Adult Themes
portes grátis
Adult Themes
British Cinema and the X Certificate in the Long 1960s
Etienne, Anne; Halligan, Dr. Benjamin; Weedman, Christopher
Bloomsbury Publishing Plc
09/2023
264
Dura
Inglês
9781501375279
15 a 20 dias
Descrição não disponível.
Acknowledgements
List of illustrations
Introduction: 'Passed As Only Suitable for Exhibition to Adult Audiences: X'
Anne Etienne (University College Cork, Ireland), Benjamin Halligan (University of Wolverhampton, UK), and Christopher Weedman (Middle Tennessee State University, USA)
1. Green Penguin Films
Kim Newman (Independent Scholar)
2. The Commercial Idealism of Controversial Cinema: Raymond Stross and the Censorship of The Flesh Is Weak
Christopher Weedman (Middle Tennessee State University, USA)
3. Colour, Realism and the X Certificate: Horrors of the Black Museum and Peeping Tom
Sarah Street (University of Bristol, UK)
4. Mediating Desire: Karel Reisz's Adaptation of Saturday Night and Sunday Morning
Simon Lee (Texas State University, USA)
5. Lolita, Censorship, and Controversy: The Archival Remains of the Dispute Between Canon L. J. Collins and Stanley Kubrick
James Fenwick (Sheffield Hallam University, UK)
6. Paternalism, Bohemianism, and the X Certificate: The Party's Over and the Pre-Swinging Set
Kevin M. Flanagan (George Mason University, USA)
7. Mediatising Modernity: Femininity in the X-Rated Swinging London Film
Moya Luckett (Texas State University, USA)
8. What Are the X-Rated Secrets of the Windmill Girls?
Adrian Smith (Independent Scholar)
9. The Potent Sexuality of the Middle-Aged Woman: Alice Aisgill, Karen Stone, Zee Blakeley and Ruby
Lucy Bolton (Queen Mary University of London, UK)
10. Censoring Carmilla: Lesbian Vampires in Hammer Horror
Claire Henry (Massey University, Aotearoa New Zealand)
11. 'The horror film to end all horror films': 10 Rillington Place and the British Board of Film Censors' Shifting Policy on True Crime
TimSnelson (University of East Anglia, UK)
12. Class and Classification: The British Board of Film Censors' Reception of Horror at the Time of the Festival of Light
Benjamin Halligan (University of Wolverhampton, UK)
Contributors
Index
List of illustrations
Introduction: 'Passed As Only Suitable for Exhibition to Adult Audiences: X'
Anne Etienne (University College Cork, Ireland), Benjamin Halligan (University of Wolverhampton, UK), and Christopher Weedman (Middle Tennessee State University, USA)
1. Green Penguin Films
Kim Newman (Independent Scholar)
2. The Commercial Idealism of Controversial Cinema: Raymond Stross and the Censorship of The Flesh Is Weak
Christopher Weedman (Middle Tennessee State University, USA)
3. Colour, Realism and the X Certificate: Horrors of the Black Museum and Peeping Tom
Sarah Street (University of Bristol, UK)
4. Mediating Desire: Karel Reisz's Adaptation of Saturday Night and Sunday Morning
Simon Lee (Texas State University, USA)
5. Lolita, Censorship, and Controversy: The Archival Remains of the Dispute Between Canon L. J. Collins and Stanley Kubrick
James Fenwick (Sheffield Hallam University, UK)
6. Paternalism, Bohemianism, and the X Certificate: The Party's Over and the Pre-Swinging Set
Kevin M. Flanagan (George Mason University, USA)
7. Mediatising Modernity: Femininity in the X-Rated Swinging London Film
Moya Luckett (Texas State University, USA)
