Wilhelm Bode and the Art Market

List of Illustrations


Notes on Contributors





Introduction: The Entanglement of Art Historical Scholarship, Connoisseurship and the Art Trade in the Late Nineteenth Century





Part 1: Deploying Connoisseurship to Affect the Market


1 Wilhelm Bode and His Loyal Lieutenants: The Trade in Dutch Pictures, 1879-1914


?Michael J. Ripps





2 Wilhelm Bode and Charles Sedelmeyer in 1882-83: The Start of a Fateful Relationship


?Catherine B. Scallen





3 Wilhelm Bode and Johannes Vermeer: Creating a Taste and a Market


?Esmee Quodbach





Part 2: Navigating the Italian Marketplace through Networks of Dealers and Intermediaries


4 Wilhelm Bode and the Italian Art Trade in Renaissance Sculpture: The Case of Genoa


?Michela Zurla





5 Bardini and Beyond: Wilhelm Bode and the Art Dealers in Florence


?Patrizia Cappellini





Part 3: Art Advisory and Strategic Relationships with Collectors


6 Some Remarks on Wilhelm Bode and the Art Market in Italy, 1880s-1909: The Cases of Pietro Foresti (1854-1926) and A. Chiesa


?Fulvia Zaninelli





7 Wilhelm Bode and the Collector Adalbert von Lanna


?Michaela Watrelot





Part 4: Bode's Double Game


8 The Spy of Venice: Gustav Ludwig and Wilhelm Bode between Art Market and Art Research


?Martin Gaier





9 Wilhelm Bode and the Rise and Fall of the Grand-ducal Gallery of Oldenburg


?Sebastian Dohe and Malve Anna Falk





Index

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• Aspectos financeiros da arte
• Historia da arte / estilos de arte e design

Berlin Royal Museums; Charles Sedelmeyer; Germany; Gustav Ludwig; Italy; Johannes Vermeer; Netherlands; Prince Johann II of Liechtenstein; Rembrandt van Rijn; art authentication; art collecting; art historical canon; art history; attribution; late nineteenth-century