality; double feature; lesbian feminism; film festivals; B. Ruby Rich; Judith Mayne; Andrea Weiss; Russ Meyers; new queer cinema; digital streaming
