Revolutionary Rhetoric of Hamilton
portes grátis
Revolutionary Rhetoric of Hamilton
Legge, Nancy J.; Louis, Ryan; Legge, Nancy J.; Dosser, Max; Gehrke, Jessica L.; Justice, Jacob; Justice, Jacob; Hubbard, Caleb George; Merriam-Pigg, Ailea G.; Winslow, Luke
Lexington Books
09/2022
236
Dura
Inglês
9781666914443
15 a 20 dias
Descrição não disponível.
Contents
Acknowledgments
Introduction: Turning the World Upside Down
Nancy J. Legge, Jacob Justice, and Luke Winslow
Section I: Revelations About History
"If You Had to Choose": Hamilton, Public Memory, and the Hamilton-Jefferson Rivalry
Talya Peri Slaw and Jacob Justice
Washington Says Good-bye: Examining 'One Last Time' through Public Memory
Jessica L. Gehrke
The Rhetorical Significance of John Laurens in Hamilton: An American Musical
Nancy J. Legge
Da Da Dada Da: The Discourse of the Mad Monarch
Sarah Mayberry Scott
Section II: Revelations About Race
5Casting as a Rhetorical Act: Color-Purposeful Casting and Hamilton's Anti-White
Casting Call
Ailea G. Merriam-Pigg
6Hamilton's Revolutionary Aesthetic: Race, Hip hop, and the American Style
Luke Winslow and Jonathan Veal
7Hamilton, Social Revolution, and the Black Lives Matter Movement
Caleb George Hubbard
Section III: Revelations About Socio-Political Issues
8Immigrants: Getting the Job Done Then and Now
Judith P. Roberts
9The Sphere Where it Happens: Reading Hamilton's Representations of the Public/Private
Sphere as Gendered, Restraining, and Revolutionary
Erika M. Thomas
Section IV: Revelations About Broadway
10Who Lives, Who Dies, Who Tells the Story: Hip-Hope, Antagonist-Narrators, and the
Impact of Musical Genre on Storytelling
Max Dosser and Kevin Pabst
11Aaron Burr vs. Mike Pence: Curtain Speeches and Controversy
Ryan Louis
12Hamilton and the Genre of the Politicized Broadway Musical: Following the Rhetorical Tradition, Twisting the Rhetorical Tradition
Theodore F. Sheckels
Index
About the Authors
Acknowledgments
Introduction: Turning the World Upside Down
Nancy J. Legge, Jacob Justice, and Luke Winslow
Section I: Revelations About History
"If You Had to Choose": Hamilton, Public Memory, and the Hamilton-Jefferson Rivalry
Talya Peri Slaw and Jacob Justice
Washington Says Good-bye: Examining 'One Last Time' through Public Memory
Jessica L. Gehrke
The Rhetorical Significance of John Laurens in Hamilton: An American Musical
Nancy J. Legge
Da Da Dada Da: The Discourse of the Mad Monarch
Sarah Mayberry Scott
Section II: Revelations About Race
5Casting as a Rhetorical Act: Color-Purposeful Casting and Hamilton's Anti-White
Casting Call
Ailea G. Merriam-Pigg
6Hamilton's Revolutionary Aesthetic: Race, Hip hop, and the American Style
Luke Winslow and Jonathan Veal
7Hamilton, Social Revolution, and the Black Lives Matter Movement
Caleb George Hubbard
Section III: Revelations About Socio-Political Issues
8Immigrants: Getting the Job Done Then and Now
Judith P. Roberts
9The Sphere Where it Happens: Reading Hamilton's Representations of the Public/Private
Sphere as Gendered, Restraining, and Revolutionary
Erika M. Thomas
Section IV: Revelations About Broadway
10Who Lives, Who Dies, Who Tells the Story: Hip-Hope, Antagonist-Narrators, and the
Impact of Musical Genre on Storytelling
Max Dosser and Kevin Pabst
11Aaron Burr vs. Mike Pence: Curtain Speeches and Controversy
Ryan Louis
12Hamilton and the Genre of the Politicized Broadway Musical: Following the Rhetorical Tradition, Twisting the Rhetorical Tradition
