Acting and performance in Hitchcock
portes grátis
Acting and performance in Hitchcock
Garvey, Adrian; Lowe, Victoria
Manchester University Press
03/2026
176
Dura
Inglês
9781526175687
15 a 20 dias
Descrição não disponível.
Foreword - Charles Barr
Introduction - Adrian Garvey and Victoria Lowe
1 Film sandwiches and corporeal intrusions: the cross-media performance of Ivor Novello in The Lodger and Downhill - Michael Williams
2 Between stage and screen, silent and sound: Hitchcock and The Skin Game - Victoria Lowe
3 'The only actor I ever loved': Alfred Hitchcock and Cary Grant - Mark Glancy
4 'Alex!': Claude Rains in Notorious - Adrian Garvey
5 Richard Todd suffers Stage Fright: the deceptive performance of postwar British masculinity - Melanie Williams
6 Conspicuous identity and the casting of Strangers on a Train - Alex Clayton
7 When the villain winces: Ray Milland and villainous empathy in Dial M for Murder - David Greven
8 'The famous Jo Conway': multifaceted performance in The Man Who Knew Too Much (1956) - Tamar Jeffers McDonald
9 'A pretty girl with no references': the role of neatness and grooming in the performances of Tippi Hedren - Lucy Bolton
Index -- .
Introduction - Adrian Garvey and Victoria Lowe
1 Film sandwiches and corporeal intrusions: the cross-media performance of Ivor Novello in The Lodger and Downhill - Michael Williams
2 Between stage and screen, silent and sound: Hitchcock and The Skin Game - Victoria Lowe
3 'The only actor I ever loved': Alfred Hitchcock and Cary Grant - Mark Glancy
4 'Alex!': Claude Rains in Notorious - Adrian Garvey
5 Richard Todd suffers Stage Fright: the deceptive performance of postwar British masculinity - Melanie Williams
6 Conspicuous identity and the casting of Strangers on a Train - Alex Clayton
7 When the villain winces: Ray Milland and villainous empathy in Dial M for Murder - David Greven
8 'The famous Jo Conway': multifaceted performance in The Man Who Knew Too Much (1956) - Tamar Jeffers McDonald
9 'A pretty girl with no references': the role of neatness and grooming in the performances of Tippi Hedren - Lucy Bolton
Index -- .
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Alfred Hitchcock film acting film performance Character acting Casting Gender National identity Theatre acting Stardom Screen acting; Alfred Hitchcock; film acting; film performance; character acting; casting; gender; national identity; theatre acting; stardom; screen acting
Foreword - Charles Barr
Introduction - Adrian Garvey and Victoria Lowe
1 Film sandwiches and corporeal intrusions: the cross-media performance of Ivor Novello in The Lodger and Downhill - Michael Williams
2 Between stage and screen, silent and sound: Hitchcock and The Skin Game - Victoria Lowe
3 'The only actor I ever loved': Alfred Hitchcock and Cary Grant - Mark Glancy
4 'Alex!': Claude Rains in Notorious - Adrian Garvey
5 Richard Todd suffers Stage Fright: the deceptive performance of postwar British masculinity - Melanie Williams
6 Conspicuous identity and the casting of Strangers on a Train - Alex Clayton
7 When the villain winces: Ray Milland and villainous empathy in Dial M for Murder - David Greven
8 'The famous Jo Conway': multifaceted performance in The Man Who Knew Too Much (1956) - Tamar Jeffers McDonald
9 'A pretty girl with no references': the role of neatness and grooming in the performances of Tippi Hedren - Lucy Bolton
Index -- .
Introduction - Adrian Garvey and Victoria Lowe
1 Film sandwiches and corporeal intrusions: the cross-media performance of Ivor Novello in The Lodger and Downhill - Michael Williams
2 Between stage and screen, silent and sound: Hitchcock and The Skin Game - Victoria Lowe
3 'The only actor I ever loved': Alfred Hitchcock and Cary Grant - Mark Glancy
4 'Alex!': Claude Rains in Notorious - Adrian Garvey
5 Richard Todd suffers Stage Fright: the deceptive performance of postwar British masculinity - Melanie Williams
6 Conspicuous identity and the casting of Strangers on a Train - Alex Clayton
7 When the villain winces: Ray Milland and villainous empathy in Dial M for Murder - David Greven
8 'The famous Jo Conway': multifaceted performance in The Man Who Knew Too Much (1956) - Tamar Jeffers McDonald
9 'A pretty girl with no references': the role of neatness and grooming in the performances of Tippi Hedren - Lucy Bolton
Index -- .
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
