Wood Engravers' Self-Portrait
portes grátis
Wood Engravers' Self-Portrait
The Dalziel Archive and Victorian Illustration
Stevens, Bethan
Manchester University Press
06/2022
408
Dura
Inglês
9781526156662
15 a 20 dias
Descrição não disponível.
Introduction Approaching engravings: medium and the parasite
1 A wordless memoir: the illustrator as archivist
Part I The Dalziel family and their 'woodpecker' employees, 1839-1893
2 'The print of [her] feet' (Wordsworth): the wood engravers' self portrait
3 Ruskin's sinisterity: disjointed hands and brains, and the division of art labour
4 Barnaby Rudge and 'the atmosphere of letters' (Craik): apprenticeship, education and employment
5 Ghostwriting the line of the other: Wilkie Collins's After Dark, and Dalziel's freelance engravers
6 'This midnight forger' (Trollope): signatures, authorship, and relations between engravers and draughtspeople
Part II Medium and technique at Dalziel Brothers
7 'Off with her head!' (Carroll): execution, technical violence, and the discipline of visual culture
8 'These many ingenious adaptations of photography' (Dalziel): photography and wood engraving, from Eadweard Muybridge to Julia Margaret Cameron
9 'A peculiar brilliancy of black' (DeVinne): the colour of monochrome, and Thomas Dalziel's The May Queen
10 Speed, print, news
Conclusion
11 Greedy rats -- .
1 A wordless memoir: the illustrator as archivist
Part I The Dalziel family and their 'woodpecker' employees, 1839-1893
2 'The print of [her] feet' (Wordsworth): the wood engravers' self portrait
3 Ruskin's sinisterity: disjointed hands and brains, and the division of art labour
4 Barnaby Rudge and 'the atmosphere of letters' (Craik): apprenticeship, education and employment
5 Ghostwriting the line of the other: Wilkie Collins's After Dark, and Dalziel's freelance engravers
6 'This midnight forger' (Trollope): signatures, authorship, and relations between engravers and draughtspeople
Part II Medium and technique at Dalziel Brothers
7 'Off with her head!' (Carroll): execution, technical violence, and the discipline of visual culture
8 'These many ingenious adaptations of photography' (Dalziel): photography and wood engraving, from Eadweard Muybridge to Julia Margaret Cameron
9 'A peculiar brilliancy of black' (DeVinne): the colour of monochrome, and Thomas Dalziel's The May Queen
10 Speed, print, news
Conclusion
11 Greedy rats -- .
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
wood engraving medium; mass media illustration; word-image theory; user-generated archives; visual memoir; Dalziel Brothers; Charles Dickens; technicians' authorship; Alice in Wonderland; print techniques
Introduction Approaching engravings: medium and the parasite
1 A wordless memoir: the illustrator as archivist
Part I The Dalziel family and their 'woodpecker' employees, 1839-1893
2 'The print of [her] feet' (Wordsworth): the wood engravers' self portrait
3 Ruskin's sinisterity: disjointed hands and brains, and the division of art labour
4 Barnaby Rudge and 'the atmosphere of letters' (Craik): apprenticeship, education and employment
5 Ghostwriting the line of the other: Wilkie Collins's After Dark, and Dalziel's freelance engravers
6 'This midnight forger' (Trollope): signatures, authorship, and relations between engravers and draughtspeople
Part II Medium and technique at Dalziel Brothers
7 'Off with her head!' (Carroll): execution, technical violence, and the discipline of visual culture
8 'These many ingenious adaptations of photography' (Dalziel): photography and wood engraving, from Eadweard Muybridge to Julia Margaret Cameron
9 'A peculiar brilliancy of black' (DeVinne): the colour of monochrome, and Thomas Dalziel's The May Queen
10 Speed, print, news
Conclusion
11 Greedy rats -- .
1 A wordless memoir: the illustrator as archivist
Part I The Dalziel family and their 'woodpecker' employees, 1839-1893
2 'The print of [her] feet' (Wordsworth): the wood engravers' self portrait
3 Ruskin's sinisterity: disjointed hands and brains, and the division of art labour
4 Barnaby Rudge and 'the atmosphere of letters' (Craik): apprenticeship, education and employment
5 Ghostwriting the line of the other: Wilkie Collins's After Dark, and Dalziel's freelance engravers
6 'This midnight forger' (Trollope): signatures, authorship, and relations between engravers and draughtspeople
Part II Medium and technique at Dalziel Brothers
7 'Off with her head!' (Carroll): execution, technical violence, and the discipline of visual culture
8 'These many ingenious adaptations of photography' (Dalziel): photography and wood engraving, from Eadweard Muybridge to Julia Margaret Cameron
9 'A peculiar brilliancy of black' (DeVinne): the colour of monochrome, and Thomas Dalziel's The May Queen
10 Speed, print, news
Conclusion
11 Greedy rats -- .
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
