Women Writing Trauma in the Global South
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Women Writing Trauma in the Global South
A Study of Aminatta Forna, Isabel Allende and Anuradha Roy
Pabel, Annemarie
Taylor & Francis Ltd
05/2024
174
Mole
9781032324692
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Chapter One: Introduction - Concepts and Contexts of Psychological Wounding
Canonical Cultural Trauma Theory and Emerging Critical Perspectives
The Case for a Reconceptualization of Trauma
Wound Narratives from the Global South
Chapter Two: Aminatta Forna
Fictional Representations of Traumatic Disintegration in The Memory of Love
Prolonged and Insidious Trauma in The Devil that Danced on the Water
Narrative Critique of the PTSD Category in Happiness
Narrative Negotiations of a Context-specific Trauma Model
Complicated Witnessing in The Devil that Danced on the Water
Unempathic Gazing and Professional Witnessing in Happiness
Post-traumatic Resilience in Happiness
Chapter Three: Isabel Allende
Writing during Trauma in Paula
Fictional Representations of Childhood Trauma in Portrait in Sepia
Inscriptions of Trauma in Landscape: Exile and Mental Dislocation
Resurfacing Wounds in Storytelling
Epistolary Narration in Articulating Bereavement
Magical Realist Elements in Representing the Unspeakable
Photography as a Testimonial Practice in Portrait in Sepia
Narrating 'Belonging' in My Invented Country
Chapter Four: Anuradha Roy
Fictional Representations of Prolonged Childhood Violence
Topographic and Architectural Manifestations of Traumatic Unhomeliness in An Atlas of Impossible Longing
Familial Disintegration and Unhomeliness
Self-Awareness and Transgression of Forms in Articulating Trauma
Epistolary Elements and Narrative Authority
Chapter Five Conclusion - Connecting Trauma Narratives in the Global South
Inscriptions of Complex Wounds
Towards Conceptual Inclusivity
Canonical Cultural Trauma Theory and Emerging Critical Perspectives
The Case for a Reconceptualization of Trauma
Wound Narratives from the Global South
Chapter Two: Aminatta Forna
Fictional Representations of Traumatic Disintegration in The Memory of Love
Prolonged and Insidious Trauma in The Devil that Danced on the Water
Narrative Critique of the PTSD Category in Happiness
Narrative Negotiations of a Context-specific Trauma Model
Complicated Witnessing in The Devil that Danced on the Water
Unempathic Gazing and Professional Witnessing in Happiness
Post-traumatic Resilience in Happiness
Chapter Three: Isabel Allende
Writing during Trauma in Paula
Fictional Representations of Childhood Trauma in Portrait in Sepia
Inscriptions of Trauma in Landscape: Exile and Mental Dislocation
Resurfacing Wounds in Storytelling
Epistolary Narration in Articulating Bereavement
Magical Realist Elements in Representing the Unspeakable
Photography as a Testimonial Practice in Portrait in Sepia
Narrating 'Belonging' in My Invented Country
Chapter Four: Anuradha Roy
Fictional Representations of Prolonged Childhood Violence
Topographic and Architectural Manifestations of Traumatic Unhomeliness in An Atlas of Impossible Longing
Familial Disintegration and Unhomeliness
Self-Awareness and Transgression of Forms in Articulating Trauma
Epistolary Elements and Narrative Authority
Chapter Five Conclusion - Connecting Trauma Narratives in the Global South
Inscriptions of Complex Wounds
Towards Conceptual Inclusivity
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Trauma literature;Women writers;Women's writing;Life Writing;Exile;Feminism;Feminist literature;Displacement;Nostalgia;Migration;Trauma World;Cultural Trauma Theory;Maternal Bereavement;Ptsd Category;Phantom Limb Pain;Clinical Post-traumatic Stress Disorder;Trauma Theory;Ptsd Diagnosis;Magical Realist Elements;Global South;Sierra Leonean Civil War;Cultural Trauma;Roy's Novel;Reproductive Mode;Maternal Abandonment;Invented Country;Epistolary Elements;Sierra Leonean;Liminal Realm;Magical Realism;Compulsive Reliving;Beryl De Zoete;Geocultural Contexts;Epistolary Writing;Traumatic Memory
