Thought of Stanley Cavell and Cinema
portes grátis
Thought of Stanley Cavell and Cinema
Turning Anew to the Ontology of Film a Half-Century after The World Viewed
LaRocca, Dr. David
Bloomsbury Publishing Plc
02/2022
336
Mole
Inglês
9781501384073
15 a 20 dias
Descrição não disponível.
Preface: Stanley Cavell and Cinema
Thomas Elsaesser, University of Amsterdam, The Netherlands
Introduction: Philosophy's Claim to Film, Film's Claim to Philosophy
David LaRocca, Cornell University, USA
Part I. Underwriting and Overhearing: Reconceiving Cinematic Ontology and Genre
1. "Assertions in Technique": Tracking the Medial "Thread" in Cavell's Filmic Ontology
Garrett Stewart, University of Iowa, USA
2. Revisiting The World Viewed
Noel Carroll, Graduate Center of the City University of New York, USA
3. The World Heard
Kyle Stevens, Appalachian State University, USA
4. What a Genre of Film Might Be: Medium, Myth, and Morality
Stephen Mulhall, New College, Oxford University, UK
Part II. Interlude: Temperaments for Film
5. My Troubled Relationship with Stanley Cavell: In Pursuit of a Truly Cinematic Conversation
Scott MacDonald, Hamilton College, USA
6. Film as Film and the Personal
William Rothman, University of Miami, USA
Part III. Philosophy, as if Made for Film
7. Between Skepticism and Perfectionism: On Cavell's Melodrama of the Unknown Woman
Robert Sinnerbrink, Macquarie University, Australia
8. Overcoming Skepticism in Casablanca
Thomas E. Wartenberg, Mount Holyoke College, USA
9. A Skeptic's Reprieve: Cavell on Comedy in Shakespeare and the Movies
Lawrence F. Rhu, University of South Carolina, USA
Part IV. Film, as if Made for Philosophy
10. Film Exists in a State of Philosophy: Two Contemporary Cavellian Views
Shawn Loht, Baton Rouge Community College, USA
11. The Conception of Film for the Subject of Television: Moral Education of the Public and a Return to an Aesthetics of the Ordinary
Sandra Laugier, Universite Paris 1 Pantheon Sorbonne, France
12. On Film in Reality: Cavellian Reflections on Skepticism, Belief, and Documentary
Mathew Abbott, Federation University, Australia
13. On the Aesthetics of Amateur Filmmaking in Narrative Cinema: Negotiating Home Movies after Adam's Rib
David LaRocca, Cornell University, USA
Acknowledgements
Index
Contributors
Thomas Elsaesser, University of Amsterdam, The Netherlands
Introduction: Philosophy's Claim to Film, Film's Claim to Philosophy
David LaRocca, Cornell University, USA
Part I. Underwriting and Overhearing: Reconceiving Cinematic Ontology and Genre
1. "Assertions in Technique": Tracking the Medial "Thread" in Cavell's Filmic Ontology
Garrett Stewart, University of Iowa, USA
2. Revisiting The World Viewed
Noel Carroll, Graduate Center of the City University of New York, USA
3. The World Heard
Kyle Stevens, Appalachian State University, USA
4. What a Genre of Film Might Be: Medium, Myth, and Morality
Stephen Mulhall, New College, Oxford University, UK
Part II. Interlude: Temperaments for Film
5. My Troubled Relationship with Stanley Cavell: In Pursuit of a Truly Cinematic Conversation
Scott MacDonald, Hamilton College, USA
6. Film as Film and the Personal
William Rothman, University of Miami, USA
Part III. Philosophy, as if Made for Film
7. Between Skepticism and Perfectionism: On Cavell's Melodrama of the Unknown Woman
Robert Sinnerbrink, Macquarie University, Australia
8. Overcoming Skepticism in Casablanca
Thomas E. Wartenberg, Mount Holyoke College, USA
9. A Skeptic's Reprieve: Cavell on Comedy in Shakespeare and the Movies
Lawrence F. Rhu, University of South Carolina, USA
Part IV. Film, as if Made for Philosophy
10. Film Exists in a State of Philosophy: Two Contemporary Cavellian Views
Shawn Loht, Baton Rouge Community College, USA
11. The Conception of Film for the Subject of Television: Moral Education of the Public and a Return to an Aesthetics of the Ordinary
Sandra Laugier, Universite Paris 1 Pantheon Sorbonne, France
12. On Film in Reality: Cavellian Reflections on Skepticism, Belief, and Documentary
Mathew Abbott, Federation University, Australia
13. On the Aesthetics of Amateur Filmmaking in Narrative Cinema: Negotiating Home Movies after Adam's Rib
