Great European Stage Directors Volume 2
portes grátis
Great European Stage Directors Volume 2
Meyerhold, Piscator, Brecht
Barnett, David; Shepherd, Simon
Bloomsbury Publishing PLC
12/2021
240
Dura
Inglês
9781474253949
15 a 20 dias
516
Descrição não disponível.
List of Illustrations
Notes on Contributors
Acknowledgements
Introduction to the Series, Simon Shepherd (Royal Central School of Speech and Drama, UK)
Introduction to Volume 2, David Barnett (University of York, UK)
Vsevolod Meyerhold
1. Educating the Director: Meyerhold's Pedagogy for a Theatre of Conventions, Bryan Brown and Olya Petrakova (University of Exeter, UK)
2. Directing Theatrical Space: Meyerhold's Reconstruction of the Theatre, Amy Skinner (University of Hull, UK)
Erwin Piscator
3. Erwin Piscator: Staging Politics in the Weimar Republic, Minou Arjomand (University of Texas at Austin, USA)
4. Moving Theatre Back to the Spotlight: Erwin Piscator's Later Stage Work, Klaus Wannemacher (freelance writer, Germany)
Bertolt Brecht
5. Brecht as Corrector: Directing Away From Conventional Theatre, David Barnett (University of York, UK)
6. Brecht's Perspectives, Then and Now: Class, Gender and the Social Stakes of Performance, Meg Mumford (UNSW Sydney, Australia)
Notes
Bibliography
Index
Notes on Contributors
Acknowledgements
Introduction to the Series, Simon Shepherd (Royal Central School of Speech and Drama, UK)
Introduction to Volume 2, David Barnett (University of York, UK)
Vsevolod Meyerhold
1. Educating the Director: Meyerhold's Pedagogy for a Theatre of Conventions, Bryan Brown and Olya Petrakova (University of Exeter, UK)
2. Directing Theatrical Space: Meyerhold's Reconstruction of the Theatre, Amy Skinner (University of Hull, UK)
Erwin Piscator
3. Erwin Piscator: Staging Politics in the Weimar Republic, Minou Arjomand (University of Texas at Austin, USA)
4. Moving Theatre Back to the Spotlight: Erwin Piscator's Later Stage Work, Klaus Wannemacher (freelance writer, Germany)
Bertolt Brecht
5. Brecht as Corrector: Directing Away From Conventional Theatre, David Barnett (University of York, UK)
6. Brecht's Perspectives, Then and Now: Class, Gender and the Social Stakes of Performance, Meg Mumford (UNSW Sydney, Australia)
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Vsevolod Meyerhold; Vsevolod Meyerkhold; Erwin Piscator; Bertolt Brecht; Brechtian; epic theatre; dialectical theatre; alienation effect; distancing effect; V-effect; theatre studies; directing; directors; theatre directors; theatre practitioners; Moscow Art Theatre; Symbolist plays; Symbolist theatre; nonrealistic theatre; Berliner Ensemble
List of Illustrations
Notes on Contributors
Acknowledgements
Introduction to the Series, Simon Shepherd (Royal Central School of Speech and Drama, UK)
Introduction to Volume 2, David Barnett (University of York, UK)
Vsevolod Meyerhold
1. Educating the Director: Meyerhold's Pedagogy for a Theatre of Conventions, Bryan Brown and Olya Petrakova (University of Exeter, UK)
2. Directing Theatrical Space: Meyerhold's Reconstruction of the Theatre, Amy Skinner (University of Hull, UK)
Erwin Piscator
3. Erwin Piscator: Staging Politics in the Weimar Republic, Minou Arjomand (University of Texas at Austin, USA)
4. Moving Theatre Back to the Spotlight: Erwin Piscator's Later Stage Work, Klaus Wannemacher (freelance writer, Germany)
Bertolt Brecht
5. Brecht as Corrector: Directing Away From Conventional Theatre, David Barnett (University of York, UK)
6. Brecht's Perspectives, Then and Now: Class, Gender and the Social Stakes of Performance, Meg Mumford (UNSW Sydney, Australia)
Notes
Bibliography
Index
Notes on Contributors
Acknowledgements
Introduction to the Series, Simon Shepherd (Royal Central School of Speech and Drama, UK)
Introduction to Volume 2, David Barnett (University of York, UK)
Vsevolod Meyerhold
1. Educating the Director: Meyerhold's Pedagogy for a Theatre of Conventions, Bryan Brown and Olya Petrakova (University of Exeter, UK)
2. Directing Theatrical Space: Meyerhold's Reconstruction of the Theatre, Amy Skinner (University of Hull, UK)
Erwin Piscator
3. Erwin Piscator: Staging Politics in the Weimar Republic, Minou Arjomand (University of Texas at Austin, USA)
4. Moving Theatre Back to the Spotlight: Erwin Piscator's Later Stage Work, Klaus Wannemacher (freelance writer, Germany)
Bertolt Brecht
5. Brecht as Corrector: Directing Away From Conventional Theatre, David Barnett (University of York, UK)
6. Brecht's Perspectives, Then and Now: Class, Gender and the Social Stakes of Performance, Meg Mumford (UNSW Sydney, Australia)
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Vsevolod Meyerhold; Vsevolod Meyerkhold; Erwin Piscator; Bertolt Brecht; Brechtian; epic theatre; dialectical theatre; alienation effect; distancing effect; V-effect; theatre studies; directing; directors; theatre directors; theatre practitioners; Moscow Art Theatre; Symbolist plays; Symbolist theatre; nonrealistic theatre; Berliner Ensemble
