Uncanny Histories in Film and Media
portes grátis
Uncanny Histories in Film and Media
Bloom, Peter; Corrigan, Maria; Jaikumar, Priya; Salazkina, Masha; Trice, Jasmine Nadua; Goodwin, Hannah; Scott, Ellen C.; DeCelles, Naomi; Chang, Alenda; Petro, Patrice
Rutgers University Press
06/2022
238
Mole
Inglês
9781978829947
15 a 20 dias
Descrição não disponível.
Acknowledgments
Introduction: Uncanny Histories
Part I: The Disciplinary Uncanny
Chapter 1: Film and Media in the Double Take of History
Chapter 2: Haunted by the Body: Cleanliness in Colonial Manila's Film Culture
Chapter 3: Reimagining the History of Media Studies through Games, Play, and the Uncanny Valley
Part II: Uncanny Films
Chapter 4: Flickering Lights and Mischievous Stars: The Uncanny Feminism of My Twentieth Century
Chapter 5: The Sublime Body under the Sign of Developmentalism: The Wolf of Wall Street (2013), Malaysian Politics and Global Markets
Chapter 6: Uncanny Histories of Transnational Cinematic Receptions: Eisenstein in Cuba
Part III: Uncanny Figures
Chapter 7: Julio Garcia Espinosa and the Fight for a Critical Culture in Cuba
Chapter 8: The Case for (Re)collecting Lotte Eisner's Work
Chapter 9: A Widow's Work: Archives and the Construction of Russian Film History
Chapter 10: Fiendish Devices: The Uncanny History of Almena Davis
Notes on contributors
Index
Introduction: Uncanny Histories
Part I: The Disciplinary Uncanny
Chapter 1: Film and Media in the Double Take of History
Chapter 2: Haunted by the Body: Cleanliness in Colonial Manila's Film Culture
Chapter 3: Reimagining the History of Media Studies through Games, Play, and the Uncanny Valley
Part II: Uncanny Films
Chapter 4: Flickering Lights and Mischievous Stars: The Uncanny Feminism of My Twentieth Century
Chapter 5: The Sublime Body under the Sign of Developmentalism: The Wolf of Wall Street (2013), Malaysian Politics and Global Markets
Chapter 6: Uncanny Histories of Transnational Cinematic Receptions: Eisenstein in Cuba
Part III: Uncanny Figures
Chapter 7: Julio Garcia Espinosa and the Fight for a Critical Culture in Cuba
Chapter 8: The Case for (Re)collecting Lotte Eisner's Work
Chapter 9: A Widow's Work: Archives and the Construction of Russian Film History
Chapter 10: Fiendish Devices: The Uncanny History of Almena Davis
Notes on contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
uncanny; film; media; historical analysis; unfamiliar; mysterious; strange; film movement; writing; history; Narratives; haunted; Cleanliness; Colonial Manila; Film Culture; History of Media Studies; Games; Play; Uncanny Valley; Uncanny Films; Flickering Lights; Uncanny Feminism; Sublime Body; Developmentalism; The Wolf of Wall Street; Malaysian Politics; Global Markets; Transnational Cinema; Eisenstein; Cuba; Julio Garcia Espinosa; Critical Culture; Lotte Eisner; A Widow's Work; Russian Film; film archives; Almena Davis; film studies
Acknowledgments
Introduction: Uncanny Histories
Part I: The Disciplinary Uncanny
Chapter 1: Film and Media in the Double Take of History
Chapter 2: Haunted by the Body: Cleanliness in Colonial Manila's Film Culture
Chapter 3: Reimagining the History of Media Studies through Games, Play, and the Uncanny Valley
Part II: Uncanny Films
Chapter 4: Flickering Lights and Mischievous Stars: The Uncanny Feminism of My Twentieth Century
Chapter 5: The Sublime Body under the Sign of Developmentalism: The Wolf of Wall Street (2013), Malaysian Politics and Global Markets
Chapter 6: Uncanny Histories of Transnational Cinematic Receptions: Eisenstein in Cuba
Part III: Uncanny Figures
Chapter 7: Julio Garcia Espinosa and the Fight for a Critical Culture in Cuba
Chapter 8: The Case for (Re)collecting Lotte Eisner's Work
Chapter 9: A Widow's Work: Archives and the Construction of Russian Film History
Chapter 10: Fiendish Devices: The Uncanny History of Almena Davis
Notes on contributors
Index
Introduction: Uncanny Histories
Part I: The Disciplinary Uncanny
Chapter 1: Film and Media in the Double Take of History
Chapter 2: Haunted by the Body: Cleanliness in Colonial Manila's Film Culture
Chapter 3: Reimagining the History of Media Studies through Games, Play, and the Uncanny Valley
Part II: Uncanny Films
Chapter 4: Flickering Lights and Mischievous Stars: The Uncanny Feminism of My Twentieth Century
Chapter 5: The Sublime Body under the Sign of Developmentalism: The Wolf of Wall Street (2013), Malaysian Politics and Global Markets
Chapter 6: Uncanny Histories of Transnational Cinematic Receptions: Eisenstein in Cuba
Part III: Uncanny Figures
Chapter 7: Julio Garcia Espinosa and the Fight for a Critical Culture in Cuba
Chapter 8: The Case for (Re)collecting Lotte Eisner's Work
Chapter 9: A Widow's Work: Archives and the Construction of Russian Film History
Chapter 10: Fiendish Devices: The Uncanny History of Almena Davis
Notes on contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
uncanny; film; media; historical analysis; unfamiliar; mysterious; strange; film movement; writing; history; Narratives; haunted; Cleanliness; Colonial Manila; Film Culture; History of Media Studies; Games; Play; Uncanny Valley; Uncanny Films; Flickering Lights; Uncanny Feminism; Sublime Body; Developmentalism; The Wolf of Wall Street; Malaysian Politics; Global Markets; Transnational Cinema; Eisenstein; Cuba; Julio Garcia Espinosa; Critical Culture; Lotte Eisner; A Widow's Work; Russian Film; film archives; Almena Davis; film studies
