Novel of Neronian Rome and its Multimedial Transformations
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Novel of Neronian Rome and its Multimedial Transformations
Sienkiewicz's Quo vadis
Wozniak, Monika; Wyke, Maria
Oxford University Press
12/2020
350
Dura
Inglês
9780198867531
15 a 20 dias
720
Descrição não disponível.
1: Monika Wo'zniak and Maria Wyke: Introduction
I. Literary Context
2: Jerzy Axer: The Paradoxes of Quo vadis: The Polish Classical Tradition in Action
3: Adam Zio/lkowski: Sienkiewicz and the Topography of Ancient Rome. The Riddle of Ostrianum in Quo vadis
4: Ewa Skwara: Costumes in Henryk Sienkiewicz's Quo vadis and Their Literary and Painterly Sources
5: Ruth Scodel: Quo vadis and Ancient Rome in the United States, 1896-1905
6: Comparing the Reception of Quo Vadis and Ben-Hur in the United States, 1896-1913
II. Quo vadis up to the Second World War
7: David Mayer: Quo vadis on the stage
8: Stella Dagna: Dangerous Liaisons: Quo vadis? (1913, dir. Enrico Guazzoni) and the Previous Theatrical Adaptations of Sienkiewicz's Novel
9: Maria Wyke: Word and Image: Competitive Adaptation in the Feature Film Quo vadis? (1913)
10: Raffaele De Berti & Elisabetta Gagetti: Illustrating Quo vadis in Italy (1900-1925): Between Cultivated Tradition and Popular Culture
11: Ewa Gorecka: Horror amid Sweetness: Kitsch and the Intertextual Strategies of Quo vadis Postcards
III. Quo vadis post the Second World War
12: Jonathan Stubbs: 'A more permanent world': Quo Vadis (1951), Runaway Production, and the Internationalisation of Hollywood
13: Martin M. Winkler: M-G-M's QVO VADIS: From Historical Fiction to Screen Spectacle
14: Monika Wo'zniak: 'O omnivorous powers, hail!': Film Dialogue in Quo Vadis (1951)
15: Monica dall'Asta and Alessandro Faccioli: Ursus as a Serial Figure
16: El:zbieta Ostrowska: The (In)discreet Charm of the Romans: Quo vadis (dir. Jerzy Kawalerowicz, 2001)
I. Literary Context
2: Jerzy Axer: The Paradoxes of Quo vadis: The Polish Classical Tradition in Action
3: Adam Zio/lkowski: Sienkiewicz and the Topography of Ancient Rome. The Riddle of Ostrianum in Quo vadis
4: Ewa Skwara: Costumes in Henryk Sienkiewicz's Quo vadis and Their Literary and Painterly Sources
5: Ruth Scodel: Quo vadis and Ancient Rome in the United States, 1896-1905
6: Comparing the Reception of Quo Vadis and Ben-Hur in the United States, 1896-1913
II. Quo vadis up to the Second World War
7: David Mayer: Quo vadis on the stage
8: Stella Dagna: Dangerous Liaisons: Quo vadis? (1913, dir. Enrico Guazzoni) and the Previous Theatrical Adaptations of Sienkiewicz's Novel
9: Maria Wyke: Word and Image: Competitive Adaptation in the Feature Film Quo vadis? (1913)
10: Raffaele De Berti & Elisabetta Gagetti: Illustrating Quo vadis in Italy (1900-1925): Between Cultivated Tradition and Popular Culture
11: Ewa Gorecka: Horror amid Sweetness: Kitsch and the Intertextual Strategies of Quo vadis Postcards
III. Quo vadis post the Second World War
12: Jonathan Stubbs: 'A more permanent world': Quo Vadis (1951), Runaway Production, and the Internationalisation of Hollywood
13: Martin M. Winkler: M-G-M's QVO VADIS: From Historical Fiction to Screen Spectacle
14: Monika Wo'zniak: 'O omnivorous powers, hail!': Film Dialogue in Quo Vadis (1951)
15: Monica dall'Asta and Alessandro Faccioli: Ursus as a Serial Figure
