Golden Thread
portes grátis
Golden Thread
Irish Women Playwrights, Volume 1 (1716-1992)
McDonagh, Fiona; Nakase, Justine; Clare, David
Liverpool University Press
07/2021
344
Dura
Inglês
9781800859463
15 a 20 dias
Descrição não disponível.
IntroductionDavid Clare, Fiona McDonagh & Justine Nakase
"There's no Place like old England": Space and Identity in Mary Davys's The Northern Heiress; Or, the Humours of York (1716)
Marguerite Corporaal
"Some tender scenes demand the melting tear": Frances Sheridan's The Discovery (1763) and the Vindication of "Sentimental Comedy"
Conrad Brunstroem
Irish Wit on the London Stage: Elizabeth Griffith's The Platonic Wife (1765)
Cliona O Gallchoir
Deceptive Disabilities in Maria Edgeworth's The Double Disguise (1786): Irish Patriotism, Consumption, and the Martial Male Body
Sonja Lawrenson
Reimagining Maria Edgeworth's The Knapsack (1801) for a Contemporary Young Audience
Fiona McDonagh & Marc Mac Lochlainn
Mary Balfour's Kathleen O'Neil (1814): An Expression or Betrayal of Her Ulster Scots Background?
David Clare
Justice and the "Triple Goddess" Archetypes in Anna Maria Hall's Mabel's Curse (1837)
Ciara Moloney
Operas without a Hero: A Comic Trilogy (1876-1879) by Elena Norton and Mary HeyneMark Fitzgerald
"Petticoats!-petticoats! petticoats!": Sartorial Economics in Clotilde Graves's A Mother of Three (1896)
Justine Nakase
From Gort to Antarctica: Lady Gregory's Audiences and The Rising of the Moon (1903)
Anna Pilz
Lady Gregory's Grania (1912): Myth and Mythology
Shirley-Anne Godfrey
"You have let the play go to pieces": Geraldine Cummins and Susanne R. Day's Fox and Geese (1917) and the Hegemony of the Early Abbey Theatre
Thomas Conway
"Something left over from the Eighteenth Century, undergoing a slow process of decay": The Impotence of the Ascendancy in Mary Manning's Youth's the Season-? (1931)
Ruud van den Beuken
Shape Shifting the Silence: An Analysis of Talk Real Fine, Just Like a Lady (2017) by Amanda Coogan in Collaboration with Dublin Theatre of the Deaf, an Appropriation of Teresa Deevy's The King of Spain's Daughter (1935)
Una Kealy & Kate McCarthy
The Premiere Staging of Mount Prospect (1940) by Elizabeth Connor (the Pen Name of Una Troy) at the Abbey Theatre
Ciara O'Dowd
Corruption and Socio-Political Tensions in Christine Longford's Tankardstown (1948)
Kevin O'Connor
Social Class, Space, and Containment in 1950s Ireland: Maura Laverty's "Dublin Trilogy" (1951-1952)
Cathy Leeney & Deirdre McFeely
Mairead Ni Ghrada's An Triail/On Trial (1964): Hiding Hypocrisy in Plain Sight
Feargal Whelan
Christina Reid: Acts of Memory in Tea in a China Cup (1983), The Belle of the Belfast City (1989), and My Name, Shall I Tell You My Name (1989)
Emilie Pine
Anne Devlin: Depicting a Gendered Journey: Men and Women on The Long March (1984)
Megan W. Minogue
A Partial Eclipse: The Role of the Religious in Patricia Burke Brogan's Eclipsed (1988 / 1992)
Patricia O'Beirne
Coda - What the Woman Sees: Waking Up to Feminist Aesthetics
Cathy Leeney
"There's no Place like old England": Space and Identity in Mary Davys's The Northern Heiress; Or, the Humours of York (1716)
Marguerite Corporaal
"Some tender scenes demand the melting tear": Frances Sheridan's The Discovery (1763) and the Vindication of "Sentimental Comedy"
Conrad Brunstroem
Irish Wit on the London Stage: Elizabeth Griffith's The Platonic Wife (1765)
Cliona O Gallchoir
Deceptive Disabilities in Maria Edgeworth's The Double Disguise (1786): Irish Patriotism, Consumption, and the Martial Male Body
Sonja Lawrenson
Reimagining Maria Edgeworth's The Knapsack (1801) for a Contemporary Young Audience
Fiona McDonagh & Marc Mac Lochlainn
Mary Balfour's Kathleen O'Neil (1814): An Expression or Betrayal of Her Ulster Scots Background?
