Ubiquity
portes grátis
Ubiquity
Photography's Multitudes
Leuven University Press
12/2021
304
Mole
Inglês
9789462702899
15 a 20 dias
Descrição não disponível.
Introduction. Ubiquity Has a History
Jacob W. Lewis and Kyle Parry
Chapter 1. Early Photography's Presence Jacob W. Lewis
Chapter 2. Photographic Privilege at the World's Columbian Exposition Annie Rudd
Chapter 3. Material Ecologies in the Geniaux Brothers' Picture Archive of Brittany, ca. 1900 Maura Coughlin
Chapter 4. "Our Best Machines Are Made of Sunlight": Photography and Technologies of Light Niharika Dinkar
Chapter 5. Managing Time: Nonhuman Animal Labor in Photographic Images Joseph Moore
Chapter 6. In 1973: Family Photography as Material, Affective History Mette Sandbye
Chapter 7. Where Is My Photo? A Study of the Representation of Tehran in the Work of Contemporary Iranian Photographers Mohammadreza Mirzaei
Chapter 8. Evidence of Feeling: Race, Police Violence, and the Limits of Documentation Catherine Zuromskis
Chapter 9. On Photographic Ubiquity in the Age of Online Self-Imaging Derek Conrad Murray
Chapter 10. Parafiction and the New Latent Image Kate Palmer Albers Chapter 11. Dispersal and Denial: Photographic Ubiquity and the Microbial Analogy Kyle Parry
Chapter 12. That Liking Feeling: Mood, Emotion, and Social Media Photography Michelle Henning
Chapter 13. "The Compass of Repair": An Interview with Ariella Aisha Azoulay Jacob W. Lewis & Kyle Parry
Plates
Jacob W. Lewis and Kyle Parry
Chapter 1. Early Photography's Presence Jacob W. Lewis
Chapter 2. Photographic Privilege at the World's Columbian Exposition Annie Rudd
Chapter 3. Material Ecologies in the Geniaux Brothers' Picture Archive of Brittany, ca. 1900 Maura Coughlin
Chapter 4. "Our Best Machines Are Made of Sunlight": Photography and Technologies of Light Niharika Dinkar
Chapter 5. Managing Time: Nonhuman Animal Labor in Photographic Images Joseph Moore
Chapter 6. In 1973: Family Photography as Material, Affective History Mette Sandbye
Chapter 7. Where Is My Photo? A Study of the Representation of Tehran in the Work of Contemporary Iranian Photographers Mohammadreza Mirzaei
Chapter 8. Evidence of Feeling: Race, Police Violence, and the Limits of Documentation Catherine Zuromskis
Chapter 9. On Photographic Ubiquity in the Age of Online Self-Imaging Derek Conrad Murray
Chapter 10. Parafiction and the New Latent Image Kate Palmer Albers Chapter 11. Dispersal and Denial: Photographic Ubiquity and the Microbial Analogy Kyle Parry
Chapter 12. That Liking Feeling: Mood, Emotion, and Social Media Photography Michelle Henning
Chapter 13. "The Compass of Repair": An Interview with Ariella Aisha Azoulay Jacob W. Lewis & Kyle Parry
Plates
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
history of photography;ubiquity;media studies;visual studies;digital media;social media;internet studies;history of technology;art history;critical theory
Introduction. Ubiquity Has a History
Jacob W. Lewis and Kyle Parry
Chapter 1. Early Photography's Presence Jacob W. Lewis
Chapter 2. Photographic Privilege at the World's Columbian Exposition Annie Rudd
Chapter 3. Material Ecologies in the Geniaux Brothers' Picture Archive of Brittany, ca. 1900 Maura Coughlin
Chapter 4. "Our Best Machines Are Made of Sunlight": Photography and Technologies of Light Niharika Dinkar
Chapter 5. Managing Time: Nonhuman Animal Labor in Photographic Images Joseph Moore
Chapter 6. In 1973: Family Photography as Material, Affective History Mette Sandbye
Chapter 7. Where Is My Photo? A Study of the Representation of Tehran in the Work of Contemporary Iranian Photographers Mohammadreza Mirzaei
Chapter 8. Evidence of Feeling: Race, Police Violence, and the Limits of Documentation Catherine Zuromskis
Chapter 9. On Photographic Ubiquity in the Age of Online Self-Imaging Derek Conrad Murray
Chapter 10. Parafiction and the New Latent Image Kate Palmer Albers Chapter 11. Dispersal and Denial: Photographic Ubiquity and the Microbial Analogy Kyle Parry
Chapter 12. That Liking Feeling: Mood, Emotion, and Social Media Photography Michelle Henning
Chapter 13. "The Compass of Repair": An Interview with Ariella Aisha Azoulay Jacob W. Lewis & Kyle Parry
Plates
Jacob W. Lewis and Kyle Parry
Chapter 1. Early Photography's Presence Jacob W. Lewis
Chapter 2. Photographic Privilege at the World's Columbian Exposition Annie Rudd
Chapter 3. Material Ecologies in the Geniaux Brothers' Picture Archive of Brittany, ca. 1900 Maura Coughlin
Chapter 4. "Our Best Machines Are Made of Sunlight": Photography and Technologies of Light Niharika Dinkar
Chapter 5. Managing Time: Nonhuman Animal Labor in Photographic Images Joseph Moore
Chapter 6. In 1973: Family Photography as Material, Affective History Mette Sandbye
Chapter 7. Where Is My Photo? A Study of the Representation of Tehran in the Work of Contemporary Iranian Photographers Mohammadreza Mirzaei
Chapter 8. Evidence of Feeling: Race, Police Violence, and the Limits of Documentation Catherine Zuromskis
Chapter 9. On Photographic Ubiquity in the Age of Online Self-Imaging Derek Conrad Murray
Chapter 10. Parafiction and the New Latent Image Kate Palmer Albers Chapter 11. Dispersal and Denial: Photographic Ubiquity and the Microbial Analogy Kyle Parry
Chapter 12. That Liking Feeling: Mood, Emotion, and Social Media Photography Michelle Henning
Chapter 13. "The Compass of Repair": An Interview with Ariella Aisha Azoulay Jacob W. Lewis & Kyle Parry
Plates
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
