Critical Approaches to Art, Race and Coloniality in Eastern Europe

Introduction SECTION I: A Materialist Critique 1. Between Empires: Uneven and Combined Development in the Context of Yugoslav Art 2. Decolonial Erasures: Undoing Soviet Modernity 3. Plovdiv's Bratska Mogila as a Microcosm of the 1960s and 1970s in Bulgaria and the Socialist World 4. Does the Post- in Postcolonial mean the same as the Post- in Postsocialist Art? SECTION II: A Transcultural Critique 5. Imperialism, Colonialism and Ukrainian Identity: The Case of Mykhailo Boichuk's School of Monumental Art 6.Who owns modernism?: Indigenous agents among Polish, Jewish, and Ukrainian entanglements in interwar Lviv 7. "Like Ghosts and Phantoms:" Colonialism, Racialized Vision and the Status of Blackness in Interwar Poland 8. The Spatial Practice of the Avant-garde: Ilia Zdanevich 1912-1919 POSTSCRIPT: Art and Liberation 9. Decolonization and Revolution in Ukraine 2000-Present

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• Sociologia
• Estudos étnicos
• Historia da arte / estilos de arte e design
• Colonialismo, imperialismo e

semi-periphery studies;whiteness theory;visual culture critique;global art historiography;postsocialist transformation;indigenous agency;critical methodologies in Eastern European art