Bloomsbury Handbook to Cold War Literary Cultures
portes grátis
Bloomsbury Handbook to Cold War Literary Cultures
Barnhisel, Greg
Bloomsbury Publishing PLC
07/2024
456
Mole
Inglês
9781350304536
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
Introduction
SECTION 1: PRODUCTION
1. How the Communist Party Shaped Gwendolyn Brooks's Early Writing: Mary Helen Washington
2. The Cold War Encyclopedic Novel: Jeffrey Severs, University of British Columbia (Canada)
3. Cold War Technology and Women Poets: Linda Kinnahan, Duquesne University (USA)
4. The American Long Poem Evolves, 1945-1990: Ed Brunner, Southern Illinois University (USA)
5. Butler, Le Guin, and Feminist Science Fiction of the Cold War: Katlyn Williams, University of Iowa (USA)
6. Cold War Spy Fiction: Skip Willman, University of South Dakota
7. American Jewish Writers and the Eastern Bloc: Brian Goodman, Arizona State University (USA)
8. Writing the Cold War in the American Academic Novel: Ian Butcher, Fanshawe University (Canada)
SECTION II: CIRCULATION
9. Anglo-American Propaganda and the Transition from the Second World War to the Cultural Cold War: James Smith and Guy Woodward, Durham University (UK)
10. Book Diplomacy: Rosa Magnusdottir and Birgitte Beck Pristed, Aarhus University (Denmark)
11. Closets, Pulps, and the Gay Internationale: Jaime Harker, University of Mississippi (USA)
12. Librarians, Library Diplomacy, and the Cultural Cold War, 1950-1970: Amanda Laugesen, Australian National University (Australia)
13. The Transcription Centre and the Co-Production of African Literary Culture in the 1960s: Asha Rogers, University of Birmingham (UK)
14. Creative Writing and the Cold War: Eric Bennett, Providence College (USA)
15. How Chinese Letters Traveled to Iowa City: P Yi-hung Liu, Academia Sinica (Taiwan)
16. William Faulkner as Cold War Cultural Ambassador: Deborah Cohn, Indiana University (USA)
SECTION III: RECEPTION
17. The Distribution and Reception of American Literature in Cold War Japan: Hiromi Ochi, Senshu University, Tokyo (Japan)
18. Making a Literary Working Class in the Cultural Cold War: Nicole Moore, University of New South Wales (Australia)
19. Anti-Apartheid Imagination, the Cold War-era, and African Literary Magazines: Christopher Ouma, University of Cape Town (South Africa)
20. Cuban Revolutionaries Read U.S. Writers: Russell Cobb, University of Alberta (Canada)
21. "Cultural Freedom" in Cold War India: Laetitia Zecchini, CNRS Paris (France)
22. Robinson Jeffers's Journey behind the Iron Curtain: Jirina Smejkalova, Charles University, Prague (Czech Republic)
23. Reading for Freedom in Cold War America: Kristin Matthews, Brigham Young University (USA)
SECTION 1: PRODUCTION
1. How the Communist Party Shaped Gwendolyn Brooks's Early Writing: Mary Helen Washington
2. The Cold War Encyclopedic Novel: Jeffrey Severs, University of British Columbia (Canada)
3. Cold War Technology and Women Poets: Linda Kinnahan, Duquesne University (USA)
4. The American Long Poem Evolves, 1945-1990: Ed Brunner, Southern Illinois University (USA)
5. Butler, Le Guin, and Feminist Science Fiction of the Cold War: Katlyn Williams, University of Iowa (USA)
6. Cold War Spy Fiction: Skip Willman, University of South Dakota
7. American Jewish Writers and the Eastern Bloc: Brian Goodman, Arizona State University (USA)
8. Writing the Cold War in the American Academic Novel: Ian Butcher, Fanshawe University (Canada)
SECTION II: CIRCULATION
9. Anglo-American Propaganda and the Transition from the Second World War to the Cultural Cold War: James Smith and Guy Woodward, Durham University (UK)