Chapter One: Introduction - Concepts and Contexts of Psychological Wounding
Canonical Cultural Trauma Theory and Emerging Critical Perspectives
The Case for a Reconceptualization of Trauma
Wound Narratives from the Global South
Chapter Two: Aminatta Forna
Fictional Representations of Traumatic Disintegration in The Memory of Love
Prolonged and Insidious Trauma in The Devil that Danced on the Water
Narrative Critique of the PTSD Category in Happiness
Narrative Negotiations of a Context-specific Trauma Model
Complicated Witnessing in The Devil that Danced on the Water
Unempathic Gazing and Professional Witnessing in Happiness
Post-traumatic Resilience in Happiness
Chapter Three: Isabel Allende
Writing during Trauma in Paula
Fictional Representations of Childhood Trauma in Portrait in Sepia
Inscriptions of Trauma in Landscape: Exile and Mental Dislocation
Resurfacing Wounds in Storytelling
Epistolary Narration in Articulating Bereavement
Magical Realist Elements in Representing the Unspeakable
Photography as a Testimonial Practice in Portrait in Sepia
Narrating 'Belonging' in My Invented Country
Chapter Four: Anuradha Roy
Fictional Representations of Prolonged Childhood Violence
Topographic and Architectural Manifestations of Traumatic Unhomeliness in An Atlas of Impossible Longing
Familial Disintegration and Unhomeliness
Self-Awareness and Transgression of Forms in Articulating Trauma
Epistolary Elements and Narrative Authority
Chapter Five Conclusion - Connecting Trauma Narratives in the Global South
Inscriptions of Complex Wounds
Towards Conceptual Inclusivity
Canonical Cultural Trauma Theory and Emerging Critical Perspectives
The Case for a Reconceptualization of Trauma
Wound Narratives from the Global South
Chapter Two: Aminatta Forna
Fictional Representations of Traumatic Disintegration in The Memory of Love
Prolonged and Insidious Trauma in The Devil that Danced on the Water
Narrative Critique of the PTSD Category in Happiness
Narrative Negotiations of a Context-specific Trauma Model
Complicated Witnessing in The Devil that Danced on the Water
Unempathic Gazing and Professional Witnessing in Happiness
Post-traumatic Resilience in Happiness
Chapter Three: Isabel Allende
Writing during Trauma in Paula
Fictional Representations of Childhood Trauma in Portrait in Sepia
Inscriptions of Trauma in Landscape: Exile and Mental Dislocation
Resurfacing Wounds in Storytelling
Epistolary Narration in Articulating Bereavement
Magical Realist Elements in Representing the Unspeakable
Photography as a Testimonial Practice in Portrait in Sepia
Narrating 'Belonging' in My Invented Country
Chapter Four: Anuradha Roy
Fictional Representations of Prolonged Childhood Violence
Topographic and Architectural Manifestations of Traumatic Unhomeliness in An Atlas of Impossible Longing
Familial Disintegration and Unhomeliness
Self-Awareness and Transgression of Forms in Articulating Trauma
Epistolary Elements and Narrative Authority
Chapter Five Conclusion - Connecting Trauma Narratives in the Global South
Inscriptions of Complex Wounds
Towards Conceptual Inclusivity
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Trauma literature;Women writers;Women's writing;Life Writing;Exile;Feminism;Feminist literature;Displacement;Nostalgia;Migration;Trauma World;Cultural Trauma Theory;Maternal Bereavement;Ptsd Category;Phantom Limb Pain;Clinical Post-traumatic Stress Disorder;Trauma Theory;Ptsd Diagnosis;Magical Realist Elements;Global South;Sierra Leonean Civil War;Cultural Trauma;Roy's Novel;Reproductive Mode;Maternal Abandonment;Invented Country;Epistolary Elements;Sierra Leonean;Liminal Realm;Magical Realism;Compulsive Reliving;Beryl De Zoete;Geocultural Contexts;Epistolary Writing;Traumatic Memory
