Understanding Authenticity in Chinese Cultural Heritage

Part I: Art and Material Culture; 1. The Construction and Deconstruction of Authenticity in Chinese Art; 2. Copy, Yet Original: Re-examining "Fang Ni Zan" Paintings in the 15th - 17th Century; 3. Substitutional Objects: The Authenticity of Su Shi's Snowy Wave Stone from 1101 to 1700; 4. Shanzhai Tensions in U.S.-Chinese Cultural Heritage Diplomacy; Part II: Cultural Heritage Management and Preservation; 5. UNESCO World Heritage and the Problem of Authenticity: The Case of Built Structures and China?s Tangible Cultural Heritage; 6. Exploring the Implication of Tourism for Heritage Interpretation of National Archaeological Parks in China: The Case of Linzi Qi State Site; 7. Perspectives on Authenticity and the Preservation of the Great Wall of China; 8. Critical Chinese Copying as an Interrogation of the Hegemony of Modernity; 9. Can a Copy Deliver an Authentic Experience? An Interdisciplinary Approach to Fieldwork Conducted in Southeast China; Part III: Living and Intangible Cultural Heritage; 10. Crafting Authenticity: Two Case Studies of the Material Metamorphosis of Cultural Heritage in China's Creative Economy;11. The Authenticity Problem in Conteporary Techniques of Zisha Teapot Making; 12. The Modern Invention of Big Red Robe Tea: History, Science, Story, and Performance;13. Chapter 13. Authenticity, Legitimacy, and Mimesis in the Production and use of Chinese-inspired Japanese Tea Ceremony Utensils: Karamono (Chinese Things); Part IV: Texts and Manuscripts;14. "Authenticity" and Shu: What is at Stake?; 15. (Mis)remembering the Tang? Issues of Authenticity Surrounding the Attribution of the Ershisi Shipin to Sikong Tu; 16. Authenticity and Self-representation: A Case Study of Song Zhiwen;17. Authenticity beyond Authority? The Case of Handwritten Entertainment Fiction from the Chinese Cultural Revolution

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• Estudos cultirais
• História social e cultural
• Os grupos sociais
• Museus e museologia
• História da Ásia

Authenticity;Chinese cultural heritage;Cultural Heritage management;preservation;Art History;Asian Studies;China Folk Culture Villages;Intangible Cultural Heritage;Wen Zhengming;Forbidden City;National Ich;Ich Practice;China's Cultural Heritage;Ich Convention;Nara Document;UNESCO World Heritage List;Tea Ceremony;Intangible Cultural Heritage Protection;World Heritage List;Cultural Heritage Site;Ming Qing Transition;Wuyi Mountain;National Archaeological Parks;Mother Trees;Kong Anguo;Mount Song;Young Man;Jackson Hole;Wuyi Tea;International Heritage Conservation