Understanding Music
portes grátis
Understanding Music
The Nature and Limits of Musical Cognition
Eggebrecht, Hans Heinrich; Evans, translated by Richard
Taylor & Francis Ltd
10/2024
174
Mole
9781032929262
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Contents: Preface; Introductory sketch; Aesthetic understanding I; Intermezzo I: ontology, interpretation and performance; Aesthetic understanding II; Intermezzo II: aesthetic identification; Cognitive understanding; The limits of cognitive understanding; The encircling approach; Intermezzo III: identifying life with art - John Cage; Understanding?; Glossary; Bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Vice Versa;aesthetic;Passus Duriusculus;musical;Aesthetic Understanding;cognitive;Non-conceptual Realm;sense;Musical Understanding;experience;Non-conceptual Understanding;Cognitive Understanding;Feeds Back;Musical Sense;Cage's Aim;Non-conceptual Nature;Disengaged;Silent Piece;Atonal Music;Aesthetic Cognition;Subject Object Relationship;Programme Music;Aesthetic Experience;Conceptual Reflection;John Cage;Composer's Comments;Aesthetic Identification;Prepared Piano;Specifically Beautiful;Indeterminate Music
Contents: Preface; Introductory sketch; Aesthetic understanding I; Intermezzo I: ontology, interpretation and performance; Aesthetic understanding II; Intermezzo II: aesthetic identification; Cognitive understanding; The limits of cognitive understanding; The encircling approach; Intermezzo III: identifying life with art - John Cage; Understanding?; Glossary; Bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Vice Versa;aesthetic;Passus Duriusculus;musical;Aesthetic Understanding;cognitive;Non-conceptual Realm;sense;Musical Understanding;experience;Non-conceptual Understanding;Cognitive Understanding;Feeds Back;Musical Sense;Cage's Aim;Non-conceptual Nature;Disengaged;Silent Piece;Atonal Music;Aesthetic Cognition;Subject Object Relationship;Programme Music;Aesthetic Experience;Conceptual Reflection;John Cage;Composer's Comments;Aesthetic Identification;Prepared Piano;Specifically Beautiful;Indeterminate Music