Theodore F. Sheckels
Index
About the Authors
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Musical Theater;Narrative;Performance;Popular Culture;Public Memory;Race;Slavery;Visual Rhetoric
Contents
Acknowledgments
Introduction: Turning the World Upside Down
Nancy J. Legge, Jacob Justice, and Luke Winslow
Section I: Revelations About History
"If You Had to Choose": Hamilton, Public Memory, and the Hamilton-Jefferson Rivalry
Talya Peri Slaw and Jacob Justice
Washington Says Good-bye: Examining 'One Last Time' through Public Memory
Jessica L. Gehrke
The Rhetorical Significance of John Laurens in Hamilton: An American Musical
Nancy J. Legge
Da Da Dada Da: The Discourse of the Mad Monarch
Sarah Mayberry Scott
Section II: Revelations About Race
5Casting as a Rhetorical Act: Color-Purposeful Casting and Hamilton's Anti-White
Casting Call
Ailea G. Merriam-Pigg
6Hamilton's Revolutionary Aesthetic: Race, Hip hop, and the American Style
Luke Winslow and Jonathan Veal
7Hamilton, Social Revolution, and the Black Lives Matter Movement
Caleb George Hubbard
Section III: Revelations About Socio-Political Issues
8Immigrants: Getting the Job Done Then and Now
Judith P. Roberts
9The Sphere Where it Happens: Reading Hamilton's Representations of the Public/Private
Sphere as Gendered, Restraining, and Revolutionary
Erika M. Thomas
Section IV: Revelations About Broadway
10Who Lives, Who Dies, Who Tells the Story: Hip-Hope, Antagonist-Narrators, and the
Impact of Musical Genre on Storytelling
Max Dosser and Kevin Pabst
11Aaron Burr vs. Mike Pence: Curtain Speeches and Controversy
Ryan Louis
12Hamilton and the Genre of the Politicized Broadway Musical: Following the Rhetorical Tradition, Twisting the Rhetorical Tradition
Theodore F. Sheckels
Index
About the Authors
Acknowledgments
Introduction: Turning the World Upside Down
Nancy J. Legge, Jacob Justice, and Luke Winslow
Section I: Revelations About History
"If You Had to Choose": Hamilton, Public Memory, and the Hamilton-Jefferson Rivalry
Talya Peri Slaw and Jacob Justice
Washington Says Good-bye: Examining 'One Last Time' through Public Memory
Jessica L. Gehrke
The Rhetorical Significance of John Laurens in Hamilton: An American Musical
Nancy J. Legge
Da Da Dada Da: The Discourse of the Mad Monarch
Sarah Mayberry Scott
Section II: Revelations About Race
5Casting as a Rhetorical Act: Color-Purposeful Casting and Hamilton's Anti-White
Casting Call
Ailea G. Merriam-Pigg
6Hamilton's Revolutionary Aesthetic: Race, Hip hop, and the American Style
Luke Winslow and Jonathan Veal
7Hamilton, Social Revolution, and the Black Lives Matter Movement
Caleb George Hubbard
Section III: Revelations About Socio-Political Issues
8Immigrants: Getting the Job Done Then and Now
Judith P. Roberts
9The Sphere Where it Happens: Reading Hamilton's Representations of the Public/Private
Sphere as Gendered, Restraining, and Revolutionary
Erika M. Thomas
Section IV: Revelations About Broadway
10Who Lives, Who Dies, Who Tells the Story: Hip-Hope, Antagonist-Narrators, and the
Impact of Musical Genre on Storytelling
Max Dosser and Kevin Pabst
11Aaron Burr vs. Mike Pence: Curtain Speeches and Controversy
Ryan Louis
12Hamilton and the Genre of the Politicized Broadway Musical: Following the Rhetorical Tradition, Twisting the Rhetorical Tradition
Theodore F. Sheckels
Index
About the Authors
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
