Transnationalism and Imperialism
portes grátis
Transnationalism and Imperialism
Endurance of the Global Western Film
Soubeille, Marine; Haas, Alessandra Magrin; Roche, David; Gonzalez, Jesus Angel; Paryz, Marek; Adamson, Patrick; Mayer, Herve; Fontanaud, Hadrien; Batancev, Dragan; Salvi, Costanza
Indiana University Press
04/2022
318
Mole
Inglês
9780253060754
15 a 20 dias
Descrição não disponível.
Acknowledgments
Introduction, by Herve Mayer and David Roche
Part I: US-American Westerns from a Transnational Perspective
1. Transnationalism on the Transcontinental Railroad: John Ford's The Iron Horse (1924), by Patrick Adamson
2. John Ford's Cavalry Trilogy (1948-1950): Caught Between US-American Imperialism and Irish Republicanism, by Costanza Salvi
3. Decentering the National in Hollywood: Transnational Storytelling in the Mexico Western Vera Cruz (Robert Aldrich, 1954), by Herve Mayer
4. Transnational Identity on the Contemporary Texan-Mexican Border in Tejano (David Blue Garcia, 2018), by Marine Soubeille
Part II: European Westerns and the Critique of Imperialism
5. A Yugoslav "Lemon Tree in Siberia": The Partisan Western Kapetan Lesi (Zivorad Mitrovic, 1960), by Dragan Batancev
6. Lawrence of Arabia (David Lean, 1962) and the Western: Reframing the Imperialist Hero, by Hadrien Fontanaud
7. Unwanted Salvation: The Use of the Savior Formula in The Dark Valley (Andreas Prochaska, 2014), by Marek Paryz
8. Transnational Post-Westerns in French Cinema: Adieu Gary (Nassim Amaouche, 2009) and Les Cowboys (Thomas Bidegain, 2015), by Jesus Angel Gonzalez
Spotlight on the Italian Western
9. Silent Westerns Made in Italy: The Dawn of a Transnational Genre between US Imperial Narratives and Nationalistic Appropriations, by Alessandra Magrin Haas
10. Where the Classical, the Transnational and the Acid Western Meet: Matalo! (Cesare Canevari, 1970), Violence and Cultural Resistance on the Spaghetti Western Frontier, by Lee Broughton
Part III: Westerns in a Post-Colonial or Post-Empire Context
11. West by Northeast: The Western in Brazil, by Mike Phillips
12. (Not) John Wayne & (Not) the US-American West: Jauja (Lisandro Alonso, 2014), by Jenny Barrett
13. Remaking the Western in Japanese Cinema: East Meets West (Kihachi Okamoto, 1995), Sukiyaki Western Django (Takashi Miike, 2007), and Unforgiven (San-il Lee, 2013), by Vivian P. Y. Lee
14. The South African Frontier in Five Fingers for Marseilles (Michael Matthews, 2017), by Claire Dutriaux and Annael Le Poullennec
Spotlight on the Australian Western
15. "They like all pictures which remind them of their own": The 'Entangled' Development of Australian Westerns, by Emma Hamilton
16. Westerns from an Aboriginal Point of View or Why the Australian Western (Still) Matters: The Tracker (Rolf de Heer, 2002) and Sweet Country (Warwick Thornton, 2017), by David Roche
Coda: We Will Not Ride Off into the Sunset, by Herve Mayer and David Roche
Index
Introduction, by Herve Mayer and David Roche
Part I: US-American Westerns from a Transnational Perspective
1. Transnationalism on the Transcontinental Railroad: John Ford's The Iron Horse (1924), by Patrick Adamson
2. John Ford's Cavalry Trilogy (1948-1950): Caught Between US-American Imperialism and Irish Republicanism, by Costanza Salvi
3. Decentering the National in Hollywood: Transnational Storytelling in the Mexico Western Vera Cruz (Robert Aldrich, 1954), by Herve Mayer
4. Transnational Identity on the Contemporary Texan-Mexican Border in Tejano (David Blue Garcia, 2018), by Marine Soubeille
Part II: European Westerns and the Critique of Imperialism
