Bloomsbury Handbook of Modernist Archives

Bloomsbury Handbook of Modernist Archives

Feldman, Dr Matthew; Tonning, Dr Erik; Callison, Dr Jamie; Svendsen, Anna

Bloomsbury Publishing PLC

07/2024

384

Dura

9781350450554

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List of Illustrations
A Note on Contributors
Acknowledgements

Introduction: Re-Presenting and Re-Imagining Modernist Archives, Jamie Callison (University of Agder, Norway), Matthew Feldman (University of York, UK), Anna Svendsen (Independent Researcher) and Erik Tonning (NLA University College, Norway)

Part I: Authors
1. Materials from a "World Record": W.B. Yeats and his Archives, Charles I. Armstrong (University of Agder, Norway)
2. 'Will Future Editor Kindly Omit...': Evelyn Waugh in Conversation with his Archives, Barbara Cooke (Loughborough University, UK) and Naomi Milthorpe (University of Tasmania, Australia)
3. 'True to Oneself! Which Self?': Katherine Mansfield in her Letters, Gerri Kimber (University of Northampton, UK)
4. Fragmentary, Elusive, Modernist: The Mina Loy Papers at the Beinecke Rare Book and Manuscript Library, Laura Scuriatti (Bard College Berlin, Germany)
5. Archiving the Intellectual Life: May Sinclair's Workbooks, Rebecca Bowler (Keele University, UK) and Stanislava Dikova (University of Essex, UK)
6. 'Let Me Be Free of Printers': Ezra Pound's Generative Archive, Mark Byron (University of Sydney, Australia)
7. Ransom-ing D.H. Lawrence: The Archive and New Trajectories in Lawrence Studies, Elliott Morsia (Independent Scholar)
8. Archive as Personal 'Disastar': The Malcolm Lowry Collection at the University of British Columbia and Beyond, Chris Ackerley (University of Otago, New Zealand) and Patrick A. McCarthy (University of Miami, USA)
9. Hart Crane's The Bridge: Publishing a Fragmentary Whole, Francesca Bratton (Maynooth University, Ireland)
10. Samuel Beckett's Manuscripts: A Literary Archive in the Digital Age, Olga Beloborodova (University of Antwerp, Belgium), Dirk Van Hulle (University of Oxford, UK) and Pim Verhulst (University of Oxford, UK)
11. Curation, Collaboration and Creativity in the Archives of Virginia Woolf, Jane de Gay (Leeds Trinity University, UK)
12. Beyond Archive Fever: The Complexities of Editing Dorothy Richardson's Oeuvre for the 21st Century, Jo Winning (Monash University, Australia)
13. The Archival In-Life of James Joyce, Ronan Crowley (Goethe University Frankfurt, Germany)
14. From the Oracular Archives': The Dylan Thomas Poetry Archive, John Goodby (Sheffield Hallam University, UK)
15. The Text and 'The Presence': Gertrude Stein's Archives, Isabelle Parkinson (Royal Holloway University of London, UK)
16. Additions and Editions: H.D. and the Archive, Jamie Callison (University of Agder, Norway) and Matte Robinson (St Thomas University, Canada)

Part II: Themes
17. Archives of the Air: The BBC Written Archives Centre and Radio Voices of the Global Anglophone, Ben Fried (University of London, UK)
18. Private Presses and Commercial Concerns: The Modernist Publisher's Archive, Evi Heinz (University of Munster, Germany) and Gareth Mills (Independent Scholar)
19. Fashion: Expanded Histories, New Epistemologies, Sophie Oliver (University of Liverpool, UK)
20. Displacements and Juxtapositions, Emily Ridge (University of Galway, Ireland)
21. Broadcasting the Stories of Katherine Mansfield: The BBC Written Archive Centre, Janet M. Wilson (University of Northampton, UK)
22. Modernist Autobiography, Audience and the Archives, Rod Rosenquist (University of Northampton, UK)
23. Media Archives and Postcolonial/Decolonial Voice, Julie Cyzewski (Murray State University, USA)
24. Coterie Literature and the Affinities of the Archive, Michelle A. Taylor (Emory University, USA)
25. The Modernist Archive Gap: Black Writers and Canonicity in the Digital Era, Amardeep Singh (Lehigh University, USA)
26. Translation in the Global Modernist Archive, Alys Moody (Bard College, USA)

Index
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archival turn; D. H. Lawrence; Malcolm Lowry; Hart Crane; Samuel Beckett; Virginia Woolf; Dylan Thomas; Gertrude Stein; H.D.; James Joyce; Dorothy Richardson; modernist publisher; May Sinclair; Modernist print culture; Katherine Mansfield; autobiography; postcolonial; decolonial; coterie literature; translation