Crisis TV

Acknowledgments

Foreword
Paul Julian Smith

Introduction: Crisis TV: Hispanic Television Narratives after 2008
Maria del Carmen Cana Jimenez and Vinodh Venkatesh

Section 1: Crisis Industries

1. From the Big Freeze to Peak TV: A Decade in the Spanish TV Drama Industry between Two Crises (2010-2020)
Concepcion Cascajosa Virino

2. The Perfect Storm: Chilean Audiovisual Fiction in Times of Globalization
Lorena Antezana Barrios

Section 2: Crisis Societies

3. Immigration, Exploitation, and Assemblage in Destino: Sao Paulo
Dorian Lee Jackson

4. Notes on Prison Saga El Marginal: New Alliances and Transformations in the Argentine Serial Narrative
Carolina Soria, translated by Maria Victoria Boano

Section 3: Crisis Genres and Transnational Productions

5. Banking on Crisis Capitalism: Money and the State in Bank Heist Media
Camilla Fojas

6. Televisual Narco Fiction in Times of Crisis: The Case of Farina
Francisca Lopez

Section 4: Crisis Temporalities: Rethinking the Past in the Present

7. Netflix and "Espana Global": Promoting Spain through Television Streaming in La casa de papel, Las chicas del cable, and Elite
Joanne Britland

8. Crises Upon Crisis: Game of Mirrors, Baroque Elements, and Cervantine Influences in La que se avecina
Maria del Carmen Cana Jimenez

Section 5: Crisis Futures: Superheroes and Science Fiction

9. Alternative Realities: Central American Science Fiction Television and the Reimagining of Society's Future
Greg C. Severyn

10. Small-Screen Superheroes in Argentina and Mexico: Nafta Super and Blue Demon
Vinodh Venkatesh

Closing Credits

Conclusion: La Debacle
Hernan Rodriguez Matte

Contributors
Index

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