Shakespeare's Auditory Worlds
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Shakespeare's Auditory Worlds
Hearing and Staging Practices, Then and Now
Dunn, Leslie; Cannon, Walter W.; David Bevington; Brown, Elizabeth; Cannon, Walter W.; Doyle, Clio; Curns, Benjamin; Magnus, Laury; Cohen, Ralph Alan; Fallon, Sarah
Fairleigh Dickinson University Press
05/2022
306
Mole
Inglês
9781683932024
15 a 20 dias
Descrição não disponível.
IntroductionListening to Shakespeare's Worlds of Sound
Walter W. Cannon and Laury Magnus
Part I: Sensory Apprehension: Speaking, Hearing, and Seeing on Shakespeare's Stages
"Report me and my cause aright": Hearing the Language of Exhortation in Hamlet and King Lear
David Bevington
Sound and Sight, Sound vs. Sight in Hamlet
Laury Magnus
Hearing and Interfering: Solving Puzzles in Theater Productions of Measure for Measure
Gayle Gaskill
Part II: Hearing Gone Awry: Mishearing, Not Hearing, and Silence
Silence, Mishearing, and Indirection in Much Ado
Caroline Latta
Writing Letters, Hearing Voices: Epistolary Error in Twelfth Night
Walter W. Cannon
Staging "Skimble-skamble stuff": 1 Henry IV and the Welsh Voice
Megan Lloyd and Elizabeth Brown
Part III: Hearing Beyond Words: Shakespeare's Noise, Sounds, and Music
Soundscape for an Offstage Beheading: Shakespeare's Revision of 2 Henry VI 4.1
Stephen Urkowitz
"Fearful and confused cries": Birdsong, Sympathy, and the Fear of Sound in Titus Andronicus
Clio Doyle
"They say it will penetrate": Music as Aural Violation in The Two Gentlemen of Verona and Cymbeline
R. W. Jones
10Hearing Cues in Shakespeare: Instrumental Music and Sound Effects in the Later Plays
Jennifer Linhart Wood
Restructuring Audience at Shakespeare's Globe
Leslie C. Dunn
Part IV: Voices from the Blackfriars Stage
Voices from the Blackfriars Stage: A Virtual Roundtable Discussion from Actors at the American Shakespeare Center:
Benjamin Curns, Sarah Fallon, Allison Glenzer, John Harrell, James Keegan, Patrick Midgley
Hearing on the Blackfriars Stage: A Coda
Ralph Alan Cohen
Walter W. Cannon and Laury Magnus
Part I: Sensory Apprehension: Speaking, Hearing, and Seeing on Shakespeare's Stages
"Report me and my cause aright": Hearing the Language of Exhortation in Hamlet and King Lear
David Bevington
Sound and Sight, Sound vs. Sight in Hamlet
Laury Magnus
Hearing and Interfering: Solving Puzzles in Theater Productions of Measure for Measure
Gayle Gaskill
Part II: Hearing Gone Awry: Mishearing, Not Hearing, and Silence
Silence, Mishearing, and Indirection in Much Ado
Caroline Latta
Writing Letters, Hearing Voices: Epistolary Error in Twelfth Night
Walter W. Cannon
Staging "Skimble-skamble stuff": 1 Henry IV and the Welsh Voice
Megan Lloyd and Elizabeth Brown
Part III: Hearing Beyond Words: Shakespeare's Noise, Sounds, and Music
Soundscape for an Offstage Beheading: Shakespeare's Revision of 2 Henry VI 4.1
Stephen Urkowitz
"Fearful and confused cries": Birdsong, Sympathy, and the Fear of Sound in Titus Andronicus
Clio Doyle
"They say it will penetrate": Music as Aural Violation in The Two Gentlemen of Verona and Cymbeline
R. W. Jones
10Hearing Cues in Shakespeare: Instrumental Music and Sound Effects in the Later Plays
Jennifer Linhart Wood
Restructuring Audience at Shakespeare's Globe
Leslie C. Dunn
Part IV: Voices from the Blackfriars Stage
Voices from the Blackfriars Stage: A Virtual Roundtable Discussion from Actors at the American Shakespeare Center:
Benjamin Curns, Sarah Fallon, Allison Glenzer, John Harrell, James Keegan, Patrick Midgley
