Theory and Practice of Contrast
portes grátis
Theory and Practice of Contrast
Integrating Science, Art and Philosophy
Stanowski, Mariusz
Taylor & Francis Ltd
08/2024
208
Mole
9780367774394
15 a 20 dias
Descrição não disponível.
Contents
Foreword....................................................................................................................ix
About the Author.......................................................................................................xi
Introduction............................................................................................................. xiii
Chapter 1 Beauty-Existing Views.......................................................................1
Chapter 2 The Concept's Origin............................................................................5
Chapter 3 Analysis of Contrast..............................................................................7
Chapter 4 Analyses of Contrasts in Abstract Visual Structures.......................... 11
Chapter 5 Contrast as Complexity....................................................................... 21
Chapter 6 Contrast as Compression of Information............................................ 31
Chapter 7 Contrast as Development..................................................................... 35
Chapter 8 Contrast as Value................................................................................. 37
Chapter 9 Examples of Contrasts in Artworks.................................................... 39
Chapter 10 Interpretations of Existing Aesthetic Views........................................83
Chapter 11 Contrast and Colour............................................................................97
Chapter 12 Emergence as Contrast...................................................................... 113
Chapter 13 Contrast and Subjectivity.................................................................. 119
Chapter 14 Contrast as Cognition........................................................................ 121
Chapter 15 Mind-Body Problem.......................................................................... 131
Chapter 16 Artificial Intelligence, Self-awareness and Creativity...................... 139
Chapter 17 Contrast as Being.............................................................................. 151
Chapter 18 Contrast and Perception of Reality................................................... 159
Chapter 19 Definition of Information.................................................................. 163
Chapter 20 Binary Model of Universe................................................................. 169
Chapter 21 Conclusions....................................................................................... 195
Index....................................................................................................................... 201
Foreword....................................................................................................................ix
About the Author.......................................................................................................xi
Introduction............................................................................................................. xiii
Chapter 1 Beauty-Existing Views.......................................................................1
Chapter 2 The Concept's Origin............................................................................5
Chapter 3 Analysis of Contrast..............................................................................7
Chapter 4 Analyses of Contrasts in Abstract Visual Structures.......................... 11
Chapter 5 Contrast as Complexity....................................................................... 21
Chapter 6 Contrast as Compression of Information............................................ 31
Chapter 7 Contrast as Development..................................................................... 35
Chapter 8 Contrast as Value................................................................................. 37
Chapter 9 Examples of Contrasts in Artworks.................................................... 39
Chapter 10 Interpretations of Existing Aesthetic Views........................................83
Chapter 11 Contrast and Colour............................................................................97
Chapter 12 Emergence as Contrast...................................................................... 113
Chapter 13 Contrast and Subjectivity.................................................................. 119
Chapter 14 Contrast as Cognition........................................................................ 121
Chapter 15 Mind-Body Problem.......................................................................... 131
Chapter 16 Artificial Intelligence, Self-awareness and Creativity...................... 139
Chapter 17 Contrast as Being.............................................................................. 151
Chapter 18 Contrast and Perception of Reality................................................... 159
Chapter 19 Definition of Information.................................................................. 163
Chapter 20 Binary Model of Universe................................................................. 169
Chapter 21 Conclusions....................................................................................... 195
Index....................................................................................................................... 201
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Double Elements;Cellular Automata;Humanities;Vice Versa;Cognitive science;Differentiating Features;Art theory;De Broglie's Theory;Philosophical analysis;Contrast Mention;Energy Savings;Superimposing;Information Compression;Binary Structures;Aesthetic Attractiveness;Binary Model;Telecommunications;Follow;Thomas Aquinas;Golden Division;Golden Ratio;Observer's Mind;Whitehead's Cosmology;John Scotus Eriugena;Intuitive Criterion;Observer's Memory;Logical Depth;State Hermitage Museum;Structure S1
Contents
Foreword....................................................................................................................ix
About the Author.......................................................................................................xi
Introduction............................................................................................................. xiii
Chapter 1 Beauty-Existing Views.......................................................................1
Chapter 2 The Concept's Origin............................................................................5
Chapter 3 Analysis of Contrast..............................................................................7
Chapter 4 Analyses of Contrasts in Abstract Visual Structures.......................... 11
Chapter 5 Contrast as Complexity....................................................................... 21
Chapter 6 Contrast as Compression of Information............................................ 31
Chapter 7 Contrast as Development..................................................................... 35
Chapter 8 Contrast as Value................................................................................. 37
Chapter 9 Examples of Contrasts in Artworks.................................................... 39
Chapter 10 Interpretations of Existing Aesthetic Views........................................83
Chapter 11 Contrast and Colour............................................................................97
Chapter 12 Emergence as Contrast...................................................................... 113
Chapter 13 Contrast and Subjectivity.................................................................. 119
Chapter 14 Contrast as Cognition........................................................................ 121
Chapter 15 Mind-Body Problem.......................................................................... 131
Chapter 16 Artificial Intelligence, Self-awareness and Creativity...................... 139
Chapter 17 Contrast as Being.............................................................................. 151
Chapter 18 Contrast and Perception of Reality................................................... 159
Chapter 19 Definition of Information.................................................................. 163
Chapter 20 Binary Model of Universe................................................................. 169
Chapter 21 Conclusions....................................................................................... 195
Index....................................................................................................................... 201
Foreword....................................................................................................................ix
About the Author.......................................................................................................xi
Introduction............................................................................................................. xiii
Chapter 1 Beauty-Existing Views.......................................................................1
Chapter 2 The Concept's Origin............................................................................5
Chapter 3 Analysis of Contrast..............................................................................7
Chapter 4 Analyses of Contrasts in Abstract Visual Structures.......................... 11
Chapter 5 Contrast as Complexity....................................................................... 21
Chapter 6 Contrast as Compression of Information............................................ 31
Chapter 7 Contrast as Development..................................................................... 35
Chapter 8 Contrast as Value................................................................................. 37
Chapter 9 Examples of Contrasts in Artworks.................................................... 39
Chapter 10 Interpretations of Existing Aesthetic Views........................................83
Chapter 11 Contrast and Colour............................................................................97
Chapter 12 Emergence as Contrast...................................................................... 113
Chapter 13 Contrast and Subjectivity.................................................................. 119
Chapter 14 Contrast as Cognition........................................................................ 121
Chapter 15 Mind-Body Problem.......................................................................... 131
Chapter 16 Artificial Intelligence, Self-awareness and Creativity...................... 139
Chapter 17 Contrast as Being.............................................................................. 151
Chapter 18 Contrast and Perception of Reality................................................... 159
Chapter 19 Definition of Information.................................................................. 163
Chapter 20 Binary Model of Universe................................................................. 169
Chapter 21 Conclusions....................................................................................... 195
Index....................................................................................................................... 201
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Double Elements;Cellular Automata;Humanities;Vice Versa;Cognitive science;Differentiating Features;Art theory;De Broglie's Theory;Philosophical analysis;Contrast Mention;Energy Savings;Superimposing;Information Compression;Binary Structures;Aesthetic Attractiveness;Binary Model;Telecommunications;Follow;Thomas Aquinas;Golden Division;Golden Ratio;Observer's Mind;Whitehead's Cosmology;John Scotus Eriugena;Intuitive Criterion;Observer's Memory;Logical Depth;State Hermitage Museum;Structure S1