5. A Yugoslav "Lemon Tree in Siberia": The Partisan Western Kapetan Lesi (Zivorad Mitrovic, 1960), by Dragan Batancev
6. Lawrence of Arabia (David Lean, 1962) and the Western: Reframing the Imperialist Hero, by Hadrien Fontanaud
7. Unwanted Salvation: The Use of the Savior Formula in The Dark Valley (Andreas Prochaska, 2014), by Marek Paryz
8. Transnational Post-Westerns in French Cinema: Adieu Gary (Nassim Amaouche, 2009) and Les Cowboys (Thomas Bidegain, 2015), by Jesus Angel Gonzalez
Spotlight on the Italian Western
9. Silent Westerns Made in Italy: The Dawn of a Transnational Genre between US Imperial Narratives and Nationalistic Appropriations, by Alessandra Magrin Haas
10. Where the Classical, the Transnational and the Acid Western Meet: Matalo! (Cesare Canevari, 1970), Violence and Cultural Resistance on the Spaghetti Western Frontier, by Lee Broughton
Part III: Westerns in a Post-Colonial or Post-Empire Context
11. West by Northeast: The Western in Brazil, by Mike Phillips
12. (Not) John Wayne & (Not) the US-American West: Jauja (Lisandro Alonso, 2014), by Jenny Barrett
13. Remaking the Western in Japanese Cinema: East Meets West (Kihachi Okamoto, 1995), Sukiyaki Western Django (Takashi Miike, 2007), and Unforgiven (San-il Lee, 2013), by Vivian P. Y. Lee
14. The South African Frontier in Five Fingers for Marseilles (Michael Matthews, 2017), by Claire Dutriaux and Annael Le Poullennec
Spotlight on the Australian Western
15. "They like all pictures which remind them of their own": The 'Entangled' Development of Australian Westerns, by Emma Hamilton
16. Westerns from an Aboriginal Point of View or Why the Australian Western (Still) Matters: The Tracker (Rolf de Heer, 2002) and Sweet Country (Warwick Thornton, 2017), by David Roche
Coda: We Will Not Ride Off into the Sunset, by Herve Mayer and David Roche
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
colonial cinema; appropriation; frontiers; borderlands; spaghetti western; acid western; world cinema; political ideology; circulation
Acknowledgments
Introduction, by Herve Mayer and David Roche
Part I: US-American Westerns from a Transnational Perspective
1. Transnationalism on the Transcontinental Railroad: John Ford's The Iron Horse (1924), by Patrick Adamson
2. John Ford's Cavalry Trilogy (1948-1950): Caught Between US-American Imperialism and Irish Republicanism, by Costanza Salvi
3. Decentering the National in Hollywood: Transnational Storytelling in the Mexico Western Vera Cruz (Robert Aldrich, 1954), by Herve Mayer
4. Transnational Identity on the Contemporary Texan-Mexican Border in Tejano (David Blue Garcia, 2018), by Marine Soubeille
Part II: European Westerns and the Critique of Imperialism
5. A Yugoslav "Lemon Tree in Siberia": The Partisan Western Kapetan Lesi (Zivorad Mitrovic, 1960), by Dragan Batancev
6. Lawrence of Arabia (David Lean, 1962) and the Western: Reframing the Imperialist Hero, by Hadrien Fontanaud
7. Unwanted Salvation: The Use of the Savior Formula in The Dark Valley (Andreas Prochaska, 2014), by Marek Paryz
8. Transnational Post-Westerns in French Cinema: Adieu Gary (Nassim Amaouche, 2009) and Les Cowboys (Thomas Bidegain, 2015), by Jesus Angel Gonzalez
Spotlight on the Italian Western
9. Silent Westerns Made in Italy: The Dawn of a Transnational Genre between US Imperial Narratives and Nationalistic Appropriations, by Alessandra Magrin Haas
10. Where the Classical, the Transnational and the Acid Western Meet: Matalo! (Cesare Canevari, 1970), Violence and Cultural Resistance on the Spaghetti Western Frontier, by Lee Broughton