10. Book Diplomacy: Rosa Magnusdottir and Birgitte Beck Pristed, Aarhus University (Denmark)
11. Closets, Pulps, and the Gay Internationale: Jaime Harker, University of Mississippi (USA)
12. Librarians, Library Diplomacy, and the Cultural Cold War, 1950-1970: Amanda Laugesen, Australian National University (Australia)
13. The Transcription Centre and the Co-Production of African Literary Culture in the 1960s: Asha Rogers, University of Birmingham (UK)
14. Creative Writing and the Cold War: Eric Bennett, Providence College (USA)
15. How Chinese Letters Traveled to Iowa City: P Yi-hung Liu, Academia Sinica (Taiwan)
16. William Faulkner as Cold War Cultural Ambassador: Deborah Cohn, Indiana University (USA)
SECTION III: RECEPTION
17. The Distribution and Reception of American Literature in Cold War Japan: Hiromi Ochi, Senshu University, Tokyo (Japan)
18. Making a Literary Working Class in the Cultural Cold War: Nicole Moore, University of New South Wales (Australia)
19. Anti-Apartheid Imagination, the Cold War-era, and African Literary Magazines: Christopher Ouma, University of Cape Town (South Africa)
20. Cuban Revolutionaries Read U.S. Writers: Russell Cobb, University of Alberta (Canada)
21. "Cultural Freedom" in Cold War India: Laetitia Zecchini, CNRS Paris (France)
22. Robinson Jeffers's Journey behind the Iron Curtain: Jirina Smejkalova, Charles University, Prague (Czech Republic)
23. Reading for Freedom in Cold War America: Kristin Matthews, Brigham Young University (USA)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
literary reception; literary production; book history; material culture; literary magazines; American literature; India; South Africa; Taiwan; William Faulkner; Auden; Robinson Jeffers; Velvet Revolution; Japan; Uganda; Cuba; USSR; Czech Republic; Cuban Missile Crisis; Jewish-American Writers; African Literature; Spy Fiction; Women Poets; Cold War Technology; Feminist Literature
Introduction
SECTION 1: PRODUCTION
1. How the Communist Party Shaped Gwendolyn Brooks's Early Writing: Mary Helen Washington
2. The Cold War Encyclopedic Novel: Jeffrey Severs, University of British Columbia (Canada)
3. Cold War Technology and Women Poets: Linda Kinnahan, Duquesne University (USA)
4. The American Long Poem Evolves, 1945-1990: Ed Brunner, Southern Illinois University (USA)
5. Butler, Le Guin, and Feminist Science Fiction of the Cold War: Katlyn Williams, University of Iowa (USA)
6. Cold War Spy Fiction: Skip Willman, University of South Dakota
7. American Jewish Writers and the Eastern Bloc: Brian Goodman, Arizona State University (USA)
8. Writing the Cold War in the American Academic Novel: Ian Butcher, Fanshawe University (Canada)
SECTION II: CIRCULATION
9. Anglo-American Propaganda and the Transition from the Second World War to the Cultural Cold War: James Smith and Guy Woodward, Durham University (UK)
10. Book Diplomacy: Rosa Magnusdottir and Birgitte Beck Pristed, Aarhus University (Denmark)
11. Closets, Pulps, and the Gay Internationale: Jaime Harker, University of Mississippi (USA)
12. Librarians, Library Diplomacy, and the Cultural Cold War, 1950-1970: Amanda Laugesen, Australian National University (Australia)
13. The Transcription Centre and the Co-Production of African Literary Culture in the 1960s: Asha Rogers, University of Birmingham (UK)
14. Creative Writing and the Cold War: Eric Bennett, Providence College (USA)
15. How Chinese Letters Traveled to Iowa City: P Yi-hung Liu, Academia Sinica (Taiwan)
16. William Faulkner as Cold War Cultural Ambassador: Deborah Cohn, Indiana University (USA)
SECTION III: RECEPTION
