Charles-Simon Catel's Treatise on Harmony and the Disciplining of Harmony at the Early Paris Conservatory

Contents

Note on Figured-Bass Symbols

Acknowledgments

Introduction: Harmony as Discipline

I. Institutional Power and Disciplinary Pretexts

Chapter 1. The Institutional Authorization of Catel's Harmonic Theory and the Reconciliation of Fundamental Bass Theory with Figured Bass Practice

Chapter 2. The Institutional Sources of Catel's (Contested) Authority

II. The Cours d'Harmonie as Coordination of Disciplinary Technologies

Chapter 3. Disciplinary Networks: Sources and Structures of the Cours d'Harmonie

Chapter 4. Reconstructing the Theory, Pedagogy, and Method of the Early Cours d'Harmonie

Chapter 5. Harmony's Boundaries and the Internalization of Disciplinary Norms

III. The Transmission and Midcentury Revision of Disciplinary (and Generic) Structures

Chapter 6. Tonalite, Modulation, and Alteration: Catel Reception at Midcentury

Chapter 7. Tonal Redaction as Generic Convention in the Traite Complet Theorique et Pratique



Conclusion

Appendix A. Common Marches

Appendix B. Common Broderies

Appendix C. Common Cadences

Bibliography

About the Author

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Charles-Simon Catel;harmony treatises;history of harmony;music theory history;Paris Conservatory;partimenti;Victor Dourlen