Violence of Colonial Photography
portes grátis
Violence of Colonial Photography
Foliard, Daniel
Manchester University Press
11/2022
368
Mole
Inglês
9781526163318
15 a 20 dias
Descrição não disponível.
Foreword by Kim A. Wagner
Introduction
1 Repulsion, erasure, and loss of contrast
2 Photography as power: force and counterforce
3 Depths of field: darkrooms and conflicts prior to the 1890s
4 Conflicts in the lens: from the 1890s to the First World War
5 The public and the private: regimes of visibility
6 Subversion, denunciation, and manipulation
7 The enemy's body
8 Paper cemeteries
9 Invisible wars? Reflections of extra-European conflicts in France and Britain
Conclusion: ceci n'est pas une illustration
Index -- .
Introduction
1 Repulsion, erasure, and loss of contrast
2 Photography as power: force and counterforce
3 Depths of field: darkrooms and conflicts prior to the 1890s
4 Conflicts in the lens: from the 1890s to the First World War
5 The public and the private: regimes of visibility
6 Subversion, denunciation, and manipulation
7 The enemy's body
8 Paper cemeteries
9 Invisible wars? Reflections of extra-European conflicts in France and Britain
Conclusion: ceci n'est pas une illustration
Index -- .
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Conflict photography; war photography; photojournalism; British empire; French empire; colonialism; history of violence; small wars; propaganda; atrocity; Susan Sontag; Crimean War; Abyssinia Expedition; Willoughby Wallace Hooper; Anglo-Burmese War; Mahdist War; Alice Seeley Harris; Boxer rebellion; colonial gaze; Second Boer War; Spion Kop; Russo-Japanese War; Robert Baden-Powell; Voulet-Chanoine Mission; Rabah az-Zubayr; Tania Branigan; Dimitris Xygalatas; Courting India; Papyrus; Cundill History Prize; Prize Winner; British Academy; Book Prize; British Academy Book Prize; Kris Manjapra; Charles Tripp; Gary Younge; Rebecca Earle; Fatima Manji; Rosie Goldsmith; London review Bookshop; Don McCullin; Lee Miller; Undiscovered photographer
Foreword by Kim A. Wagner
Introduction
1 Repulsion, erasure, and loss of contrast
2 Photography as power: force and counterforce
3 Depths of field: darkrooms and conflicts prior to the 1890s
4 Conflicts in the lens: from the 1890s to the First World War
5 The public and the private: regimes of visibility
6 Subversion, denunciation, and manipulation
7 The enemy's body
8 Paper cemeteries
9 Invisible wars? Reflections of extra-European conflicts in France and Britain
Conclusion: ceci n'est pas une illustration
Index -- .
Introduction
1 Repulsion, erasure, and loss of contrast
2 Photography as power: force and counterforce
3 Depths of field: darkrooms and conflicts prior to the 1890s
4 Conflicts in the lens: from the 1890s to the First World War
5 The public and the private: regimes of visibility
6 Subversion, denunciation, and manipulation
7 The enemy's body
8 Paper cemeteries
9 Invisible wars? Reflections of extra-European conflicts in France and Britain
Conclusion: ceci n'est pas une illustration
Index -- .
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Conflict photography; war photography; photojournalism; British empire; French empire; colonialism; history of violence; small wars; propaganda; atrocity; Susan Sontag; Crimean War; Abyssinia Expedition; Willoughby Wallace Hooper; Anglo-Burmese War; Mahdist War; Alice Seeley Harris; Boxer rebellion; colonial gaze; Second Boer War; Spion Kop; Russo-Japanese War; Robert Baden-Powell; Voulet-Chanoine Mission; Rabah az-Zubayr; Tania Branigan; Dimitris Xygalatas; Courting India; Papyrus; Cundill History Prize; Prize Winner; British Academy; Book Prize; British Academy Book Prize; Kris Manjapra; Charles Tripp; Gary Younge; Rebecca Earle; Fatima Manji; Rosie Goldsmith; London review Bookshop; Don McCullin; Lee Miller; Undiscovered photographer
