Othering Museum
portes grátis
Othering Museum
A Case for Non-Selective Curation
Westwater, Carrie
Springer International Publishing AG
06/2024
225
Dura
9783031554315
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Chapter 1. Introduction: setting out the parameters.- Chapter 2. Why is this book called The Othering Museum?.- Chapter 3. Addressing cognitive dissonance in museums.- Chapter 4. The Activist Museum (Janes and Sandell, 2019) a new 'identity' through language?.- Chapter 5. Truth, Power, Participation and Discourse.- Chapter 6. Power and identity.- Chapter 7. Bordieuan [dis]positions: locations of responsibility.- Chapter 8. From Language to languaging: from site of power to sites of openness.- Chapter 9. A profound edge' (hooks, 1989): Theatre as participatory activism.- Chapter 10. Transitioning participant fear: oppressions and symbolic power.- Transitions from Selective Curation to Non - Selective.- Chapter 11. CurioUS and The Intercultural Project.- Chapter 12. Bricks and Mortar.- Chapter 13. The frontstage power of non-selective curation.- Chapter 14. Museums Made Dark.- Chapter 15. Findings from the development phase of NSC: Two 'back stages', how power performs on different pages by skirting the margins.- Chapter 16. Conclusion: Transitioning from selective to non-selective implementations for NSC.- CHAPTER 17. The development of NSC.
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Co-Curation;Museums;Community Arts;Participation;Decision-making;Theatre;Exhibition;Interpretation;Exchange;Community;Power
Chapter 1. Introduction: setting out the parameters.- Chapter 2. Why is this book called The Othering Museum?.- Chapter 3. Addressing cognitive dissonance in museums.- Chapter 4. The Activist Museum (Janes and Sandell, 2019) a new 'identity' through language?.- Chapter 5. Truth, Power, Participation and Discourse.- Chapter 6. Power and identity.- Chapter 7. Bordieuan [dis]positions: locations of responsibility.- Chapter 8. From Language to languaging: from site of power to sites of openness.- Chapter 9. A profound edge' (hooks, 1989): Theatre as participatory activism.- Chapter 10. Transitioning participant fear: oppressions and symbolic power.- Transitions from Selective Curation to Non - Selective.- Chapter 11. CurioUS and The Intercultural Project.- Chapter 12. Bricks and Mortar.- Chapter 13. The frontstage power of non-selective curation.- Chapter 14. Museums Made Dark.- Chapter 15. Findings from the development phase of NSC: Two 'back stages', how power performs on different pages by skirting the margins.- Chapter 16. Conclusion: Transitioning from selective to non-selective implementations for NSC.- CHAPTER 17. The development of NSC.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
