Worlds Enough
portes grátis
Worlds Enough
The Invention of Realism in the Victorian Novel
Freedgood, Elaine
Princeton University Press
01/2022
184
Mole
Inglês
9780691227818
15 a 20 dias
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Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Novel; Fiction; Narrative; Literature; Novelist; Narration; Victorian literature; Case study; Genre; Diegesis; Criticism; Literary realism; Epigraph (literature); Character (arts); George Eliot; Literary criticism; Madame Bovary; Paratext; Poetry; Modernity; Writer; Writing; Metalepsis; Historical fiction; Franco Moretti; Elizabeth Gaskell; World literature; Commodity; Copyright; Mary Barton; Modern Language Association; Nana Sahib; Amos Tutuola; University of Cape Town; Casaubon; Decolonization; Postmodern literature; Metafiction; Modernism; Roland Barthes; Postmodernism; Microorganism; Japanese literature; Post-structuralism; Fredric Jameson; Slavery; Romanticism; Robert Louis Stevenson; Illustration; Allegory; Prose; English novel; Publishing; Jane Austen; Satire; First-person narrative; Middlemarch; Samuel Taylor Coleridge; Pierre Bourdieu; D. A. Miller; Scrimshaw; Daniel Deronda; Subjectivity; The Political Unconscious; Ibid (short story); Chinese literature; Farce; Cosmopolitanism; Allusion; Intertextuality
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Novel; Fiction; Narrative; Literature; Novelist; Narration; Victorian literature; Case study; Genre; Diegesis; Criticism; Literary realism; Epigraph (literature); Character (arts); George Eliot; Literary criticism; Madame Bovary; Paratext; Poetry; Modernity; Writer; Writing; Metalepsis; Historical fiction; Franco Moretti; Elizabeth Gaskell; World literature; Commodity; Copyright; Mary Barton; Modern Language Association; Nana Sahib; Amos Tutuola; University of Cape Town; Casaubon; Decolonization; Postmodern literature; Metafiction; Modernism; Roland Barthes; Postmodernism; Microorganism; Japanese literature; Post-structuralism; Fredric Jameson; Slavery; Romanticism; Robert Louis Stevenson; Illustration; Allegory; Prose; English novel; Publishing; Jane Austen; Satire; First-person narrative; Middlemarch; Samuel Taylor Coleridge; Pierre Bourdieu; D. A. Miller; Scrimshaw; Daniel Deronda; Subjectivity; The Political Unconscious; Ibid (short story); Chinese literature; Farce; Cosmopolitanism; Allusion; Intertextuality