Hearing on the Blackfriars Stage: A Coda
Ralph Alan Cohen
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
British Literature;English Literature;hearing Shakespeare;History;Literary Studies;Literature;performance history;Renaissance Studies;Shakespeare;Shakespeare studies;stage practices;Theater performance history;Theater Studies
IntroductionListening to Shakespeare's Worlds of Sound
Walter W. Cannon and Laury Magnus
Part I: Sensory Apprehension: Speaking, Hearing, and Seeing on Shakespeare's Stages
"Report me and my cause aright": Hearing the Language of Exhortation in Hamlet and King Lear
David Bevington
Sound and Sight, Sound vs. Sight in Hamlet
Laury Magnus
Hearing and Interfering: Solving Puzzles in Theater Productions of Measure for Measure
Gayle Gaskill
Part II: Hearing Gone Awry: Mishearing, Not Hearing, and Silence
Silence, Mishearing, and Indirection in Much Ado
Caroline Latta
Writing Letters, Hearing Voices: Epistolary Error in Twelfth Night
Walter W. Cannon
Staging "Skimble-skamble stuff": 1 Henry IV and the Welsh Voice
Megan Lloyd and Elizabeth Brown
Part III: Hearing Beyond Words: Shakespeare's Noise, Sounds, and Music
Soundscape for an Offstage Beheading: Shakespeare's Revision of 2 Henry VI 4.1
Stephen Urkowitz
"Fearful and confused cries": Birdsong, Sympathy, and the Fear of Sound in Titus Andronicus
Clio Doyle
"They say it will penetrate": Music as Aural Violation in The Two Gentlemen of Verona and Cymbeline
R. W. Jones
10Hearing Cues in Shakespeare: Instrumental Music and Sound Effects in the Later Plays
Jennifer Linhart Wood
Restructuring Audience at Shakespeare's Globe
Leslie C. Dunn
Part IV: Voices from the Blackfriars Stage
Voices from the Blackfriars Stage: A Virtual Roundtable Discussion from Actors at the American Shakespeare Center:
Benjamin Curns, Sarah Fallon, Allison Glenzer, John Harrell, James Keegan, Patrick Midgley
Hearing on the Blackfriars Stage: A Coda
Ralph Alan Cohen
Walter W. Cannon and Laury Magnus
Part I: Sensory Apprehension: Speaking, Hearing, and Seeing on Shakespeare's Stages
"Report me and my cause aright": Hearing the Language of Exhortation in Hamlet and King Lear
David Bevington
Sound and Sight, Sound vs. Sight in Hamlet
Laury Magnus
Hearing and Interfering: Solving Puzzles in Theater Productions of Measure for Measure
Gayle Gaskill
Part II: Hearing Gone Awry: Mishearing, Not Hearing, and Silence
Silence, Mishearing, and Indirection in Much Ado
Caroline Latta
Writing Letters, Hearing Voices: Epistolary Error in Twelfth Night
Walter W. Cannon
Staging "Skimble-skamble stuff": 1 Henry IV and the Welsh Voice
Megan Lloyd and Elizabeth Brown
Part III: Hearing Beyond Words: Shakespeare's Noise, Sounds, and Music
Soundscape for an Offstage Beheading: Shakespeare's Revision of 2 Henry VI 4.1
Stephen Urkowitz
"Fearful and confused cries": Birdsong, Sympathy, and the Fear of Sound in Titus Andronicus
Clio Doyle
"They say it will penetrate": Music as Aural Violation in The Two Gentlemen of Verona and Cymbeline
R. W. Jones
10Hearing Cues in Shakespeare: Instrumental Music and Sound Effects in the Later Plays
Jennifer Linhart Wood
Restructuring Audience at Shakespeare's Globe
Leslie C. Dunn
Part IV: Voices from the Blackfriars Stage
Voices from the Blackfriars Stage: A Virtual Roundtable Discussion from Actors at the American Shakespeare Center:
Benjamin Curns, Sarah Fallon, Allison Glenzer, John Harrell, James Keegan, Patrick Midgley
Hearing on the Blackfriars Stage: A Coda
Ralph Alan Cohen
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