Routledge International Handbook of Practice-Based Research
portes grátis
Routledge International Handbook of Practice-Based Research
Vear, Craig
Taylor & Francis Ltd
10/2024
750
Mole
9781032182209
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Section 1 - Practice-based Research 1.1. Practice-based Research 1.2. Interdisciplinary Perspectives on Practice-based Research 1.3. The Academisation of Creativity and the Morphogenesis of the Practice-Based Researcher 1.4. The Studio and Living Laboratory Models for Practice-based Research 1.5. Practice-based Research at SensiLab 1.6. Working the Space: Augmenting Training for Practice-based Research 1.7. Understanding Doctoral Communities in Practice-based Research 1.8. Research Doctorates in the Arts - A Perspective from Goldsmiths 1.9. The PhD in Visual Arts Practice in the USA: Beyond Elkins' Artists with PhDs 1.10. The Relationship between Practice and Research; Section 2 - Knowledge 2.1. Knowledge 2.2. Theory as an Active Agent in Practice-based Knowledge Development 2.3. Mapping Practitioner Knowledge: A Framework for Identifying New Knowledge through Practice-based Research 2.4. Mapping the Nature of Knowledge in Creative and Practice-based Research 2.5. Un-knowing: A Strategy for Forging New Directions and Innovative Works through Experiential Materiality 2.6. Appreciative Systems in Doing and Supervising Curatorial Practice-based Research 2.7. The Art Object Does Not Embody a Form of Knowledge Revisited 2.8. Research, Shared Knowledge and the Artefact; Section 3 - Method 3.1. Method 3.2. The Common Ground Model for Practice-based Research Design 3.3. Finding the Groove: The Rhythms of Practice-based Research 3.4. Practice-based Research in the Visual Arts: Exploring the Systems of Practice and the Practices of Research 3.5. Crafting Temporality in Design: Reflecting on and Extending the Creation of Chronoscope 3.6. Thinking Together through Practice and Research: Collaborations across Living and Non-living Systems 3.7. Site: An Inventories Approach to Practice-led Research 3.8. Reflective Practice Variants and the Creative Practitioner 3.9. Reflection in Practice: Inter-disciplinary Arts Collaborations in Medical Settings 3.10. Making Reflection-in-Action Happen: Methods for Perceptual Emergence; Section 4 - The Practice-based PhD 4.1. The Practice-based PhD 4.2. A Play Space for Practice-based PhD Research 4.3. The Sound of My Hands Typing: Autoethnography as Reflexive Method in Practice-based Research 4.4. Navigating the Unknown: A Dramaturgical Approach 4.5. The Practice of Practice-Based Research: Challenges and Strategies 4.6. Community-building for Practice-based Doctoral Researchers: Mapping Key Dimensions for Creating Flexible Frameworks 4.7. Strategies for Supporting PhD Practice-based Research: The CTx Ecosystem 4.8. Ethics through an Empathetic Lens: A Human-Centred Approach to Ethics in Practice-based Research 4.9. The Practice-based PhD: Some Practical Considerations; Section 5 - Practitioner Voices 5.1. Practitioner Voices 5.2. A New Framework for Enabling Deep Relational Encounter through Participatory Practice-based Research 5.3. Risk, Creative Spaces and Creative Identity in Creative Technologies Research (or Why it's OK for Academic Creative Technology Outputs to look Scrappy and be Buggy) 5.4. FEEDBACK: Vibrotactile Materials Informing Artistic Practice 5.5. Co-evolving Research and Practice - _derivations and the Performer-developer 5.6. Publishing Practice Research: Reflections of an Editor 5.7. From a PhD to Assisting BioMusic Research 5.8. The Curious Nature of Negotiating Studio-based Practice in PhD Research: Intimate Bodies and Technologies 5.9. Encounters at the Fringe: A Relational Approach to Human-robot Interaction 5.10. The Impact of Public Engagement with Research on a Holographic Practice-based Study 5.11. Project-based Participatory Practice and Research: Reflections on Being 'in the Field' 5.12. Bearing Witness - the Artist within the Medical Landscape: Reflections on a Participatory and Personal Research by Practice 5.13. Organisational Encounters and Speculative Weavings: Questioning a Body of Material 5.14. Improvising as Practice/Research Method 5.15. Dreaming of Utopian Cities: Art, Technology, Creative AI, and New Knowledge 5.16. Curating Interactive Art as a Practice-based Researcher: An Enquiry into the Role of Autoethnography and Reflective Practice 5.17. Please Touch!
