Screen Censorship Companion

Cinema, Screen Media and Censorship: An Introduction Daniel Biltereyst and Ernest Mathijs

DOI:10.47788/RSDL4520

1. 'Forestalling Controversy': The Production Code Administration and the Mediation of Political Censorship Richard Maltby

DOI:10.47788/AJXR2557

2. A Philosovietic Mode of Film Censorship: A Supplement to Studies of Cold War Italian Film Culture Karol Jozwiak

DOI:10.47788/HHUW8463

3. Censorship of Foreign Films in People's Poland in the Late 1960s and Early 1970s: A Case Study of Films about Hippie Subculture Konrad Klejsa

DOI:10.47788/MWLP4097

4. Sex, Drugs, Violence and/or Nudity: Differences in Film Age Rating Practices and Rationales in Denmark, France, Japan, Norway and the UK Elisabeth Staksrud and Marita Eriksen Haugland

DOI:10.47788/FTMX2611

5. The Last Convulsions of Democracy: Wolfgang Petzet's Pamphlet Verbotene Filme and the Censorship Debate at the Close of the Weimar Republic Viola Ruehse

DOI:10.47788/ODXR8776

6. Party Apparatchiks as Filmmakers: The Film Approval Commissions in Communist Poland, 1955-1970 Mikolaj Kunicki

DOI:10.47788/SNGT2135

7. Majors, Adults, Sex and Violence: Film Censorship under Military Dictatorship in Chile, 1973-1989 Jorge Iturriaga Echeverria

DOI:10.47788/NOXF9829

8. Fighting for a Free Cinema in a Country That Is Not Free: Film Censorship Abolitionism in Argentina (1978-1983) Fernando Ramirez Llorens

DOI:10.47788/XCJE5862

9. Censorship, Criticism and Notions of Quality in Post-War French Cinema Daniel Morgan

DOI:10.47788/RFGD3515

10. Hopes and Fears of Transformation: FOCINE and Informal Practices of Film Censorship in Colombia (1978-1993) Karina Aveyard and Karol Valderrama-Burgos

DOI:10.47788/BEZG4529

11. State Censorship of Debut Films in the 1980s People's Republic of Poland: The Example of the Irzykowski Film Studio Emil Sowinski

DOI:10.47788/SVEO2240

12. Banned in Detroit: The Interconnectedness of Film, Literary and Media Censorship Ben Strassfeld

DOI:10.47788/HBSC1824

13. Splicing Back against the Censors: How Archive/ Counter-Archive Saved the Ontario Board of Censors' Film Censorship Records from Destruction Michael Marlatt

DOI:10.47788/XLVW2388

14. Italian Film Censorship (1948-1976): A Quantitative Analysis Mauro Giori and Tomaso Subini

DOI:10.47788/HIIB3780

15. Historicizing the Censor: Path-Dependent Patterns of Film Censorship in Turkey Ilke Sanlier and Aydin Cam

DOI:10.47788/PRKT5596

16. Don't Be Afraid, It's Only Business: Rethinking the Video Nasties Moral Panic in Thatcher's Britain Mark McKenna

DOI:10.47788/GTGZ8668

17. The Ontario Film Review Board Meets the New French Extremity Daniel Sacco

DOI:10.47788/HJES6116

18. Invisible Censors, Opaque Laws and Surveilled Subjects Julian Petley

DOI:10.47788/EUHI2366

19. What Is a Hard Core? Obscenity, Pornography and Censorship Linda Williams

DOI:10.47788/TMRX1263

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• Teoria e crítica de filmes
• Questões éticas: a censura

cinema; film; censorship; International Relations; screen media; Film Censorship; Regulation of Culture; Cultural Controversies; Political Censorship; Content Regulation; Discipline/Disciplining; politics of control; global cinema; Hollywood; cultural policy; Screen diplomacy