David LaRocca, Cornell University, USA
Acknowledgements
Index
Contributors
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Preface: Stanley Cavell and Cinema
Thomas Elsaesser, University of Amsterdam, The Netherlands
Introduction: Philosophy's Claim to Film, Film's Claim to Philosophy
David LaRocca, Cornell University, USA
Part I. Underwriting and Overhearing: Reconceiving Cinematic Ontology and Genre
1. "Assertions in Technique": Tracking the Medial "Thread" in Cavell's Filmic Ontology
Garrett Stewart, University of Iowa, USA
2. Revisiting The World Viewed
Noel Carroll, Graduate Center of the City University of New York, USA
3. The World Heard
Kyle Stevens, Appalachian State University, USA
4. What a Genre of Film Might Be: Medium, Myth, and Morality
Stephen Mulhall, New College, Oxford University, UK
Part II. Interlude: Temperaments for Film
5. My Troubled Relationship with Stanley Cavell: In Pursuit of a Truly Cinematic Conversation
Scott MacDonald, Hamilton College, USA
6. Film as Film and the Personal
William Rothman, University of Miami, USA
Part III. Philosophy, as if Made for Film
7. Between Skepticism and Perfectionism: On Cavell's Melodrama of the Unknown Woman
Robert Sinnerbrink, Macquarie University, Australia
8. Overcoming Skepticism in Casablanca
Thomas E. Wartenberg, Mount Holyoke College, USA
9. A Skeptic's Reprieve: Cavell on Comedy in Shakespeare and the Movies
Lawrence F. Rhu, University of South Carolina, USA
Part IV. Film, as if Made for Philosophy
10. Film Exists in a State of Philosophy: Two Contemporary Cavellian Views
Shawn Loht, Baton Rouge Community College, USA
11. The Conception of Film for the Subject of Television: Moral Education of the Public and a Return to an Aesthetics of the Ordinary
Sandra Laugier, Universite Paris 1 Pantheon Sorbonne, France
12. On Film in Reality: Cavellian Reflections on Skepticism, Belief, and Documentary
Mathew Abbott, Federation University, Australia
13. On the Aesthetics of Amateur Filmmaking in Narrative Cinema: Negotiating Home Movies after Adam's Rib
David LaRocca, Cornell University, USA
Acknowledgements
Index
Contributors
Thomas Elsaesser, University of Amsterdam, The Netherlands
Introduction: Philosophy's Claim to Film, Film's Claim to Philosophy
David LaRocca, Cornell University, USA
Part I. Underwriting and Overhearing: Reconceiving Cinematic Ontology and Genre
1. "Assertions in Technique": Tracking the Medial "Thread" in Cavell's Filmic Ontology
Garrett Stewart, University of Iowa, USA
2. Revisiting The World Viewed
Noel Carroll, Graduate Center of the City University of New York, USA
3. The World Heard
Kyle Stevens, Appalachian State University, USA
4. What a Genre of Film Might Be: Medium, Myth, and Morality
Stephen Mulhall, New College, Oxford University, UK
Part II. Interlude: Temperaments for Film
5. My Troubled Relationship with Stanley Cavell: In Pursuit of a Truly Cinematic Conversation
Scott MacDonald, Hamilton College, USA
6. Film as Film and the Personal
William Rothman, University of Miami, USA
Part III. Philosophy, as if Made for Film
7. Between Skepticism and Perfectionism: On Cavell's Melodrama of the Unknown Woman
Robert Sinnerbrink, Macquarie University, Australia
8. Overcoming Skepticism in Casablanca
Thomas E. Wartenberg, Mount Holyoke College, USA
9. A Skeptic's Reprieve: Cavell on Comedy in Shakespeare and the Movies
Lawrence F. Rhu, University of South Carolina, USA
Part IV. Film, as if Made for Philosophy
10. Film Exists in a State of Philosophy: Two Contemporary Cavellian Views
Shawn Loht, Baton Rouge Community College, USA
11. The Conception of Film for the Subject of Television: Moral Education of the Public and a Return to an Aesthetics of the Ordinary
Sandra Laugier, Universite Paris 1 Pantheon Sorbonne, France
12. On Film in Reality: Cavellian Reflections on Skepticism, Belief, and Documentary
Mathew Abbott, Federation University, Australia
13. On the Aesthetics of Amateur Filmmaking in Narrative Cinema: Negotiating Home Movies after Adam's Rib
David LaRocca, Cornell University, USA
Acknowledgements
Index
Contributors
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
