Creative Worlds of Joseph Joachim
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Creative Worlds of Joseph Joachim
Ellsworth, Therese; Borchard, Prof Dr Beatrix; Kamlah, Ruprecht; Crow, Kimberly; Eshbach, Robert Whitehouse; William P. Horne, William P.; Goertzen, Valerie Woodring; Goertzen, Valerie Woodring; Avins, Styra; Eshbach, Robert Whitehouse
Boydell & Brewer Ltd
12/2021
376
Dura
Inglês
9781783276547
15 a 20 dias
Descrição não disponível.
Introduction: The Creative Worlds of Joseph Joachim
Robert Whitehouse Eshbach
PART ONE: Identity
1. "Of the Highest Good": Joachim's Relationship to Mendelssohn
R. Larry Todd
2. Joseph Joachim and His Jewish Dilemma
Styra Avins
3. Joachim and Romani Musicians: Their Relationship and Common Features in Performance Practice
Mineo Ota
PART TWO: Joachim as Performer4. Joachim's Violins: Spotlights on Some of Them
Ruprecht Kamlah
5. (Re-)Enchanting Performance: Joachim and the Spirit of Beethoven
Karen Leistra-Jones
6. "Thou That Hast Been in England Many a Year": The British Joachim
Ian Maxwell
7. Joachim at the Crystal Palace
Michael Musgrave
8. "Music Was Poured by Perfect Ministrants": Joseph Joachim at the Monday Popular Concerts, London
Therese Ellsworth
9. "Das Quartett-Spiel ist doch wohl mein eigentliches Fach": Joseph Joachim and the String
Quartet
Robert Riggs
10. Professor Joachim and His Pupils
Sanna Pederson
11. Performers as Authors of Music History: Joseph and Amalie Joachim
Beatrix Borchard
12. At the Intersection of Performance and Composition: Joseph Joachim and Brahms's Piano
Quartet in A Major, Op. 26, Movement III
William P. Horne
PART THREE: Joachim as Composer
13. Re-considering the Young Composer-Performer Joseph Joachim, 1841-53
Katharina Uhde
14. "Franz Liszt gewidmet": Joseph Joachim's G-minor Violin Concerto, Op. 3
Vasiliki Papadopoulou
15. Drama and Music in Joachim's Overture to Shakespeare's Henry IV
Valerie Woodring Goertzen
16. "So Gleams the Past, the Light of Other Days": Joachim's Hebraeische Melodien for Viola and Piano, Op. 9 (1853)
Marie Sumner Lott
17. Tovey's View of Joachim's "Hungarian" Violin Concerto
Robert Riggs
Bibliography
Index
Robert Whitehouse Eshbach
PART ONE: Identity
1. "Of the Highest Good": Joachim's Relationship to Mendelssohn
R. Larry Todd
2. Joseph Joachim and His Jewish Dilemma
Styra Avins
3. Joachim and Romani Musicians: Their Relationship and Common Features in Performance Practice
Mineo Ota
PART TWO: Joachim as Performer4. Joachim's Violins: Spotlights on Some of Them
Ruprecht Kamlah
5. (Re-)Enchanting Performance: Joachim and the Spirit of Beethoven
Karen Leistra-Jones
6. "Thou That Hast Been in England Many a Year": The British Joachim
Ian Maxwell
7. Joachim at the Crystal Palace
Michael Musgrave
8. "Music Was Poured by Perfect Ministrants": Joseph Joachim at the Monday Popular Concerts, London
Therese Ellsworth
9. "Das Quartett-Spiel ist doch wohl mein eigentliches Fach": Joseph Joachim and the String
Quartet
Robert Riggs
10. Professor Joachim and His Pupils
Sanna Pederson
11. Performers as Authors of Music History: Joseph and Amalie Joachim
Beatrix Borchard
12. At the Intersection of Performance and Composition: Joseph Joachim and Brahms's Piano
Quartet in A Major, Op. 26, Movement III
William P. Horne
PART THREE: Joachim as Composer
13. Re-considering the Young Composer-Performer Joseph Joachim, 1841-53
Katharina Uhde
14. "Franz Liszt gewidmet": Joseph Joachim's G-minor Violin Concerto, Op. 3
Vasiliki Papadopoulou
15. Drama and Music in Joachim's Overture to Shakespeare's Henry IV
Valerie Woodring Goertzen
16. "So Gleams the Past, the Light of Other Days": Joachim's Hebraeische Melodien for Viola and Piano, Op. 9 (1853)
Marie Sumner Lott
17. Tovey's View of Joachim's "Hungarian" Violin Concerto
