Boundaries of Violence in Early Modern England

Boundaries of Violence in Early Modern England

Dressel, Samantha; Carter, Matthew

Taylor & Francis Ltd

12/2024

160

Mole

9781032333359

Pré-lançamento - envio 15 a 20 dias após a sua edição

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Contributor Biographies

Acknowledgements

Introduction

Chapter 1. The Boundaries of Theatrical Violence

Chapter 2. "Witchy Woman": Reading Women and Occult Power in Popular Literature of Early Modern England

Chapter 3. The Grotesque Female Body on the Scaffold: The Execution of Annis Bankyn (1590)

Chapter 4. "I Will Keepe None of There Bastardes": The Violence of Scarcity in Ben Jonson's Every Man Out of His Humour

Chapter 5. "A x to her, slaps her face-she kneels": Violence between the Lines in 2.4 of Measure for Measure

Chapter 6. 'Villains, all three': Object-led Violence in The Revenger's Tragedy

Chapter 7. Fool on the Body and Madness on the Mind in John Marston's Antonio Plays

Chapter 8. "Slack in [Neither] Tongue [Nor] Performance": The Duchess's Maternal Authority and Incestuous Revenge in The Revenger's Tragedy

Chapter 9. 'This Stroke for the Most Wronged of Women': Sexual Coercion and Revenge Violence in The Maid's Tragedy

Coda

Index
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violence;history;comedy;Shakespeare;performance;Theatre;Revenge Tragedies;Early Modern;Violate;Junior Brother;Follow;Early Modern England;Revenge Plot;Maid's Tragedy;RSC Production;Revenge Violence;Antonio's Revenge;Holding;Petty Treason;Gloriana's Skull;Human Suffering;Incestuous Affair;Maternal Authority;Stage Business;Thing Theory;Arden Murder;Capitol;Capitol Building;Hytner Production;Jonson's Play;Female Poisoners