Palgrave Handbook of Music and Sound in Peak TV
portes grátis
Palgrave Handbook of Music and Sound in Peak TV
K. Halfyard, Janet; Reyland, Nicholas
Springer International Publishing AG
12/2024
550
Dura
9783031629891
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Part I: Concepts and Aesthetics. 1: Ostentatious Scoring: Bewitching the Complex TV Audience from The Sopranos to Wednesday; Nicholas Reyland. 2: Engaging Viewers in Peak TV through Music and Sound; David W. R. Brown.- 3: Music and Memory in Peak TV; S. Andrew Granade.- 4: Small Screen Silents: Peak TV, Ostentatious Sonic Absence, and the Neo-Silent Aesthetic; Peter Adams.- 5: Establishing the Musical Epic in Peak TV: Stranger Things (2016-) and Tales From the Loop (2020); Matt Lawson.- 6: Sounds of Menace: Geo-Immersive Music in Nordic Noirs; Michael Baumgartner.- 7: Congruous Incongruities?: Scoring the Complexities of the Antihero in Peak TV; David Ireland.- Part II: Practices and Production.- 8: The HBO Musical Effect: Musical Innovation and Transformation in the Era of Peak TV; Janet K. Halfyard.- 9: The UK's Golden Age of TV Branding: Sky Atlantic, Channel 4, and "Quality" American Imports; Melissa Morton.- 10: The Musicality of the Voice in Contemporary Television; Miguel Mera.- 11: An Approach to Scales in Some Twenty-First Century Television Music; Scott Murphy.- 12: Lost in Transcription?: Captioning Music and Sound in Peak Television; James Deaville.- 13: Hans Zimmer, Bleeding Fingers, and the Evolution of Library Music; Toby Huelin.- 14: Peak TV for Kids: Pastiche, Metadiscourse, and the Disney Channel Original Musical; Gregory Camp.- 15: Queer quality?: Reception, Creative Agency, and Excess in the Soundtracks of Ryan Murphy's Horror Television; Catherine Haworth.- Part III: Audiences and Interpretations.- 16: Scoring Complex Delights and Their Open Ends: Ramin Djawadi's Original Compositions for HBO's Westworld (2016-22); Julin Lee.- 17: Beyond Nostalgia: Hearing Anachronism in Westworld and Television's New Golden Age; Alexander Kolassa.- 18: Peak Prostheticity: Westworld's Player Piano and Imperialist Organologies; Naomi Waltham-Smith.- 19: Cinematic Complexity in Peak TV?: Amazon's Rings of Power and the Musical Extension of an Existing Franchise; Dan White.- 20: "This [Sounds like] a True Story": Scoring the Heightened Reality of Noah Hawley's Fargo; Amy Bauer.- 21: The Queen's Gambit and the Three Fantasies of Filmic Media: Image, Narrative, and Sound; Michael L. Klein.- 22: Notes About Nothing: Seinfeld and the End of the Sitcom Theme Song; Nathan Fleshner.- 23: I'll Hear You in Twenty-Five Years: Sonic Identifications in Twin Peaks (1990-91) and Twin Peaks: The Return (2017); Reba A. Wissner.- 24: By (Dis)order of the Peaky Blinders: Trauma and Anachronistic Soundtracking in the Contemporary Period Drama; Natalie Farrell.- 25: Re-Birthing Britain: Sounding Middlebrow Trauma in BBC's Call the Midwife; Erin Johnson-Williams and Michelle Meinhart.
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Peak TV;Television soundtracks;Television sound;Television Music;Westworld;Composition;Musicology
Part I: Concepts and Aesthetics. 1: Ostentatious Scoring: Bewitching the Complex TV Audience from The Sopranos to Wednesday; Nicholas Reyland. 2: Engaging Viewers in Peak TV through Music and Sound; David W. R. Brown.- 3: Music and Memory in Peak TV; S. Andrew Granade.- 4: Small Screen Silents: Peak TV, Ostentatious Sonic Absence, and the Neo-Silent Aesthetic; Peter Adams.- 5: Establishing the Musical Epic in Peak TV: Stranger Things (2016-) and Tales From the Loop (2020); Matt Lawson.- 6: Sounds of Menace: Geo-Immersive Music in Nordic Noirs; Michael Baumgartner.- 7: Congruous Incongruities?: Scoring the Complexities of the Antihero in Peak TV; David Ireland.- Part II: Practices and Production.- 8: The HBO Musical Effect: Musical Innovation and Transformation in the Era of Peak TV; Janet K. Halfyard.- 9: The UK's Golden Age of TV Branding: Sky Atlantic, Channel 4, and "Quality" American Imports; Melissa Morton.- 10: The Musicality of the Voice in Contemporary Television; Miguel Mera.- 11: An Approach to Scales in Some Twenty-First Century Television Music; Scott Murphy.- 12: Lost in Transcription?: Captioning Music and Sound in Peak Television; James Deaville.- 13: Hans Zimmer, Bleeding Fingers, and the Evolution of Library Music; Toby Huelin.- 14: Peak TV for Kids: Pastiche, Metadiscourse, and the Disney Channel Original Musical; Gregory Camp.- 15: Queer quality?: Reception, Creative Agency, and Excess in the Soundtracks of Ryan Murphy's Horror Television; Catherine Haworth.- Part III: Audiences and Interpretations.- 16: Scoring Complex Delights and Their Open Ends: Ramin Djawadi's Original Compositions for HBO's Westworld (2016-22); Julin Lee.- 17: Beyond Nostalgia: Hearing Anachronism in Westworld and Television's New Golden Age; Alexander Kolassa.- 18: Peak Prostheticity: Westworld's Player Piano and Imperialist Organologies; Naomi Waltham-Smith.- 19: Cinematic Complexity in Peak TV?: Amazon's Rings of Power and the Musical Extension of an Existing Franchise; Dan White.- 20: "This [Sounds like] a True Story": Scoring the Heightened Reality of Noah Hawley's Fargo; Amy Bauer.- 21: The Queen's Gambit and the Three Fantasies of Filmic Media: Image, Narrative, and Sound; Michael L. Klein.- 22: Notes About Nothing: Seinfeld and the End of the Sitcom Theme Song; Nathan Fleshner.- 23: I'll Hear You in Twenty-Five Years: Sonic Identifications in Twin Peaks (1990-91) and Twin Peaks: The Return (2017); Reba A. Wissner.- 24: By (Dis)order of the Peaky Blinders: Trauma and Anachronistic Soundtracking in the Contemporary Period Drama; Natalie Farrell.- 25: Re-Birthing Britain: Sounding Middlebrow Trauma in BBC's Call the Midwife; Erin Johnson-Williams and Michelle Meinhart.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
