Shakespeare's Auditory Worlds

IntroductionListening to Shakespeare's Worlds of Sound

Walter W. Cannon and Laury Magnus

Part I: Sensory Apprehension: Speaking, Hearing, and Seeing on Shakespeare's Stages



"Report me and my cause aright": Hearing the Language of Exhortation in Hamlet and King Lear

David Bevington



Sound and Sight, Sound vs. Sight in Hamlet

Laury Magnus



Hearing and Interfering: Solving Puzzles in Theater Productions of Measure for Measure

Gayle Gaskill

Part II: Hearing Gone Awry: Mishearing, Not Hearing, and Silence



Silence, Mishearing, and Indirection in Much Ado

Caroline Latta



Writing Letters, Hearing Voices: Epistolary Error in Twelfth Night

Walter W. Cannon



Staging "Skimble-skamble stuff": 1 Henry IV and the Welsh Voice

Megan Lloyd and Elizabeth Brown

Part III: Hearing Beyond Words: Shakespeare's Noise, Sounds, and Music



Soundscape for an Offstage Beheading: Shakespeare's Revision of 2 Henry VI 4.1

Stephen Urkowitz



"Fearful and confused cries": Birdsong, Sympathy, and the Fear of Sound in Titus Andronicus

Clio Doyle



"They say it will penetrate": Music as Aural Violation in The Two Gentlemen of Verona and Cymbeline

R. W. Jones

10Hearing Cues in Shakespeare: Instrumental Music and Sound Effects in the Later Plays

Jennifer Linhart Wood



Restructuring Audience at Shakespeare's Globe

Leslie C. Dunn

Part IV: Voices from the Blackfriars Stage

Voices from the Blackfriars Stage: A Virtual Roundtable Discussion from Actors at the American Shakespeare Center:

Benjamin Curns, Sarah Fallon, Allison Glenzer, John Harrell, James Keegan, Patrick Midgley

Hearing on the Blackfriars Stage: A Coda

Ralph Alan Cohen

Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.

• Estudos teatrais
• Produção de Direcçao teatral
• Estudos e crítica shakespeareana

British Literature;English Literature;hearing Shakespeare;History;Literary Studies;Literature;performance history;Renaissance Studies;Shakespeare;Shakespeare studies;stage practices;Theater performance history;Theater Studies