16: El:zbieta Ostrowska: The (In)discreet Charm of the Romans: Quo vadis (dir. Jerzy Kawalerowicz, 2001)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
1: Monika Wo'zniak and Maria Wyke: Introduction
I. Literary Context
2: Jerzy Axer: The Paradoxes of Quo vadis: The Polish Classical Tradition in Action
3: Adam Zio/lkowski: Sienkiewicz and the Topography of Ancient Rome. The Riddle of Ostrianum in Quo vadis
4: Ewa Skwara: Costumes in Henryk Sienkiewicz's Quo vadis and Their Literary and Painterly Sources
5: Ruth Scodel: Quo vadis and Ancient Rome in the United States, 1896-1905
6: Comparing the Reception of Quo Vadis and Ben-Hur in the United States, 1896-1913
II. Quo vadis up to the Second World War
7: David Mayer: Quo vadis on the stage
8: Stella Dagna: Dangerous Liaisons: Quo vadis? (1913, dir. Enrico Guazzoni) and the Previous Theatrical Adaptations of Sienkiewicz's Novel
9: Maria Wyke: Word and Image: Competitive Adaptation in the Feature Film Quo vadis? (1913)
10: Raffaele De Berti & Elisabetta Gagetti: Illustrating Quo vadis in Italy (1900-1925): Between Cultivated Tradition and Popular Culture
11: Ewa Gorecka: Horror amid Sweetness: Kitsch and the Intertextual Strategies of Quo vadis Postcards
III. Quo vadis post the Second World War
12: Jonathan Stubbs: 'A more permanent world': Quo Vadis (1951), Runaway Production, and the Internationalisation of Hollywood
13: Martin M. Winkler: M-G-M's QVO VADIS: From Historical Fiction to Screen Spectacle
14: Monika Wo'zniak: 'O omnivorous powers, hail!': Film Dialogue in Quo Vadis (1951)
15: Monica dall'Asta and Alessandro Faccioli: Ursus as a Serial Figure
16: El:zbieta Ostrowska: The (In)discreet Charm of the Romans: Quo vadis (dir. Jerzy Kawalerowicz, 2001)
I. Literary Context
2: Jerzy Axer: The Paradoxes of Quo vadis: The Polish Classical Tradition in Action
3: Adam Zio/lkowski: Sienkiewicz and the Topography of Ancient Rome. The Riddle of Ostrianum in Quo vadis
4: Ewa Skwara: Costumes in Henryk Sienkiewicz's Quo vadis and Their Literary and Painterly Sources
5: Ruth Scodel: Quo vadis and Ancient Rome in the United States, 1896-1905
6: Comparing the Reception of Quo Vadis and Ben-Hur in the United States, 1896-1913
II. Quo vadis up to the Second World War
7: David Mayer: Quo vadis on the stage
8: Stella Dagna: Dangerous Liaisons: Quo vadis? (1913, dir. Enrico Guazzoni) and the Previous Theatrical Adaptations of Sienkiewicz's Novel
9: Maria Wyke: Word and Image: Competitive Adaptation in the Feature Film Quo vadis? (1913)
10: Raffaele De Berti & Elisabetta Gagetti: Illustrating Quo vadis in Italy (1900-1925): Between Cultivated Tradition and Popular Culture
11: Ewa Gorecka: Horror amid Sweetness: Kitsch and the Intertextual Strategies of Quo vadis Postcards
III. Quo vadis post the Second World War
12: Jonathan Stubbs: 'A more permanent world': Quo Vadis (1951), Runaway Production, and the Internationalisation of Hollywood
13: Martin M. Winkler: M-G-M's QVO VADIS: From Historical Fiction to Screen Spectacle
14: Monika Wo'zniak: 'O omnivorous powers, hail!': Film Dialogue in Quo Vadis (1951)
15: Monica dall'Asta and Alessandro Faccioli: Ursus as a Serial Figure
16: El:zbieta Ostrowska: The (In)discreet Charm of the Romans: Quo vadis (dir. Jerzy Kawalerowicz, 2001)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
