Art, Observation, and an Anthropology of Illustration

List of Illustrations
List of Contributors
Introduction

Part I: Drawing as Method

1: The question of expression when using art as a research method in anthropology: notes for the anthropologist-artist
Paola Tine
2: Pictorial Ethnographies of the Solomon Islands
Ben Burt
3: "You have to be a draughtsman to be an ethnographer!". The Legacy of Giuseppe "Bepo" Sebesta in Ethnographic Museography
Giovanni Kezich and Antonella Mott

Part II: The Production of Indigenous Visual Knowledge
4: Pictorialization as resource in the Cameroon Grassfield: Ibrahim Njoya's illustrations for the History and Customs of the Bamum (1927-1930)
Simon Dell
5: Owning the Image: Indigenous children claim visual sovereignty far from home
Jacqueline Fear-Segal
6: Graphically speaking: the stories told by Northwest Coast prints
India Young

Part III: Political Economies of Art
7: Ethnographic study of 19th century Kathmandu through artworks
Sanyukta Shrestha
8: Like a porcupine: holy wounds in Spanish America
Peter Mason
9: Art and the limits of representation: Portraits and portrayals of Mid-western Indigenous peoples in the early United States republic
Stephanie Pratt
10: Interpreting art and ethnography in George Catlin's Selection of Indian Pipes
Annika Johnson

Index

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• Teoria de arte
• Historia da arte / estilos de arte e design
• Antropologia social e cultural
• Arte folk
• Arte de povos indígenas
• Métodos de pesquisa: geral

Survivance; Body ornaments; Hybridity; Njoya; appropriation; extraversion; pictorialisation; Visual sovereignty; colonial art; Religious art; Performative images; Tobacco pipes; Native American art; Plains art; Indigenous art