Aesthetics of Participation
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Aesthetics of Participation
Atmosphere, Design, and Experience at the Oslo Opera House
Hektor Payne-Frank, Jeremy
Taylor & Francis Ltd
12/2024
224
Dura
9781032668772
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Chapter 1. Introduction: The Oslo Opera House
A social monument
Tourists and locals
An atmospheric lens
The Nordic invitation to Participate
Immaterial Architecture
Chapter 2. Adopting an Atmospheric Lens
Atmospheric perspectives
Thinking about atmospheres
Building experience: architecture and atmosphere
Coercive atmosphere
Research atmosphere: methods and tools
Withdrawing from atmosphere: taking photography seriously
Pinholes and Fuzzy
Digital media participation
Chapter 3. Transformative Participation
The road to Bjorvika
The Fjord City
Bjorvika and beyond
Snohetta
A Nolli map
Competition entry 04321
The Art
A stone saga
Rethinking participation: Arnstein's ladder
Chapter 4. Material Participation
From the city to the roof
Marble: surfaces of the white carpet
Whiteness
Marble's social and synesthetic Character
Whiteness and a cleansing of the eye
Whiteness and blur
Designing ambiguity: the palace, whiteness, and a Norwegian sensibility to nature
Chapter 5. Movement Participation
Architecture of the Oblique
Dwelling, Tripping, Inhabiting
Life in the Norwegian Open Air
Resonance, Dissonance, and a Good-Natured Elitism
Chapter 6. Light Participation
Nordic Light, Nordic Architecture: From the Roof to the Foyer
Daylight in the OOH
Artificial Light
Transitions
From Bubbles to Foam
Chapter 7. Art Participation
First Encounter with the wall
Democratic Surfaces
Democratic surrounds: The wall as weather machine
Creative Kitchens: process as art
The wall through social media
Selfies and mirror selfies
The wall, Dissensus, and a Partitioning of the Sensible
Chapter 8 Conclusion: Exiting the house
Bibliography
A social monument
Tourists and locals
An atmospheric lens
The Nordic invitation to Participate
Immaterial Architecture
Chapter 2. Adopting an Atmospheric Lens
Atmospheric perspectives
Thinking about atmospheres
Building experience: architecture and atmosphere
Coercive atmosphere
Research atmosphere: methods and tools
Withdrawing from atmosphere: taking photography seriously
Pinholes and Fuzzy
Digital media participation
Chapter 3. Transformative Participation
The road to Bjorvika
The Fjord City
Bjorvika and beyond
Snohetta
A Nolli map
Competition entry 04321
The Art
A stone saga
Rethinking participation: Arnstein's ladder
Chapter 4. Material Participation
From the city to the roof
Marble: surfaces of the white carpet
Whiteness
Marble's social and synesthetic Character
Whiteness and a cleansing of the eye
Whiteness and blur
Designing ambiguity: the palace, whiteness, and a Norwegian sensibility to nature
Chapter 5. Movement Participation
Architecture of the Oblique
Dwelling, Tripping, Inhabiting
Life in the Norwegian Open Air
Resonance, Dissonance, and a Good-Natured Elitism
Chapter 6. Light Participation
Nordic Light, Nordic Architecture: From the Roof to the Foyer
Daylight in the OOH
Artificial Light
Transitions
From Bubbles to Foam
Chapter 7. Art Participation
First Encounter with the wall
Democratic Surfaces
Democratic surrounds: The wall as weather machine
Creative Kitchens: process as art
The wall through social media
Selfies and mirror selfies
The wall, Dissensus, and a Partitioning of the Sensible
Chapter 8 Conclusion: Exiting the house
Bibliography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Oslo Opera house;Norway Tourism;culture-led building;art;atmospheric;atmosphere;urban space;architecture
Chapter 1. Introduction: The Oslo Opera House
A social monument
Tourists and locals
An atmospheric lens
The Nordic invitation to Participate
Immaterial Architecture
Chapter 2. Adopting an Atmospheric Lens
Atmospheric perspectives
Thinking about atmospheres
Building experience: architecture and atmosphere
Coercive atmosphere
Research atmosphere: methods and tools
Withdrawing from atmosphere: taking photography seriously
Pinholes and Fuzzy
Digital media participation
Chapter 3. Transformative Participation
The road to Bjorvika
The Fjord City
Bjorvika and beyond
Snohetta
A Nolli map
Competition entry 04321
The Art
A stone saga
Rethinking participation: Arnstein's ladder
Chapter 4. Material Participation
From the city to the roof
Marble: surfaces of the white carpet
Whiteness
Marble's social and synesthetic Character
Whiteness and a cleansing of the eye
Whiteness and blur
Designing ambiguity: the palace, whiteness, and a Norwegian sensibility to nature
Chapter 5. Movement Participation
Architecture of the Oblique
Dwelling, Tripping, Inhabiting
Life in the Norwegian Open Air
Resonance, Dissonance, and a Good-Natured Elitism
Chapter 6. Light Participation
Nordic Light, Nordic Architecture: From the Roof to the Foyer
Daylight in the OOH
Artificial Light
Transitions
From Bubbles to Foam
Chapter 7. Art Participation
First Encounter with the wall
Democratic Surfaces
Democratic surrounds: The wall as weather machine
Creative Kitchens: process as art
The wall through social media
Selfies and mirror selfies
The wall, Dissensus, and a Partitioning of the Sensible
Chapter 8 Conclusion: Exiting the house
Bibliography
A social monument
Tourists and locals
An atmospheric lens
The Nordic invitation to Participate
Immaterial Architecture
Chapter 2. Adopting an Atmospheric Lens
Atmospheric perspectives
Thinking about atmospheres
Building experience: architecture and atmosphere
Coercive atmosphere
Research atmosphere: methods and tools
Withdrawing from atmosphere: taking photography seriously
Pinholes and Fuzzy
Digital media participation
Chapter 3. Transformative Participation
The road to Bjorvika
The Fjord City
Bjorvika and beyond
Snohetta
A Nolli map
Competition entry 04321
The Art
A stone saga
Rethinking participation: Arnstein's ladder
Chapter 4. Material Participation
From the city to the roof
Marble: surfaces of the white carpet
Whiteness
Marble's social and synesthetic Character
Whiteness and a cleansing of the eye
Whiteness and blur
Designing ambiguity: the palace, whiteness, and a Norwegian sensibility to nature
Chapter 5. Movement Participation
Architecture of the Oblique
Dwelling, Tripping, Inhabiting
Life in the Norwegian Open Air
Resonance, Dissonance, and a Good-Natured Elitism
Chapter 6. Light Participation
Nordic Light, Nordic Architecture: From the Roof to the Foyer
Daylight in the OOH
Artificial Light
Transitions
From Bubbles to Foam
Chapter 7. Art Participation
First Encounter with the wall
Democratic Surfaces
Democratic surrounds: The wall as weather machine
Creative Kitchens: process as art
The wall through social media
Selfies and mirror selfies
The wall, Dissensus, and a Partitioning of the Sensible
Chapter 8 Conclusion: Exiting the house
Bibliography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
