Visual Culture of Violence After the French Revolution

Visual Culture of Violence After the French Revolution

Graybill, Lela

Taylor & Francis Ltd

10/2024

212

Mole

9781032927398

Pré-lançamento - envio 15 a 20 dias após a sua edição

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List of Illustrations
Acknowledgements
Introduction
1 The Guillotine in Perspective
2 The Limit Case: Philippe-Auguste Hennequin's The Remorse of Orestes at the Salon of 1800
3 Technologies of Witness: Violent Spectacle and the Fualdes Affair
4 A Proximate Violence: Madame Tussaud's Chamber of Horrors
Conclusion
Bibliography
Index
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Young Man;Sophie De Grouchy;eighteenth century;Madame Tussaud's Chamber;nineteenth century;Place De La Revolution;France;RMN Grand Palais;revolutionary France;De Agostini Picture Library;modernity;Photo Credit;executions;Tussaud's Chamber;painting;True Crime Genre;salons;Capital Punishment;print culture;Chatsworth Settlement Trustees;art and politics;Nationale De France;war studies;Tussaud's Exhibition;visual studies;Early Modern Punishment;Daniel Arasse;Charlotte Corday;De Grouchy;Tragic Pleasure;Fait Divers;Goya's Image;Colored Etching;Awful Execution;Erich Lessing;Marquis De Condorcet;Modern Liberal State