Third Cinema, World Cinema and Marxism
Third Cinema, World Cinema and Marxism
Mazierska, Professor Ewa; Kristensen, Lars
Bloomsbury Publishing Plc
03/2022
302
Mole
Inglês
9781501373848
15 a 20 dias
Descrição não disponível.
Introduction: Ewa Mazierska and Lars Kristensen
Part 1: Revisiting Films
Chapter 1: Exporting Cinemarxism in the 1960s: The Case of Soy Cuba
Andrei Rogatchevski
Chapter 2: Brazil's Open Cities: Mimicry, Sexuality, and Class Dynamics in the Urban Landscape of Cinema Novo
Bruce Williams
Chapter 3: "Unreal City": The Aesthetics of Commitment in Pratidwandi and Interview
Koel Banerjee
Chapter 4: The Peruvian Kuntur Group: A Marxist- Indigenist Filmmaking Practice
Isabel Segui
Part 2: Comparative Readings
Chapter 5: Third Cinema in the 21st century: political utopia in the new documentary films of Fernando Solanas
Mariano Paz
Chapter 6: Third Cinema after the turn of the millennium: Reification of the sign and the possibility of transformation
Paulina Aroch and Andre Dorce
Chapter 7: We Have Never Been Transnational: The Female Condition in Socialist Realism, Postsocialism, and Third Cinema
Lucian Tion
Part 3: Third Cinema versus World Cinema
Chapter 8: Dialogical Encounters on the Cinema of Revolution: Save the Children Fund Film and Metalepsis in Black
David Archibald and Finn Daniels-Yeomans
Chapter 9: Newsreel Front: A Revived Vision of Third Cinema in Slovenia
Andrej Sprah
Chapter 10: Listening to the Future: The Film- Philosophy of Abderrahmane Sissako
William Brown
Chapter 11: Class, Gender and Ethnicity in Alfonso Cuaron's Roma
Ewa Mazierska
Chapter 12: 'After' or Back to Third Cinema? Plebeian Film, the National Popular, Fingernails and the Resilient Behemoth
Enrique Uribe-Jongbloed and Toby Miller
Index
Part 1: Revisiting Films
Chapter 1: Exporting Cinemarxism in the 1960s: The Case of Soy Cuba
Andrei Rogatchevski
Chapter 2: Brazil's Open Cities: Mimicry, Sexuality, and Class Dynamics in the Urban Landscape of Cinema Novo
Bruce Williams
Chapter 3: "Unreal City": The Aesthetics of Commitment in Pratidwandi and Interview
Koel Banerjee
Chapter 4: The Peruvian Kuntur Group: A Marxist- Indigenist Filmmaking Practice
Isabel Segui
Part 2: Comparative Readings
Chapter 5: Third Cinema in the 21st century: political utopia in the new documentary films of Fernando Solanas
Mariano Paz
Chapter 6: Third Cinema after the turn of the millennium: Reification of the sign and the possibility of transformation
Paulina Aroch and Andre Dorce
Chapter 7: We Have Never Been Transnational: The Female Condition in Socialist Realism, Postsocialism, and Third Cinema
Lucian Tion
Part 3: Third Cinema versus World Cinema
Chapter 8: Dialogical Encounters on the Cinema of Revolution: Save the Children Fund Film and Metalepsis in Black
David Archibald and Finn Daniels-Yeomans
Chapter 9: Newsreel Front: A Revived Vision of Third Cinema in Slovenia
Andrej Sprah
Chapter 10: Listening to the Future: The Film- Philosophy of Abderrahmane Sissako
William Brown
Chapter 11: Class, Gender and Ethnicity in Alfonso Cuaron's Roma
Ewa Mazierska
Chapter 12: 'After' or Back to Third Cinema? Plebeian Film, the National Popular, Fingernails and the Resilient Behemoth
Enrique Uribe-Jongbloed and Toby Miller
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Introduction: Ewa Mazierska and Lars Kristensen
Part 1: Revisiting Films
Chapter 1: Exporting Cinemarxism in the 1960s: The Case of Soy Cuba
Andrei Rogatchevski
Chapter 2: Brazil's Open Cities: Mimicry, Sexuality, and Class Dynamics in the Urban Landscape of Cinema Novo
Bruce Williams
Chapter 3: "Unreal City": The Aesthetics of Commitment in Pratidwandi and Interview
Koel Banerjee
Chapter 4: The Peruvian Kuntur Group: A Marxist- Indigenist Filmmaking Practice
Isabel Segui
Part 2: Comparative Readings
Chapter 5: Third Cinema in the 21st century: political utopia in the new documentary films of Fernando Solanas
Mariano Paz
Chapter 6: Third Cinema after the turn of the millennium: Reification of the sign and the possibility of transformation
Paulina Aroch and Andre Dorce
Chapter 7: We Have Never Been Transnational: The Female Condition in Socialist Realism, Postsocialism, and Third Cinema
Lucian Tion
Part 3: Third Cinema versus World Cinema
Chapter 8: Dialogical Encounters on the Cinema of Revolution: Save the Children Fund Film and Metalepsis in Black
David Archibald and Finn Daniels-Yeomans
Chapter 9: Newsreel Front: A Revived Vision of Third Cinema in Slovenia
Andrej Sprah
Chapter 10: Listening to the Future: The Film- Philosophy of Abderrahmane Sissako
William Brown
Chapter 11: Class, Gender and Ethnicity in Alfonso Cuaron's Roma
Ewa Mazierska
Chapter 12: 'After' or Back to Third Cinema? Plebeian Film, the National Popular, Fingernails and the Resilient Behemoth
Enrique Uribe-Jongbloed and Toby Miller
Index
Part 1: Revisiting Films
Chapter 1: Exporting Cinemarxism in the 1960s: The Case of Soy Cuba
Andrei Rogatchevski
Chapter 2: Brazil's Open Cities: Mimicry, Sexuality, and Class Dynamics in the Urban Landscape of Cinema Novo
Bruce Williams
Chapter 3: "Unreal City": The Aesthetics of Commitment in Pratidwandi and Interview
Koel Banerjee
Chapter 4: The Peruvian Kuntur Group: A Marxist- Indigenist Filmmaking Practice
Isabel Segui
Part 2: Comparative Readings
Chapter 5: Third Cinema in the 21st century: political utopia in the new documentary films of Fernando Solanas
Mariano Paz
Chapter 6: Third Cinema after the turn of the millennium: Reification of the sign and the possibility of transformation
Paulina Aroch and Andre Dorce
Chapter 7: We Have Never Been Transnational: The Female Condition in Socialist Realism, Postsocialism, and Third Cinema
Lucian Tion
Part 3: Third Cinema versus World Cinema
Chapter 8: Dialogical Encounters on the Cinema of Revolution: Save the Children Fund Film and Metalepsis in Black
David Archibald and Finn Daniels-Yeomans
Chapter 9: Newsreel Front: A Revived Vision of Third Cinema in Slovenia
Andrej Sprah
Chapter 10: Listening to the Future: The Film- Philosophy of Abderrahmane Sissako
William Brown
Chapter 11: Class, Gender and Ethnicity in Alfonso Cuaron's Roma
Ewa Mazierska
Chapter 12: 'After' or Back to Third Cinema? Plebeian Film, the National Popular, Fingernails and the Resilient Behemoth
Enrique Uribe-Jongbloed and Toby Miller
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.