8. What Are the X-Rated Secrets of the Windmill Girls?
Adrian Smith (Independent Scholar)
9. The Potent Sexuality of the Middle-Aged Woman: Alice Aisgill, Karen Stone, Zee Blakeley and Ruby
Lucy Bolton (Queen Mary University of London, UK)
10. Censoring Carmilla: Lesbian Vampires in Hammer Horror
Claire Henry (Massey University, Aotearoa New Zealand)
11. 'The horror film to end all horror films': 10 Rillington Place and the British Board of Film Censors' Shifting Policy on True Crime
TimSnelson (University of East Anglia, UK)
12. Class and Classification: The British Board of Film Censors' Reception of Horror at the Time of the Festival of Light
Benjamin Halligan (University of Wolverhampton, UK)
Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Pornography; British film history; 1960s; counterculture; x-rated; censorship; swinging sixties; adult cinema; British Board of Film Censors; transgressive; intellectual masterpiece; Horrors of the Black Museum; Peeping Tom; Karel Reisz; Saturday Night and Sunday Morning; Lolita; Night of the Eagle; The Party's Over; Sunday Bloody Sunday
Acknowledgements
List of illustrations
Introduction: 'Passed As Only Suitable for Exhibition to Adult Audiences: X'
Anne Etienne (University College Cork, Ireland), Benjamin Halligan (University of Wolverhampton, UK), and Christopher Weedman (Middle Tennessee State University, USA)
1. Green Penguin Films
Kim Newman (Independent Scholar)
2. The Commercial Idealism of Controversial Cinema: Raymond Stross and the Censorship of The Flesh Is Weak
Christopher Weedman (Middle Tennessee State University, USA)
3. Colour, Realism and the X Certificate: Horrors of the Black Museum and Peeping Tom
Sarah Street (University of Bristol, UK)
4. Mediating Desire: Karel Reisz's Adaptation of Saturday Night and Sunday Morning
Simon Lee (Texas State University, USA)
5. Lolita, Censorship, and Controversy: The Archival Remains of the Dispute Between Canon L. J. Collins and Stanley Kubrick
James Fenwick (Sheffield Hallam University, UK)
6. Paternalism, Bohemianism, and the X Certificate: The Party's Over and the Pre-Swinging Set
Kevin M. Flanagan (George Mason University, USA)
7. Mediatising Modernity: Femininity in the X-Rated Swinging London Film
Moya Luckett (Texas State University, USA)
8. What Are the X-Rated Secrets of the Windmill Girls?
Adrian Smith (Independent Scholar)
9. The Potent Sexuality of the Middle-Aged Woman: Alice Aisgill, Karen Stone, Zee Blakeley and Ruby
Lucy Bolton (Queen Mary University of London, UK)
10. Censoring Carmilla: Lesbian Vampires in Hammer Horror
Claire Henry (Massey University, Aotearoa New Zealand)
11. 'The horror film to end all horror films': 10 Rillington Place and the British Board of Film Censors' Shifting Policy on True Crime
TimSnelson (University of East Anglia, UK)
12. Class and Classification: The British Board of Film Censors' Reception of Horror at the Time of the Festival of Light
Benjamin Halligan (University of Wolverhampton, UK)
Contributors
Index
List of illustrations
Introduction: 'Passed As Only Suitable for Exhibition to Adult Audiences: X'
Anne Etienne (University College Cork, Ireland), Benjamin Halligan (University of Wolverhampton, UK), and Christopher Weedman (Middle Tennessee State University, USA)
1. Green Penguin Films
Kim Newman (Independent Scholar)
2. The Commercial Idealism of Controversial Cinema: Raymond Stross and the Censorship of The Flesh Is Weak
Christopher Weedman (Middle Tennessee State University, USA)
3. Colour, Realism and the X Certificate: Horrors of the Black Museum and Peeping Tom
Sarah Street (University of Bristol, UK)
4. Mediating Desire: Karel Reisz's Adaptation of Saturday Night and Sunday Morning
Simon Lee (Texas State University, USA)
5. Lolita, Censorship, and Controversy: The Archival Remains of the Dispute Between Canon L. J. Collins and Stanley Kubrick
James Fenwick (Sheffield Hallam University, UK)
6. Paternalism, Bohemianism, and the X Certificate: The Party's Over and the Pre-Swinging Set
Kevin M. Flanagan (George Mason University, USA)
7. Mediatising Modernity: Femininity in the X-Rated Swinging London Film
Moya Luckett (Texas State University, USA)
8. What Are the X-Rated Secrets of the Windmill Girls?
Adrian Smith (Independent Scholar)
9. The Potent Sexuality of the Middle-Aged Woman: Alice Aisgill, Karen Stone, Zee Blakeley and Ruby
Lucy Bolton (Queen Mary University of London, UK)
10. Censoring Carmilla: Lesbian Vampires in Hammer Horror
Claire Henry (Massey University, Aotearoa New Zealand)
11. 'The horror film to end all horror films': 10 Rillington Place and the British Board of Film Censors' Shifting Policy on True Crime
TimSnelson (University of East Anglia, UK)
12. Class and Classification: The British Board of Film Censors' Reception of Horror at the Time of the Festival of Light
Benjamin Halligan (University of Wolverhampton, UK)
Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Pornography; British film history; 1960s; counterculture; x-rated; censorship; swinging sixties; adult cinema; British Board of Film Censors; transgressive; intellectual masterpiece; Horrors of the Black Museum; Peeping Tom; Karel Reisz; Saturday Night and Sunday Morning; Lolita; Night of the Eagle; The Party's Over; Sunday Bloody Sunday