David Clare
Justice and the "Triple Goddess" Archetypes in Anna Maria Hall's Mabel's Curse (1837)
Ciara Moloney
Operas without a Hero: A Comic Trilogy (1876-1879) by Elena Norton and Mary HeyneMark Fitzgerald
"Petticoats!-petticoats! petticoats!": Sartorial Economics in Clotilde Graves's A Mother of Three (1896)
Justine Nakase
From Gort to Antarctica: Lady Gregory's Audiences and The Rising of the Moon (1903)
Anna Pilz
Lady Gregory's Grania (1912): Myth and Mythology
Shirley-Anne Godfrey
"You have let the play go to pieces": Geraldine Cummins and Susanne R. Day's Fox and Geese (1917) and the Hegemony of the Early Abbey Theatre
Thomas Conway
"Something left over from the Eighteenth Century, undergoing a slow process of decay": The Impotence of the Ascendancy in Mary Manning's Youth's the Season-? (1931)
Ruud van den Beuken
Shape Shifting the Silence: An Analysis of Talk Real Fine, Just Like a Lady (2017) by Amanda Coogan in Collaboration with Dublin Theatre of the Deaf, an Appropriation of Teresa Deevy's The King of Spain's Daughter (1935)
Una Kealy & Kate McCarthy
The Premiere Staging of Mount Prospect (1940) by Elizabeth Connor (the Pen Name of Una Troy) at the Abbey Theatre
Ciara O'Dowd
Corruption and Socio-Political Tensions in Christine Longford's Tankardstown (1948)
Kevin O'Connor
Social Class, Space, and Containment in 1950s Ireland: Maura Laverty's "Dublin Trilogy" (1951-1952)
Cathy Leeney & Deirdre McFeely
Mairead Ni Ghrada's An Triail/On Trial (1964): Hiding Hypocrisy in Plain Sight
Feargal Whelan
Christina Reid: Acts of Memory in Tea in a China Cup (1983), The Belle of the Belfast City (1989), and My Name, Shall I Tell You My Name (1989)
Emilie Pine
Anne Devlin: Depicting a Gendered Journey: Men and Women on The Long March (1984)
Megan W. Minogue
A Partial Eclipse: The Role of the Religious in Patricia Burke Brogan's Eclipsed (1988 / 1992)
Patricia O'Beirne
Coda - What the Woman Sees: Waking Up to Feminist Aesthetics
Cathy Leeney
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Irish theatre;women's writing;Irish studies;counter-canon;theatre history
IntroductionDavid Clare, Fiona McDonagh & Justine Nakase
"There's no Place like old England": Space and Identity in Mary Davys's The Northern Heiress; Or, the Humours of York (1716)
Marguerite Corporaal
"Some tender scenes demand the melting tear": Frances Sheridan's The Discovery (1763) and the Vindication of "Sentimental Comedy"
Conrad Brunstroem
Irish Wit on the London Stage: Elizabeth Griffith's The Platonic Wife (1765)
Cliona O Gallchoir
Deceptive Disabilities in Maria Edgeworth's The Double Disguise (1786): Irish Patriotism, Consumption, and the Martial Male Body
Sonja Lawrenson
Reimagining Maria Edgeworth's The Knapsack (1801) for a Contemporary Young Audience
Fiona McDonagh & Marc Mac Lochlainn
Mary Balfour's Kathleen O'Neil (1814): An Expression or Betrayal of Her Ulster Scots Background?