Robert Riggs
Bibliography
Index
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Joseph Joachim; violinist; composer; Royal Academy of Music; musician; Austro-Hungarian border; cultural life; musical legacy; music history; Hungarian music; musical influences; artistic identity; musical aesthetics; music culture; musical styles; musical compositions
Introduction: The Creative Worlds of Joseph Joachim
Robert Whitehouse Eshbach
PART ONE: Identity
1. "Of the Highest Good": Joachim's Relationship to Mendelssohn
R. Larry Todd
2. Joseph Joachim and His Jewish Dilemma
Styra Avins
3. Joachim and Romani Musicians: Their Relationship and Common Features in Performance Practice
Mineo Ota
PART TWO: Joachim as Performer4. Joachim's Violins: Spotlights on Some of Them
Ruprecht Kamlah
5. (Re-)Enchanting Performance: Joachim and the Spirit of Beethoven
Karen Leistra-Jones
6. "Thou That Hast Been in England Many a Year": The British Joachim
Ian Maxwell
7. Joachim at the Crystal Palace
Michael Musgrave
8. "Music Was Poured by Perfect Ministrants": Joseph Joachim at the Monday Popular Concerts, London
Therese Ellsworth
9. "Das Quartett-Spiel ist doch wohl mein eigentliches Fach": Joseph Joachim and the String
Quartet
Robert Riggs
10. Professor Joachim and His Pupils
Sanna Pederson
11. Performers as Authors of Music History: Joseph and Amalie Joachim
Beatrix Borchard
12. At the Intersection of Performance and Composition: Joseph Joachim and Brahms's Piano
Quartet in A Major, Op. 26, Movement III
William P. Horne
PART THREE: Joachim as Composer
13. Re-considering the Young Composer-Performer Joseph Joachim, 1841-53
Katharina Uhde
14. "Franz Liszt gewidmet": Joseph Joachim's G-minor Violin Concerto, Op. 3
Vasiliki Papadopoulou
15. Drama and Music in Joachim's Overture to Shakespeare's Henry IV
Valerie Woodring Goertzen
16. "So Gleams the Past, the Light of Other Days": Joachim's Hebraeische Melodien for Viola and Piano, Op. 9 (1853)
Marie Sumner Lott
17. Tovey's View of Joachim's "Hungarian" Violin Concerto
Robert Riggs
Bibliography
Index
Robert Whitehouse Eshbach
PART ONE: Identity
1. "Of the Highest Good": Joachim's Relationship to Mendelssohn
R. Larry Todd
2. Joseph Joachim and His Jewish Dilemma
Styra Avins
3. Joachim and Romani Musicians: Their Relationship and Common Features in Performance Practice
Mineo Ota
PART TWO: Joachim as Performer4. Joachim's Violins: Spotlights on Some of Them
Ruprecht Kamlah
5. (Re-)Enchanting Performance: Joachim and the Spirit of Beethoven
Karen Leistra-Jones
6. "Thou That Hast Been in England Many a Year": The British Joachim
Ian Maxwell
7. Joachim at the Crystal Palace
Michael Musgrave
8. "Music Was Poured by Perfect Ministrants": Joseph Joachim at the Monday Popular Concerts, London
Therese Ellsworth
9. "Das Quartett-Spiel ist doch wohl mein eigentliches Fach": Joseph Joachim and the String
Quartet
Robert Riggs
10. Professor Joachim and His Pupils
Sanna Pederson
11. Performers as Authors of Music History: Joseph and Amalie Joachim
Beatrix Borchard
12. At the Intersection of Performance and Composition: Joseph Joachim and Brahms's Piano
Quartet in A Major, Op. 26, Movement III
William P. Horne
PART THREE: Joachim as Composer
13. Re-considering the Young Composer-Performer Joseph Joachim, 1841-53
Katharina Uhde
14. "Franz Liszt gewidmet": Joseph Joachim's G-minor Violin Concerto, Op. 3
Vasiliki Papadopoulou
15. Drama and Music in Joachim's Overture to Shakespeare's Henry IV
Valerie Woodring Goertzen
16. "So Gleams the Past, the Light of Other Days": Joachim's Hebraeische Melodien for Viola and Piano, Op. 9 (1853)
Marie Sumner Lott
17. Tovey's View of Joachim's "Hungarian" Violin Concerto
Robert Riggs
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
