Wilkie Collins
portes grátis
Wilkie Collins
The Complete Fiction
Knight, Stephen
Taylor & Francis Ltd
05/2024
246
Mole
9781032293523
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Preface
Introduction
1.Short Stories 1843-61
1. Towards the Contemporary Short Story
2. Tales of Troubled Women
3. Problems for Families, Gentry, and Professionals
4. Crime and Detection
2. The Engagement with Novels - Iolani to The Woman in White
1. First Moves in Long Fiction
2. Novels of Family and Mystery
3. Extending the Range: Women, France, and Italy
4. Crime and Mystery Fiction at Home
5. Sensational Success: The Woman in White
3. The Confident Novelist
1. A Woman in Darkness: No Name
2. `... if there is such a thing as chance?': Armadale
3. Into Mystery: The Moonstone
4. Marriage and Its Obstacles: Man and Wife, Poor Miss Finch, Miss or Mrs?
5. Return to Troubled Heroines: The New Magdalen, The Law and The Lady, The Two
Destinies
4. The Later Short Stories
1. Introduction
2. Beyond Crime Fiction
3. Love, Loss, and Emotional Outcomes, from the Male Viewpoint
4. Pressures and Claims Towards Marriage, from the Female Viewpoint.
5.The Final Novels: Crime, Social Politics, Romance and Melodrama
1. Melodrama and Mystery
2. Melodrama and Politics
3. Romance and the Difficulties It Faces
4. Family and Politics: Final Statements
5. Conclusion
Introduction
1.Short Stories 1843-61
1. Towards the Contemporary Short Story
2. Tales of Troubled Women
3. Problems for Families, Gentry, and Professionals
4. Crime and Detection
2. The Engagement with Novels - Iolani to The Woman in White
1. First Moves in Long Fiction
2. Novels of Family and Mystery
3. Extending the Range: Women, France, and Italy
4. Crime and Mystery Fiction at Home
5. Sensational Success: The Woman in White
3. The Confident Novelist
1. A Woman in Darkness: No Name
2. `... if there is such a thing as chance?': Armadale
3. Into Mystery: The Moonstone
4. Marriage and Its Obstacles: Man and Wife, Poor Miss Finch, Miss or Mrs?
5. Return to Troubled Heroines: The New Magdalen, The Law and The Lady, The Two
Destinies
4. The Later Short Stories
1. Introduction
2. Beyond Crime Fiction
3. Love, Loss, and Emotional Outcomes, from the Male Viewpoint
4. Pressures and Claims Towards Marriage, from the Female Viewpoint.
5.The Final Novels: Crime, Social Politics, Romance and Melodrama
1. Melodrama and Mystery
2. Melodrama and Politics
3. Romance and the Difficulties It Faces
4. Family and Politics: Final Statements
5. Conclusion
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;Poor Miss Finch;Dead Man;Marian Halcombe;Seaside Library;Blind Love;Silver Fork;Jezebel's Daughter;Allan Armadale;Le Frank;Haunted Hotel;Anne Catherick;Miss Dulane;Fair Physician;Fallen Leaves;Le Doux;Household Words;Evil Genius;Effective Re-creation;Sister Rose;Romance Troubled;Officer's Confession;Crime Fiction;Dead Secret;Failed Romance
Preface
Introduction
1.Short Stories 1843-61
1. Towards the Contemporary Short Story
2. Tales of Troubled Women
3. Problems for Families, Gentry, and Professionals
4. Crime and Detection
2. The Engagement with Novels - Iolani to The Woman in White
1. First Moves in Long Fiction
2. Novels of Family and Mystery
3. Extending the Range: Women, France, and Italy
4. Crime and Mystery Fiction at Home
5. Sensational Success: The Woman in White
3. The Confident Novelist
1. A Woman in Darkness: No Name
2. `... if there is such a thing as chance?': Armadale
3. Into Mystery: The Moonstone
4. Marriage and Its Obstacles: Man and Wife, Poor Miss Finch, Miss or Mrs?
5. Return to Troubled Heroines: The New Magdalen, The Law and The Lady, The Two
Destinies
4. The Later Short Stories
1. Introduction
2. Beyond Crime Fiction
3. Love, Loss, and Emotional Outcomes, from the Male Viewpoint
4. Pressures and Claims Towards Marriage, from the Female Viewpoint.
5.The Final Novels: Crime, Social Politics, Romance and Melodrama
1. Melodrama and Mystery
2. Melodrama and Politics
3. Romance and the Difficulties It Faces
4. Family and Politics: Final Statements
5. Conclusion
Introduction
1.Short Stories 1843-61
1. Towards the Contemporary Short Story
2. Tales of Troubled Women
3. Problems for Families, Gentry, and Professionals
4. Crime and Detection
2. The Engagement with Novels - Iolani to The Woman in White
1. First Moves in Long Fiction
2. Novels of Family and Mystery
3. Extending the Range: Women, France, and Italy
4. Crime and Mystery Fiction at Home
5. Sensational Success: The Woman in White
3. The Confident Novelist
1. A Woman in Darkness: No Name
2. `... if there is such a thing as chance?': Armadale
3. Into Mystery: The Moonstone
4. Marriage and Its Obstacles: Man and Wife, Poor Miss Finch, Miss or Mrs?
5. Return to Troubled Heroines: The New Magdalen, The Law and The Lady, The Two
Destinies
4. The Later Short Stories
1. Introduction
2. Beyond Crime Fiction
3. Love, Loss, and Emotional Outcomes, from the Male Viewpoint
4. Pressures and Claims Towards Marriage, from the Female Viewpoint.
5.The Final Novels: Crime, Social Politics, Romance and Melodrama
1. Melodrama and Mystery
2. Melodrama and Politics
3. Romance and the Difficulties It Faces
4. Family and Politics: Final Statements
5. Conclusion
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;Poor Miss Finch;Dead Man;Marian Halcombe;Seaside Library;Blind Love;Silver Fork;Jezebel's Daughter;Allan Armadale;Le Frank;Haunted Hotel;Anne Catherick;Miss Dulane;Fair Physician;Fallen Leaves;Le Doux;Household Words;Evil Genius;Effective Re-creation;Sister Rose;Romance Troubled;Officer's Confession;Crime Fiction;Dead Secret;Failed Romance
