Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms

Acknowledgments

Introduction

Guillermina De Ferrari and Mariano Siskind

Part I

Not the Way You Remember: Reshuffled Traditions and Historical Formations






Avant-Gardes in Latin America: A Polemical Intervention on Historical and Neo-Vanguardias
Fernando J. Rosenberg






A Material World: On the Literary Invention of the Latin American Queer Body
Javier Guerrero






Economic Impact: Narrative Traces of Money, Crisis, and Work
Alejandra Laera






Neoliberalism in Latin America: Sequences, Struggles, Institutions
Veronica Gago






Gore Capitalism, Borderization, and Fascism 2.0
Sayak Valencia






Formations of Sense
Horacio Legras






What Is Popular Art?
Karen Benezra






Work's Figures, Work's Forms
Sarah Ann Wells






Literature and Revolution in Latin America
Juan E. De Castro






The Reactionary Genealogies of Latin American Literature
Benjamin Loy






The Political Art of Memory in Latin America
Victor Vich and Alexandra Hibbett






Decolonizing Indigenous Literatures
Arturo Arias






Bound to Beauty: The Cultural Politics of Feminist Writerly Formations
Victoria Liendo






Gisele Freund's Latin America: The Cosmopolitan Promises of Modern Photography
Alejandra Uslenghi



Part II

Virtually Anywhere: Dislocated Boundaries and Porous Cartographies




Peopling Latin Americanism
Fernando Degiovanni






Literary Exchanges between Latin America and Spain during the Spanish Civil War
Jesus Cano Reyes






The Orient, the Rim, and the World
Rosario Hubert






Rethinking South-South Globalities: The Indian Connection
Alexandra Ortiz Wallner






Liberian Signifiers and the Crisis of Latin American Cosmopolitan Imaginaries
Mariano Siskind






The End of Landscape: Brumadinho, the Capitalocene, and the Collapse of Form
Jens Andermann






Urban and Environmental Scales of Belonging in the Digital Age
Bruno Carvalho






Natural Borders and Animal Life: Inhabiting Guantanamo
Esther Whitfield






Art and Debt in the Oldest Colony: Creative Resistance in Contemporary Puerto Rican Culture
Charlotte Rogers



Part III

A Bigger Toolbox: Thinking Patterns and Contemporary Interrogations




Being River: Ambient Poetics and Somatic Experiences of More-than-Human Flows
Lisa Blackmore






Ecocriticism
Gisela Heffes






Energy Aesthetics: Sandu Darie's Film Petroleo cubano
Rachel Price






The Afterlives of Biopolitics
Gabriel Giorgi






Infrastructure Studies and Literature in Latin America and the Caribbean
Nicole Fadellin






Afrofuturismo: Aesthetics and Interpretation
Persephone Braham






Birthing Ourselves: Black Womanhood and Epistemological Marronage in Latin American and Caribbean Literatures
Odette Casamayor-Cisneros






A Horizontal Hospitality
Guillermina De Ferrari






Queer and Trans Critique in the Caribbean and Latin America
Lawrence La Fountain-Stokes






The Affective Turn According to Latin America, and Vice-Versa
Cecilia Macon






Sound Studies and Literature in Latin America
Anke Birkenmeier






Imagining and Undoing Masculinity in Jorge Luis Borges's Poetry and Prose Fiction
Idelber Avelar






The Global South, Resistance, and the Anthropocene: A Long Walk in the Great Night
Luis Madureira






El no es: Infrapolitics and the Experience of Tragedy
Gareth Williams



Part IV

Beyond the Book: Unbound Objects and Unfettered Critical Practices




Distorting Latinamericanism
Erin Graff Zivin






Sensationalism
Sergio Delgado Moya






Nature and Labor in Literary Form
Hector Hoyos






Cartonera Publishers: Of Cardboard Boxes and Cultural Capital
Paloma Celis Carbajal






Institutions: Prizes, Presses, and Book Fairs
Gesine Mueller






Material Technologies in Print: Posters and Clippings in Latin American Magazines from the First Half of the Twentieth Century
Antonia Viu




Tracking Dance in Latin American Literature
Michelle Clayton






New Forms of Musical Belonging in Contemporary Brazil
Falina Enriquez






Critical Performances: The Scream, the Green Tide, and the Spider as Embodied Feminist Articulations
Marcela A. Fuentes






Exteriority, Extension, Expansion: Photography and Theatricality in Chilean Arts
Natalia Brizuela






Media Archaeology and e-Literature
Phillip Penix-Tadsen






Experimental Literary Forms in the Digital Age: Sampling Quantum Poetics, Hypermedia Narratives, and Robopoetic Hacking

Scott Weintraub

Index

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Latin America;Cultural Forms;20th Century;21st Century;twentieth century;twenty-first century;Hispanic studies;Latin American studies;Guillermina De Ferrari;Mariano Siskind;Romance Languages;cultural production;contemporary literature;contemporary culture;Latin American Literary Studies;Young Man;Latin American Cultural Production;Diamela Eltit;Vargas Llosa;Latin American Cultural Studies;Latin American Literary;Gabriela Mistral;Human Suffering;Contemporary Latin American Literature;Pablo Neruda;Main Character;Severo Sarduy;Repertorio Americano;Public Infrastructure;Davi Kopenawa;Universidad De Chile;Social Reproduction;Los Detectives Salvajes;Ma Ma;Mario Bellatin;Tv's Remote Control;Vincent Van Gogh;Madre De Dios River;Crime Tabloids