Musicals of Kander and Ebb
portes grátis
Musicals of Kander and Ebb
Gordon, Robert
Bloomsbury Publishing PLC
08/2024
272
Mole
Inglês
9781350107090
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
Introduction: Kander and Ebb in the Broadway Tradition .
Chapter 1. The Broadway Musical as Popular Culture: Context and Theory
Chapter 2. 'Sing Happy': Flora the Red Menace (1965) and the Invention of the Liza Persona
Chapter 3. Cabaret (1966) as Meta-Musical: Collaborative Visions and Revisions:
Chapter 4. Self-Reflexive Story-Telling: The Happy Time (1968) and Zorba (1968)
Chapter 5. Crime stories as Meta-Musicals: 70, Girls, 70 (1971) and Curtains (2004)
Chapter 6. 'All That Jazz': the Many Lives of Chicago (1975)
Chapter 7. The Acts: Shows for Star Personae - Minnelli (Liza with a Z, 1973, New York, New York and The Act, 1977), Streisand (Funny Lady, 1973) and Bacall (Woman of the Year, 1981)
Chapter 8. The Drama of Conflicting Memories: The Rink (1984)
Chapter 9. The Political is Personal: Kiss of the Spiderwoman (1993)
Chapter 10. Reality and Illusion in Steel Pier (1996): the American Dream as Dance Marathon
Chapter 11. Minstrel Show as Metaphor: The Scottsboro Boys (2010) and the Exposure of American Racism
Chapter 12. Musicalising Modern Drama: Over and Over/All About Us (1998 and 1999) and The Visit (2015)
Conclusion: The Kander and Ebb legacy
Chapter 1. The Broadway Musical as Popular Culture: Context and Theory
Chapter 2. 'Sing Happy': Flora the Red Menace (1965) and the Invention of the Liza Persona
Chapter 3. Cabaret (1966) as Meta-Musical: Collaborative Visions and Revisions:
Chapter 4. Self-Reflexive Story-Telling: The Happy Time (1968) and Zorba (1968)
Chapter 5. Crime stories as Meta-Musicals: 70, Girls, 70 (1971) and Curtains (2004)
Chapter 6. 'All That Jazz': the Many Lives of Chicago (1975)
Chapter 7. The Acts: Shows for Star Personae - Minnelli (Liza with a Z, 1973, New York, New York and The Act, 1977), Streisand (Funny Lady, 1973) and Bacall (Woman of the Year, 1981)
Chapter 8. The Drama of Conflicting Memories: The Rink (1984)
Chapter 9. The Political is Personal: Kiss of the Spiderwoman (1993)
Chapter 10. Reality and Illusion in Steel Pier (1996): the American Dream as Dance Marathon
Chapter 11. Minstrel Show as Metaphor: The Scottsboro Boys (2010) and the Exposure of American Racism
Chapter 12. Musicalising Modern Drama: Over and Over/All About Us (1998 and 1999) and The Visit (2015)
Conclusion: The Kander and Ebb legacy
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Chicago; Cabaret; Golden Age of Musicals; Tony Award Winners; Creative Duos; Some Like it Hot; The Scotsboro Boys
Introduction: Kander and Ebb in the Broadway Tradition .
Chapter 1. The Broadway Musical as Popular Culture: Context and Theory
Chapter 2. 'Sing Happy': Flora the Red Menace (1965) and the Invention of the Liza Persona
Chapter 3. Cabaret (1966) as Meta-Musical: Collaborative Visions and Revisions:
Chapter 4. Self-Reflexive Story-Telling: The Happy Time (1968) and Zorba (1968)
Chapter 5. Crime stories as Meta-Musicals: 70, Girls, 70 (1971) and Curtains (2004)
Chapter 6. 'All That Jazz': the Many Lives of Chicago (1975)
Chapter 7. The Acts: Shows for Star Personae - Minnelli (Liza with a Z, 1973, New York, New York and The Act, 1977), Streisand (Funny Lady, 1973) and Bacall (Woman of the Year, 1981)
Chapter 8. The Drama of Conflicting Memories: The Rink (1984)
Chapter 9. The Political is Personal: Kiss of the Spiderwoman (1993)
Chapter 10. Reality and Illusion in Steel Pier (1996): the American Dream as Dance Marathon
Chapter 11. Minstrel Show as Metaphor: The Scottsboro Boys (2010) and the Exposure of American Racism
Chapter 12. Musicalising Modern Drama: Over and Over/All About Us (1998 and 1999) and The Visit (2015)
Conclusion: The Kander and Ebb legacy
Chapter 1. The Broadway Musical as Popular Culture: Context and Theory
Chapter 2. 'Sing Happy': Flora the Red Menace (1965) and the Invention of the Liza Persona
Chapter 3. Cabaret (1966) as Meta-Musical: Collaborative Visions and Revisions:
Chapter 4. Self-Reflexive Story-Telling: The Happy Time (1968) and Zorba (1968)
Chapter 5. Crime stories as Meta-Musicals: 70, Girls, 70 (1971) and Curtains (2004)
Chapter 6. 'All That Jazz': the Many Lives of Chicago (1975)
Chapter 7. The Acts: Shows for Star Personae - Minnelli (Liza with a Z, 1973, New York, New York and The Act, 1977), Streisand (Funny Lady, 1973) and Bacall (Woman of the Year, 1981)
Chapter 8. The Drama of Conflicting Memories: The Rink (1984)
Chapter 9. The Political is Personal: Kiss of the Spiderwoman (1993)
Chapter 10. Reality and Illusion in Steel Pier (1996): the American Dream as Dance Marathon
Chapter 11. Minstrel Show as Metaphor: The Scottsboro Boys (2010) and the Exposure of American Racism
Chapter 12. Musicalising Modern Drama: Over and Over/All About Us (1998 and 1999) and The Visit (2015)
Conclusion: The Kander and Ebb legacy
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