17. The Distribution and Reception of American Literature in Cold War Japan: Hiromi Ochi, Senshu University, Tokyo (Japan)
18. Making a Literary Working Class in the Cultural Cold War: Nicole Moore, University of New South Wales (Australia)
19. Anti-Apartheid Imagination, the Cold War-era, and African Literary Magazines: Christopher Ouma, University of Cape Town (South Africa)
20. Cuban Revolutionaries Read U.S. Writers: Russell Cobb, University of Alberta (Canada)
21. "Cultural Freedom" in Cold War India: Laetitia Zecchini, CNRS Paris (France)
22. Robinson Jeffers's Journey behind the Iron Curtain: Jirina Smejkalova, Charles University, Prague (Czech Republic)
23. Reading for Freedom in Cold War America: Kristin Matthews, Brigham Young University (USA)
SECTION 1: PRODUCTION
1. How the Communist Party Shaped Gwendolyn Brooks's Early Writing: Mary Helen Washington
2. The Cold War Encyclopedic Novel: Jeffrey Severs, University of British Columbia (Canada)
3. Cold War Technology and Women Poets: Linda Kinnahan, Duquesne University (USA)
4. The American Long Poem Evolves, 1945-1990: Ed Brunner, Southern Illinois University (USA)
5. Butler, Le Guin, and Feminist Science Fiction of the Cold War: Katlyn Williams, University of Iowa (USA)
6. Cold War Spy Fiction: Skip Willman, University of South Dakota
7. American Jewish Writers and the Eastern Bloc: Brian Goodman, Arizona State University (USA)
8. Writing the Cold War in the American Academic Novel: Ian Butcher, Fanshawe University (Canada)
SECTION II: CIRCULATION
9. Anglo-American Propaganda and the Transition from the Second World War to the Cultural Cold War: James Smith and Guy Woodward, Durham University (UK)
10. Book Diplomacy: Rosa Magnusdottir and Birgitte Beck Pristed, Aarhus University (Denmark)
11. Closets, Pulps, and the Gay Internationale: Jaime Harker, University of Mississippi (USA)
12. Librarians, Library Diplomacy, and the Cultural Cold War, 1950-1970: Amanda Laugesen, Australian National University (Australia)
13. The Transcription Centre and the Co-Production of African Literary Culture in the 1960s: Asha Rogers, University of Birmingham (UK)
14. Creative Writing and the Cold War: Eric Bennett, Providence College (USA)
15. How Chinese Letters Traveled to Iowa City: P Yi-hung Liu, Academia Sinica (Taiwan)
16. William Faulkner as Cold War Cultural Ambassador: Deborah Cohn, Indiana University (USA)
SECTION III: RECEPTION
17. The Distribution and Reception of American Literature in Cold War Japan: Hiromi Ochi, Senshu University, Tokyo (Japan)
18. Making a Literary Working Class in the Cultural Cold War: Nicole Moore, University of New South Wales (Australia)
19. Anti-Apartheid Imagination, the Cold War-era, and African Literary Magazines: Christopher Ouma, University of Cape Town (South Africa)
20. Cuban Revolutionaries Read U.S. Writers: Russell Cobb, University of Alberta (Canada)
21. "Cultural Freedom" in Cold War India: Laetitia Zecchini, CNRS Paris (France)
22. Robinson Jeffers's Journey behind the Iron Curtain: Jirina Smejkalova, Charles University, Prague (Czech Republic)
23. Reading for Freedom in Cold War America: Kristin Matthews, Brigham Young University (USA)
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
literary reception; literary production; book history; material culture; literary magazines; American literature; India; South Africa; Taiwan; William Faulkner; Auden; Robinson Jeffers; Velvet Revolution; Japan; Uganda; Cuba; USSR; Czech Republic; Cuban Missile Crisis; Jewish-American Writers; African Literature; Spy Fiction; Women Poets; Cold War Technology; Feminist Literature
