Writing, Authorship and Photography in British Literary Culture, 1880 - 1920

Introduction: Capturing the Image

Part One: Thomas Hardy, Photography, and Reality
Chapter One: The Figure of the Author and Amateur Photography
Chapter Two: Obscuring the Boundaries: Art, Imagination, Photography

Part Two: Bram Stoker, Theatrical Culture, and the Photographic Heritage of the Vampire
Chapter Three: Photography, Promotion, and the Theatrical Profession in Bram Stoker's Correspondence
Chapter Four: 'Could not codak him': Theatrical Monsters and Popular Photography

Part Three: Joseph Conrad: Photography, Identity, and Modernity
Chapter Five: Past and Present Lives: Conrad, Heritage, and Literary Celebrity
Chapter Six: Modernity, Mass Media, and Moving Pictures

Part Four: Photography, Composition, Memory: Virginia Woolf's Early Prose and Family Albums
Chapter Seven: Photography and Woolf's Non-Fiction
Chapter Eight: Woolf as Rachel Vinrace: Biography, Photography, and The Voyage Out (1915)

Coda(k): Professional Writing, Leisure, and Class

Bibliography

Index

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Photography; print culture; amateur photography; British literature; Thomas Hardy; Bram Stoker; Joseph Conrad; Virginia Woolf; correspondents between authors; graphic revolution; text and image; visual media; visual mass media