Visual Thought in Russian Religious Philosophy
portes grátis
Visual Thought in Russian Religious Philosophy
Pavel Florensky's Theory of the Icon
Antonova, Clemena
Taylor & Francis Ltd
04/2021
100
Mole
Inglês
9780367777838
15 a 20 dias
208
Descrição não disponível.
Introduction: Florensky's project of religious modernity
1 The unity of man and God before the icon: the icon as "energetic symbol"
2 The unity of the icon in space: on a stage in man's road to deification
3 The unity of faith and reason: on an unusual application of Non-Euclidean geometry
4 The organic unity of the icon and the Church ritual as a synthesis of the arts
Conclusion and implications
1 The unity of man and God before the icon: the icon as "energetic symbol"
2 The unity of the icon in space: on a stage in man's road to deification
3 The unity of faith and reason: on an unusual application of Non-Euclidean geometry
4 The organic unity of the icon and the Church ritual as a synthesis of the arts
Conclusion and implications
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;Holy Mountain;Pavel Florensky;Russian Religious Philosophy;Religion and visual thought;Visual thought;Vice Versa;Gregory Palamas;Religious philosophy;Non-Euclidean Geometry;Orthodoxy;Full Unity;Orthodox theology;Eastern Orthodox Theology;Icon;Russian Religious;Medieval art;Sergei Bulgakov;Iconography;Temple Gallery;Clemena Antonova;Non-scientific Contexts;Religion and art;Kantian Aesthetics;Religion and secularism;Supplementary Planes;Secularism;Kazimir Malevich;Modernity;Religious Art;Religious modernity;German Mathematician Georg Cantor;Religious turn;Cubist Images;Pictorial turn;Pictorial Space;Florensky's theory;God's Essence;Natalia Goncharova;Russian Leonardo;Mikhail Larionov;Bolshevik cultural policy;Picasso's Les Demoiselles;Russian religious renaissance;Ferro Concrete Beams
Introduction: Florensky's project of religious modernity
1 The unity of man and God before the icon: the icon as "energetic symbol"
2 The unity of the icon in space: on a stage in man's road to deification
3 The unity of faith and reason: on an unusual application of Non-Euclidean geometry
4 The organic unity of the icon and the Church ritual as a synthesis of the arts
Conclusion and implications
1 The unity of man and God before the icon: the icon as "energetic symbol"
2 The unity of the icon in space: on a stage in man's road to deification
3 The unity of faith and reason: on an unusual application of Non-Euclidean geometry
4 The organic unity of the icon and the Church ritual as a synthesis of the arts
Conclusion and implications
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;Holy Mountain;Pavel Florensky;Russian Religious Philosophy;Religion and visual thought;Visual thought;Vice Versa;Gregory Palamas;Religious philosophy;Non-Euclidean Geometry;Orthodoxy;Full Unity;Orthodox theology;Eastern Orthodox Theology;Icon;Russian Religious;Medieval art;Sergei Bulgakov;Iconography;Temple Gallery;Clemena Antonova;Non-scientific Contexts;Religion and art;Kantian Aesthetics;Religion and secularism;Supplementary Planes;Secularism;Kazimir Malevich;Modernity;Religious Art;Religious modernity;German Mathematician Georg Cantor;Religious turn;Cubist Images;Pictorial turn;Pictorial Space;Florensky's theory;God's Essence;Natalia Goncharova;Russian Leonardo;Mikhail Larionov;Bolshevik cultural policy;Picasso's Les Demoiselles;Russian religious renaissance;Ferro Concrete Beams