Part III: Westerns in a Post-Colonial or Post-Empire Context
11. West by Northeast: The Western in Brazil, by Mike Phillips
12. (Not) John Wayne & (Not) the US-American West: Jauja (Lisandro Alonso, 2014), by Jenny Barrett
13. Remaking the Western in Japanese Cinema: East Meets West (Kihachi Okamoto, 1995), Sukiyaki Western Django (Takashi Miike, 2007), and Unforgiven (San-il Lee, 2013), by Vivian P. Y. Lee
14. The South African Frontier in Five Fingers for Marseilles (Michael Matthews, 2017), by Claire Dutriaux and Annael Le Poullennec
Spotlight on the Australian Western
15. "They like all pictures which remind them of their own": The 'Entangled' Development of Australian Westerns, by Emma Hamilton
16. Westerns from an Aboriginal Point of View or Why the Australian Western (Still) Matters: The Tracker (Rolf de Heer, 2002) and Sweet Country (Warwick Thornton, 2017), by David Roche
Coda: We Will Not Ride Off into the Sunset, by Herve Mayer and David Roche
Index
Introduction, by Herve Mayer and David Roche
Part I: US-American Westerns from a Transnational Perspective
1. Transnationalism on the Transcontinental Railroad: John Ford's The Iron Horse (1924), by Patrick Adamson
2. John Ford's Cavalry Trilogy (1948-1950): Caught Between US-American Imperialism and Irish Republicanism, by Costanza Salvi
3. Decentering the National in Hollywood: Transnational Storytelling in the Mexico Western Vera Cruz (Robert Aldrich, 1954), by Herve Mayer
4. Transnational Identity on the Contemporary Texan-Mexican Border in Tejano (David Blue Garcia, 2018), by Marine Soubeille
Part II: European Westerns and the Critique of Imperialism
5. A Yugoslav "Lemon Tree in Siberia": The Partisan Western Kapetan Lesi (Zivorad Mitrovic, 1960), by Dragan Batancev
6. Lawrence of Arabia (David Lean, 1962) and the Western: Reframing the Imperialist Hero, by Hadrien Fontanaud
7. Unwanted Salvation: The Use of the Savior Formula in The Dark Valley (Andreas Prochaska, 2014), by Marek Paryz
8. Transnational Post-Westerns in French Cinema: Adieu Gary (Nassim Amaouche, 2009) and Les Cowboys (Thomas Bidegain, 2015), by Jesus Angel Gonzalez
Spotlight on the Italian Western
9. Silent Westerns Made in Italy: The Dawn of a Transnational Genre between US Imperial Narratives and Nationalistic Appropriations, by Alessandra Magrin Haas
10. Where the Classical, the Transnational and the Acid Western Meet: Matalo! (Cesare Canevari, 1970), Violence and Cultural Resistance on the Spaghetti Western Frontier, by Lee Broughton
Part III: Westerns in a Post-Colonial or Post-Empire Context
11. West by Northeast: The Western in Brazil, by Mike Phillips
12. (Not) John Wayne & (Not) the US-American West: Jauja (Lisandro Alonso, 2014), by Jenny Barrett
13. Remaking the Western in Japanese Cinema: East Meets West (Kihachi Okamoto, 1995), Sukiyaki Western Django (Takashi Miike, 2007), and Unforgiven (San-il Lee, 2013), by Vivian P. Y. Lee
14. The South African Frontier in Five Fingers for Marseilles (Michael Matthews, 2017), by Claire Dutriaux and Annael Le Poullennec
Spotlight on the Australian Western
15. "They like all pictures which remind them of their own": The 'Entangled' Development of Australian Westerns, by Emma Hamilton
16. Westerns from an Aboriginal Point of View or Why the Australian Western (Still) Matters: The Tracker (Rolf de Heer, 2002) and Sweet Country (Warwick Thornton, 2017), by David Roche
Coda: We Will Not Ride Off into the Sunset, by Herve Mayer and David Roche
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