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Practice Based Research;Practice-based research;Van Der Vlugt;art as research;Practice Based Research Community;arts-based research;Vice Versa;creative practice as research;Reflective Practice;qualitative research;Public Engagement;research methods in the arts and humanities;Dat;PhD Researcher;PhD Candidate;Literature Review;Dense;Professional Development;Appreciative System;Situational Back Talk;Tacit Knowing;Doctoral Researchers;Doctoral Candidates;Researcher's Practice;Reflective Practice Methods;Visual Arts Practice;Personal Artistic Practice;Interdisciplinary Artistic Practice;Practice Based Research Design;PhD Journey;Art Studio Practice
Section 1 - Practice-based Research 1.1. Practice-based Research 1.2. Interdisciplinary Perspectives on Practice-based Research 1.3. The Academisation of Creativity and the Morphogenesis of the Practice-Based Researcher 1.4. The Studio and Living Laboratory Models for Practice-based Research 1.5. Practice-based Research at SensiLab 1.6. Working the Space: Augmenting Training for Practice-based Research 1.7. Understanding Doctoral Communities in Practice-based Research 1.8. Research Doctorates in the Arts - A Perspective from Goldsmiths 1.9. The PhD in Visual Arts Practice in the USA: Beyond Elkins' Artists with PhDs 1.10. The Relationship between Practice and Research; Section 2 - Knowledge 2.1. Knowledge 2.2. Theory as an Active Agent in Practice-based Knowledge Development 2.3. Mapping Practitioner Knowledge: A Framework for Identifying New Knowledge through Practice-based Research 2.4. Mapping the Nature of Knowledge in Creative and Practice-based Research 2.5. Un-knowing: A Strategy for Forging New Directions and Innovative Works through Experiential Materiality 2.6. Appreciative Systems in Doing and Supervising Curatorial Practice-based Research 2.7. The Art Object Does Not Embody a Form of Knowledge Revisited 2.8. Research, Shared Knowledge and the Artefact; Section 3 - Method 3.1. Method 3.2. The Common Ground Model for Practice-based Research Design 3.3. Finding the Groove: The Rhythms of Practice-based Research 3.4. Practice-based Research in the Visual Arts: Exploring the Systems of Practice and the Practices of Research 3.5. Crafting Temporality in Design: Reflecting on and Extending the Creation of Chronoscope 3.6. Thinking Together through Practice and Research: Collaborations across Living and Non-living Systems 3.7. Site: An Inventories Approach to Practice-led Research 3.8. Reflective Practice Variants and the Creative Practitioner 3.9. Reflection in Practice: Inter-disciplinary Arts Collaborations in Medical Settings 3.10. Making Reflection-in-Action Happen: Methods for Perceptual Emergence; Section 4 - The Practice-based PhD 4.1. The Practice-based PhD 4.2. A Play Space for Practice-based PhD Research 4.3. The Sound of My Hands Typing: Autoethnography as Reflexive Method in Practice-based Research 4.4. Navigating the Unknown: A Dramaturgical Approach 4.5. The Practice of Practice-Based Research: Challenges and Strategies 4.6. Community-building for Practice-based Doctoral Researchers: Mapping Key Dimensions for Creating Flexible Frameworks 4.7. Strategies for Supporting PhD Practice-based Research: The CTx Ecosystem 4.8. Ethics through an Empathetic Lens: A Human-Centred Approach to Ethics in Practice-based Research 4.9. The Practice-based PhD: Some Practical Considerations; Section 5 - Practitioner Voices 5.1. Practitioner Voices 5.2. A New Framework for Enabling Deep Relational Encounter through Participatory Practice-based Research 5.3. Risk, Creative Spaces and Creative Identity in Creative Technologies Research (or Why it's OK for Academic Creative Technology Outputs to look Scrappy and be Buggy) 5.4. FEEDBACK: Vibrotactile Materials Informing Artistic Practice 5.5. Co-evolving Research and Practice - _derivations and the Performer-developer 5.6. Publishing Practice Research: Reflections of an Editor 5.7. From a PhD to Assisting BioMusic Research 5.8. The Curious Nature of Negotiating Studio-based Practice in PhD Research: Intimate Bodies and Technologies 5.9. Encounters at the Fringe: A Relational Approach to Human-robot Interaction 5.10. The Impact of Public Engagement with Research on a Holographic Practice-based Study 5.11. Project-based Participatory Practice and Research: Reflections on Being 'in the Field' 5.12. Bearing Witness - the Artist within the Medical Landscape: Reflections on a Participatory and Personal Research by Practice 5.13. Organisational Encounters and Speculative Weavings: Questioning a Body of Material 5.14. Improvising as Practice/Research Method 5.15. Dreaming of Utopian Cities: Art, Technology, Creative AI, and New Knowledge 5.16. Curating Interactive Art as a Practice-based Researcher: An Enquiry into the Role of Autoethnography and Reflective Practice 5.17. Please Touch!
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Practice Based Research;Practice-based research;Van Der Vlugt;art as research;Practice Based Research Community;arts-based research;Vice Versa;creative practice as research;Reflective Practice;qualitative research;Public Engagement;research methods in the arts and humanities;Dat;PhD Researcher;PhD Candidate;Literature Review;Dense;Professional Development;Appreciative System;Situational Back Talk;Tacit Knowing;Doctoral Researchers;Doctoral Candidates;Researcher's Practice;Reflective Practice Methods;Visual Arts Practice;Personal Artistic Practice;Interdisciplinary Artistic Practice;Practice Based Research Design;PhD Journey;Art Studio Practice