David Clare
Justice and the "Triple Goddess" Archetypes in Anna Maria Hall's Mabel's Curse (1837)
Ciara Moloney
Operas without a Hero: A Comic Trilogy (1876-1879) by Elena Norton and Mary HeyneMark Fitzgerald
"Petticoats!-petticoats! petticoats!": Sartorial Economics in Clotilde Graves's A Mother of Three (1896)
Justine Nakase
From Gort to Antarctica: Lady Gregory's Audiences and The Rising of the Moon (1903)
Anna Pilz
Lady Gregory's Grania (1912): Myth and Mythology
Shirley-Anne Godfrey
"You have let the play go to pieces": Geraldine Cummins and Susanne R. Day's Fox and Geese (1917) and the Hegemony of the Early Abbey Theatre
Thomas Conway
"Something left over from the Eighteenth Century, undergoing a slow process of decay": The Impotence of the Ascendancy in Mary Manning's Youth's the Season-? (1931)
Ruud van den Beuken
Shape Shifting the Silence: An Analysis of Talk Real Fine, Just Like a Lady (2017) by Amanda Coogan in Collaboration with Dublin Theatre of the Deaf, an Appropriation of Teresa Deevy's The King of Spain's Daughter (1935)
Una Kealy & Kate McCarthy
The Premiere Staging of Mount Prospect (1940) by Elizabeth Connor (the Pen Name of Una Troy) at the Abbey Theatre
Ciara O'Dowd
Corruption and Socio-Political Tensions in Christine Longford's Tankardstown (1948)
Kevin O'Connor
Social Class, Space, and Containment in 1950s Ireland: Maura Laverty's "Dublin Trilogy" (1951-1952)
Cathy Leeney & Deirdre McFeely
Mairead Ni Ghrada's An Triail/On Trial (1964): Hiding Hypocrisy in Plain Sight
Feargal Whelan
Christina Reid: Acts of Memory in Tea in a China Cup (1983), The Belle of the Belfast City (1989), and My Name, Shall I Tell You My Name (1989)
Emilie Pine
Anne Devlin: Depicting a Gendered Journey: Men and Women on The Long March (1984)
Megan W. Minogue
A Partial Eclipse: The Role of the Religious in Patricia Burke Brogan's Eclipsed (1988 / 1992)
Patricia O'Beirne
Coda - What the Woman Sees: Waking Up to Feminist Aesthetics
Cathy Leeney
"There's no Place like old England": Space and Identity in Mary Davys's The Northern Heiress; Or, the Humours of York (1716)
Marguerite Corporaal
"Some tender scenes demand the melting tear": Frances Sheridan's The Discovery (1763) and the Vindication of "Sentimental Comedy"
Conrad Brunstroem
Irish Wit on the London Stage: Elizabeth Griffith's The Platonic Wife (1765)
Cliona O Gallchoir
Deceptive Disabilities in Maria Edgeworth's The Double Disguise (1786): Irish Patriotism, Consumption, and the Martial Male Body
Sonja Lawrenson
Reimagining Maria Edgeworth's The Knapsack (1801) for a Contemporary Young Audience
Fiona McDonagh & Marc Mac Lochlainn
Mary Balfour's Kathleen O'Neil (1814): An Expression or Betrayal of Her Ulster Scots Background?
David Clare
Justice and the "Triple Goddess" Archetypes in Anna Maria Hall's Mabel's Curse (1837)
Ciara Moloney
Operas without a Hero: A Comic Trilogy (1876-1879) by Elena Norton and Mary HeyneMark Fitzgerald
"Petticoats!-petticoats! petticoats!": Sartorial Economics in Clotilde Graves's A Mother of Three (1896)
Justine Nakase
From Gort to Antarctica: Lady Gregory's Audiences and The Rising of the Moon (1903)
Anna Pilz
Lady Gregory's Grania (1912): Myth and Mythology
Shirley-Anne Godfrey
"You have let the play go to pieces": Geraldine Cummins and Susanne R. Day's Fox and Geese (1917) and the Hegemony of the Early Abbey Theatre
Thomas Conway
"Something left over from the Eighteenth Century, undergoing a slow process of decay": The Impotence of the Ascendancy in Mary Manning's Youth's the Season-? (1931)
Ruud van den Beuken
Shape Shifting the Silence: An Analysis of Talk Real Fine, Just Like a Lady (2017) by Amanda Coogan in Collaboration with Dublin Theatre of the Deaf, an Appropriation of Teresa Deevy's The King of Spain's Daughter (1935)
Una Kealy & Kate McCarthy
The Premiere Staging of Mount Prospect (1940) by Elizabeth Connor (the Pen Name of Una Troy) at the Abbey Theatre
Ciara O'Dowd
Corruption and Socio-Political Tensions in Christine Longford's Tankardstown (1948)
Kevin O'Connor
Social Class, Space, and Containment in 1950s Ireland: Maura Laverty's "Dublin Trilogy" (1951-1952)
Cathy Leeney & Deirdre McFeely
Mairead Ni Ghrada's An Triail/On Trial (1964): Hiding Hypocrisy in Plain Sight
Feargal Whelan
Christina Reid: Acts of Memory in Tea in a China Cup (1983), The Belle of the Belfast City (1989), and My Name, Shall I Tell You My Name (1989)
Emilie Pine
Anne Devlin: Depicting a Gendered Journey: Men and Women on The Long March (1984)
Megan W. Minogue
A Partial Eclipse: The Role of the Religious in Patricia Burke Brogan's Eclipsed (1988 / 1992)
Patricia O'Beirne
Coda - What the Woman Sees: Waking Up to Feminist Aesthetics
Cathy Leeney
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
