Victorian Surfaces in Nineteenth-Century Literature and Culture
portes grátis
Victorian Surfaces in Nineteenth-Century Literature and Culture
Skin, Silk, and Show
Baumbach, Sibylle; Ratheiser, Ulla
Springer Nature Switzerland AG
11/2022
220
Mole
Inglês
9783030753993
15 a 20 dias
311
Descrição não disponível.
Preface (Pamela K. Gilbert).- 1 How to Do Things with Surfaces: The Politics and Poetics of Victorian surfaces (Sibylle Baumbach and Ulla Ratheiser).- 2 The Semantics of Surfaces: Victorian Panoramas and the Panoramic Gaze (Heidi Liedke).- 3 Twinship and Tactile Anxieties in Wilkie Collins's Poor Miss Finch (1872) (Wieland Schwanebeck).- 4 Touching Skins, Spreading Stains: Contesting, Affirming and Penetrating Surfaces in the Work of Thomas Hardy (Felicitas Meifert-Meinhard).- 5 Dickens' Dirty Children (Franziska Quabeck).- 6 Gothic Cloth: Textures of the Unknown (Sophia Jochem and Cordula Lemke).- 7 Imperial Hauntings in the Durbar Room: Spurious Materiality in Neo-Victorian Biopics (Jan Rupp).- 8 "Red-hot applications on their vile skins." Ironic Transparency in Joseph Conrad's The Secret Agent (Eike Kronshage).- 9 Making Skin Legible: Surface and Symptomatic Readings of Victorian Culture (Monika Pietzrak-Franger).- 10 Afterword (Kate Flint).
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Material culture;Surface reading;Design;Body;Artwork;Consumer culture;Technology;Aesthetics;Exteriors;Appearances;Decadence;Material Culture;Open Access
Preface (Pamela K. Gilbert).- 1 How to Do Things with Surfaces: The Politics and Poetics of Victorian surfaces (Sibylle Baumbach and Ulla Ratheiser).- 2 The Semantics of Surfaces: Victorian Panoramas and the Panoramic Gaze (Heidi Liedke).- 3 Twinship and Tactile Anxieties in Wilkie Collins's Poor Miss Finch (1872) (Wieland Schwanebeck).- 4 Touching Skins, Spreading Stains: Contesting, Affirming and Penetrating Surfaces in the Work of Thomas Hardy (Felicitas Meifert-Meinhard).- 5 Dickens' Dirty Children (Franziska Quabeck).- 6 Gothic Cloth: Textures of the Unknown (Sophia Jochem and Cordula Lemke).- 7 Imperial Hauntings in the Durbar Room: Spurious Materiality in Neo-Victorian Biopics (Jan Rupp).- 8 "Red-hot applications on their vile skins." Ironic Transparency in Joseph Conrad's The Secret Agent (Eike Kronshage).- 9 Making Skin Legible: Surface and Symptomatic Readings of Victorian Culture (Monika Pietzrak-Franger).- 10 Afterword (Kate Flint).
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
